1, Guo Moruo
Guo Moruo is a representative figure in the field of China's new poetry. No matter what his character is, no one can shake his position in the poetry circle so far. Generally speaking, his poems are magnificent and have reached the realm of harmony between man and nature. 19 19 wrote famous poems such as phoenix nirvana, the earth, my mother, coal in the furnace, etc. Among them, phoenix nirvana is a benchmark in China's new poetry circle, and no one has surpassed it so far. Goddess, the first new poetry collection published by 192 1, is the cornerstone of China's new poetry.
Article picture 1
Guo Moruo
2. Wen Yiduo
After the birth of China's new poems, many people didn't know how to write new poems and couldn't get rid of the shackles of traditional poems. It was not until Wen Yiduo appeared that China's new poems finally had a direction. He put forward a creative theory of "new metrical poetry" on the theory of new poetry. He believes that poetry must have three beauties, namely, beauty of music, beauty of painting and beauty of architecture. The beauty of music refers to the beauty of hearing in poetry, including the beauty of rhythm, flatness, stress, rhyme and pause. It requires harmony, in line with the poet's mood, fluency without awkwardness-this does not include the use of sound for special effects. The beauty of painting means that the vocabulary of poetry should try its best to express colors and colorful pictures. Architectural beauty is put forward by the pointer to the free body, which means that every verse should be symmetrical and every line should be of equal length-this equal length does not mean that the number of words is exactly equal, but that the number of scales should be the same, so that metrical poems can have a symmetrical appearance. With Wen Yiduo's theory as the core, the "Crescent Poetry School" was formed. Wen Yiduo's representative poems include Dead Water, Song of Seven Sons, Red Candle, Song of the Sun, Confession, Discovery and Prayer.
Article picture 2
Wen Yiduo
3. Xu Zhimo
Wen Yiduo completed the theoretical construction of Crescent Poetry, and Xu Zhimo became the best practitioner of Crescent Poetry. Xu Zhimo's poems are fresh and natural, with delicate feelings and far-reaching artistic conception. He is especially good at writing sentimental love poems, which has a great influence on the later creation of new poems. It's a pity that love rat Xu Zhimo died young, otherwise there would be more beautiful poems. Representative works include Farewell to Cambridge, Meeting, Happiness of Snowflakes, Nora in Shi 'an, Listening to Rites at Tianning Temple in Changzhou, I don't know the wind, and Traveling in the Clouds.
Article picture 3
Xu zhimo
4. Dai Wangshu
When the Crescent School developed to a certain stage, many poets accepted the western modern symbolism theory and gradually evolved into a modern poetry school, with Dai Wangshu as the head. On the basis of the melancholy feelings in Dai Wangshu's poems, there are both classical life feelings in his poems. First of all, Dai Wangshu's love poems are obviously influenced by the poets in the late Tang Dynasty in expressing the privacy of love, and they use more female images in expressing love. In a sense, they can even be said to be a modern interpretation of the theme of acacia in Wen and Li's poems. Representative works include Rain Lane, My Memory, I Broken My Palm, Broken Finger, Dreamcatcher and so on.