And "antithesis" makes reality and realistic ideas combine and highlight in both directions.
Although "Picking the Lotus on the River" is intended to show the homesickness of the wanderers in the distance, the word "Furong" in the opening "Picking the Lotus on the River" is a homonym of "Furong" in Jiangnan folk songs, which shows that the first four sentences are quite feminine-a woman picked many beautiful flowers and plants in Jiangnan water town and prepared to give them to her sweetheart. But who should I send it to? Because the husband who is desperately in love is still far away and has not come back. Here music sets off sadness, loneliness and sadness!
Then, the sentence "Looking back at my hometown, it's a long way to go in Xiu Yuan" suddenly changed in space. It seems that what appears in front of readers is not a woman who is meditating, but a husband who is "far away". It seems that the heart is connected. Just when a woman misses her husband alone, the distant husband is looking back at his wife's hometown with infinite sadness and yearning.
At this point, the whole poem is like two separate and simultaneous pictures. In fact, the "viewpoint" of these two sentences is still in Jiangnan, which still shows the woman's painful thoughts. However, in terms of artistic techniques, Zhang Yugu's "opposite writing" is adopted, which means "words must be homesick and sigh for thousands of miles", thus creating a wonderful virtual environment of "poetry flying from the opposite side", which makes its intention combine with reality and highlight in both directions.
"Correct writing" makes the expression euphemistic and implicit.
"Without saying a word, it's all romantic." China's classical poetry has long advocated tactfulness and subtlety in expression techniques, and the theme of "Leaving Acacia" is "Picking Hibiscus on the River", which is vividly expressed by "antithesis".
The hero of this poem looks like a woman. On the surface, the whole poem is about the deep sadness of his hometown wife missing her husband. But this is not the case. As Mr. Ma Maoyuan said: "Literati poetry is different from folk songs, and the words of thinking about women are also out of emptiness." Here, the antithesis of "thinking about women" is adopted: "In the sadness of poverty and poverty, I imagine my family's departure from my thoughts through my own feelings, thus showing a kind of depression from two different angles" (Nineteen Ancient Poems by Ma Maoyuan).
Therefore, "Picking Hibiscus on the River" truly shows the anguish of homesickness and homesickness of wanderers. Wanderers who are far away from their relatives in their hometown express their homesickness and anguish by disgruntled and disappointed women, which not only virtualizes the word "homesickness" in the whole article, but also imagines the scene of a wanderer "looking back at his hometown" with the tone of "homesickness" and "confrontation". This poetic expression is not so much a "graceful song" as a "fantasy"!