Zhang Xiaofeng, whose pen names are Xiaofeng, Sankoh and Echo, is a famous third-generation essayist. 194 1, Jinhua, Zhejiang, Tongshan, Jiangsu. After the age of eight, he went to Taiwan Province Province and graduated from Soochow University in Taiwan Province Province, where he taught at Hong Kong Baptist College. He is now a professor at Yangming Medical College in Taiwan Province Province. She is deeply religious and loves to create. There are thirty or forty kinds of novels, essays and plays, which are reprinted in one edition and translated into various languages. In the mid-1960s, he became famous for his prose, and his works were selected 1977 Selected Works of Top Ten Prose Writers in Taiwan Province Province. The editor said, "Her works are China's, nostalgic and modern, and she is very human." Yu Guangzhong once called his article "combining rigidity with softness" and was listed as "the third generation famous essayist". Some people call it "the pen is like the heat of the sun, the frost and snow are innocent, the writing is like the fragrance of cold plum, and the words are like knocking on the ice." Be highly praised. She won the National Literature and Art Awards of Wu Sanlian and Zhongshan City, and was elected as one of the top ten outstanding young women.
Creative process
Zhang Xiaofeng's prose artistic creation can be roughly divided into three consecutive paragraphs. The first paragraph is marked by her first collection of essays, The End of the Carpet, published in 1966. She looks at the world with the eyes of a clever and naive girl, and the world is a clear and spotless gurgling stream. In the second paragraph, like a small stream rushing to a stormy lake, which is intertwined with love and hate, the prose collection Nostalgia Stone (1977), After Walking Down the Red Carpet (1979) to You Have Never Loved (198/kloc) The second period is relatively long. Rebirth Edge (1982) can also be regarded as an extension of this period, from here I am (1984), from your beautiful watershed (1988) and emerald thinking (1990). Let's make a hypothesis here. If Zhang Xiaofeng's prose creation stops at the second paragraph, although she is still one of the outstanding female writers in the history of modern prose in China, and breaks through the narrow and cramped world of ordinary female writers, she is not a prose master with great original brilliance after all. The originality of Zhang Xiaofeng's prose art lies in the second paragraph, especially in the third paragraph of Since I'm Here. Only this third paragraph announces the birth and completion of a prose master, whose purpose is the generation of life and creativity and the poetic interpretation of ontology. The poetic interpretation of life and ontology is the greatest contribution of this woman writer to the history of modern prose in China. She embarked on this poetic way to explain the ontology of life and existence, which has a process of never being fully aware and from imperfection to perfection, but it has its inherent logical inevitability. Zhang Xiaofeng was born in Tongshan, Jiangsu, and Jinhua, Zhejiang. After she was eight years old, she went to Taiwan Province, graduated from Soochow University in Taiwan Province Province, and taught there and elsewhere. She is now a professor at Yangming Medical College in Taiwan Province. She is deeply religious and loves to create. There are thirty or forty novels, essays and plays, which are reprinted in one edition and translated into various languages. He became famous for his prose in the mid-1960s, and 1977 was selected as one of the top ten prose writers in Taiwan Province Province. The editor said, "Her works are China's, homesick, modern and extremely humanized". As early as 1977, 36-year-old Zhang Xiaofeng was rated as "Top Ten Contemporary Prose Writers in China" by Taiwan Province critics, and she was rated as "as hot as the sun and as pure as frost and snow". Every article has the fragrance of Lengmei, and every word can be said to be the first perceptual sketch of her poetic prose. 198 1 year, when her fourth collection of essays "You have never loved" was published, Mr. Yu Guangzhong prefaced the book and called her a "dripping pen" with a storm on her wrist. Zhang Xiaofeng's prose artistic creation can be roughly divided into three consecutive paragraphs. The first paragraph is marked by her first collection of essays, The End of the Carpet, published in 1966. She looks at the world with the eyes of a clever and naive girl, and the world is a clear and spotless gurgling stream. In the second paragraph, like a small stream rushing to a stormy lake, which is intertwined with love and hate, the prose collection Nostalgia Stone (1977), After Walking Down the Red Carpet (1979) to You Have Never Loved (198/kloc) The second period is relatively long. Rebirth Edge (1982) can also be regarded as an extension of this period, from here I am (1984), from your beautiful watershed (1988) and emerald thinking (1990). Let's make a hypothesis here. If Zhang Xiaofeng's prose creation stops at the second paragraph, although she is still one of the outstanding female writers in the history of modern prose in China, and breaks through the narrow and cramped world of ordinary female writers, she is not a prose master with great original brilliance after all. The originality of Zhang Xiaofeng's prose art lies in the second paragraph, especially in the third paragraph of Since I'm Here. Only this third paragraph announces the birth and completion of a prose master, whose purpose is the generation of life and creativity and the poetic interpretation of ontology. The poetic interpretation of life and ontology is the greatest contribution of this woman writer to the history of modern prose in China. She embarked on this poetic way to explain the ontology of life and existence, never fully conscious, never ending.
Main work
A woman's love view, a kind word, two spring rules, distractions in the forest, just because of youth, the Covenant of stars, the thought of jade, mistakes, I wonder if she has gone back, the legendary gem, what and what in life, and life. And his small pottery bowl, I have a rain stick, a pair of little shoes, a jade sheep, a story, a mountain epiphyllum, your silhouette is beautiful, street trees and some people, "Life among Rocks". If you have a song, Safety, Love, Love World, Blood Flute, your silhouette is so beautiful that you haven't loved it yet. I am here, and I know who you are. After walking down the red carpet, Wu Lingren, the notes of flowers, Feifei. Draw love, give you Yingying, a thousand miles of local accent, black veil, love in late autumn, homesickness stone, menstruation can only say one word, poem, sunny and I, walk with love, honey, Xiaofeng's novel, Zhang Xiaofeng's choice. Apart from his works, Zhang Xiaofeng, 66, has been teaching in universities for more than 30 years and retired in June last year. At present, he is still teaching two courses "Life and Death in Chinese and Western Literature" at Yangming University. She told reporters that this is a long-cherished wish. Since 1975, when she changed from a professor of Chinese department to a professor of medical college, she has consciously developed a sense of responsibility for the humanistic direction of medical students. Zhang Xiaofeng said with emotion that many people have thought about illness and life. After this experience, the three most important sentences for her to face death consciously are: "Thank you, I'm sorry, I love you." Zhang Xiaofeng, a native of Tongshan, Jiangsu Province, wrote plays, essays and essays, and was elected as one of the top ten outstanding young women in Taiwan Province Province. The famous writer Yu Guangzhong praised Zhang Xiaofeng as a "smart pen that is both beautiful and luxurious". "This pen can not only describe the scenery, but also describe things and convey people's thoughts. Promotion is heroic, and suppression is delicate. " In recent years, he has devoted himself to the environmental protection movement and called for temperature.
Hometown of the soul
Yesterday 17, Zhang Xiaofeng, a famous writer and poet in Taiwan Province, set foot on Gulangyu Island. She said that she and two other female poets came to the 2007 Gulangyu Poetry Festival on behalf of Xi Murong and other female poets in Taiwan Province Province. About Women and Poetry Journalists: The theme of this poetry festival is "Women and Poetry". As a poetess with decades of experience in poetry, what influence does your female identity have on writing poetry? Zhang Xiaofeng: Women have a natural advantage in language. Women are more willing to use language, such as chatting with people, and are good at expressing their feelings in language, which is very helpful for writing poems. Nowadays, young women don't like to use language, and even the words "yes" are lazy. They prefer to use vision, such as staring at the computer or TV for a long time. The language of TV is poor. In fact, frequent use of language is very helpful for writing poetry. Reporter: Writing poetry is often limited by age, but you are still writing poetry. How do you stay creative? Zhang Xiaofeng: I think poetry can last a lifetime. I have been writing. There are two things to keep the ability to write poetry. One is to have something to say, to observe things carefully, and the other is to have the ability to express words, to string together experiences instantly and draw conclusions quickly. Reporter's research on Lin Yutang: Lin Yutang once lived on this island at your feet, and Liao Jia Villa is not far from you. As a member of the management committee of Lin Yutang's former residence in Taipei, how to commemorate this literary master? Zhang Xiaofeng: Apart from discussing Lin Yutang's literary works, we should start with more nuances so that everyone can really feel Lin Yutang. For example, in order to feel Lin Yutang's quiet life in Zhangzhou when he was a child, we organized a cake-moistening party in Tomb-Sweeping Day (cake-moistening is spring rolls, reporter's note), and everyone made cakes together. Later, we specially sent people to Zhangzhou to learn about several ways to moisten cakes, and then we will introduce them to you when we return to Taiwan Province Province. Reporter: From your point of view, what is the most precious spiritual wealth left by this literary master? Zhang Xiaofeng: Humor! His humor is lonely in that environment and seems inappropriate. In fact, in my opinion, the more difficult it is, the more humorous it should be. Churchill was the leader of the allied forces during World War II. He said, "I won't leave until the hotel is closed." It means to quit only if you fail. You see, his humor will keep you from being discouraged in failure. People should not always be in a state of tension, which is very unfavorable to creation and life.
About home
Reporter: There is always a feeling of wandering when looking at life experiences. I heard that you were born on the way to War of Resistance against Japanese Aggression. Can you tell me something about your experience before you went to Taiwan Province Province? Zhang Xiaofeng: My ancestral home is Xuzhou, Jiangsu, and my birthplace is Jinhua, Zhejiang. Indeed, I was born during the period of War of Resistance against Japanese Aggression's migration. I was just born, and I have no impression of Jinhua. But I was honored to know that Jinhua was the place where Li Qingzhao lived. Li Qingzhao and I are in the same city. I like Li Qingzhao's poems very much, which is also a kind of fate. After the outbreak of War of Resistance against Japanese Aggression, our family moved to Chongqing. Actually, I don't remember much about Chongqing, because I was too young at that time. The first city I really remembered later was Nanjing. I can't forget this city for many years, until now. Xiamen still gives me the feeling of home in Taiwan Province Province. There is no difference between eating, living and traveling. That's great. Reporter: But what you said made me feel calm instead of vicissitudes. Does the existence of hometown and writing give you a sense of belonging? Zhang Xiaofeng: I have the fate of wandering, but I unexpectedly lived on an island for a long time. My body grew up in Taiwan Province province, but my heart seems to be connected with China in history. Whether I go to Nanjing or Xi, I think Nanjing is my hometown. It seems that literary ancestors such as Li Bai, Du Fu and Li Shangyin will come out to meet you at any time, so they are not geographically but spiritually related to tradition.
be as mild as spring
Taiwan Province critics praised him as "a pen like a scorching sun, frost and snow are innocent, the article is cold and fragrant, and every word knocks on the ice." Yes, Zhang Xiaofeng's articles should be clear and clever, ethereal and warm, with deep feelings that can't be turned around, and deep love that can't be lifted. From a distance, life is endless, and from a distance, death is invisible. This is a woman's world. Exquisiteness, delicacy and elegance are mixed with faint regrets about short life and persistence in seeing through the world without losing confidence and enthusiasm. Standing at the other end of the carpet, the woman who is about to become the bride is full of happiness and sweetness; The woman who wears her mother's feather clothes to read the story of Cowherd and Weaver Girl carefully for her children is so willing to be a fairy who can't bear to fly away, and would rather let the white and soft feather clothes turn into an eternal legend at the bottom of the box; A woman's concept of love is to "live with her with satisfaction" until her hair becomes silver and delicate, and she still sticks to her in the bubble of mutual concern. Infinitely delicate feelings flowed from Zhang Xiaofeng's pen, quietly merged into a flowing river, making a warm blue wave. Occasionally immersed in this beautiful river, I can't get through. It was not until those ancient words became lively and jumping, until those tiny feelings touched the string in your heart and formed another style of landscape, that you walked back to the shore from the river in a wet way and could not help but look back step by step. Speaking of this, Zhang Xiaofeng is talking about small things and the world with a "woman's eyes", but there is a natural poetic style, a poetic style of women who are fluttering and wandering between the lines. This is not to say that Zhang Xiaofeng's writing is "little women's literature", but she is still a little unrestrained in the extreme of femininity. Mainly feminine, mixed with thick, Zhang Xiaofeng really knows and can freely use the combination of rigidity and softness. "I went up the mountain and crossed the space, flat space and straight space", which is very indifferent to crossing history; "The tree is there, the mountain is there, the land is there, the years are there, and I am there" casually ignores time; "And in the vast wilderness, ancient and modern, Chinese and foreign, among the ordinary faces of all sentient beings, who am I and who am I?" I saw myself easily. In this way, there are too many philosophies in Zhang Xiaofeng's prose. They are like an undercurrent, silently moistening Zhang Xiaofeng's writing land. As long as there is a small crack, this clear spring will surge out. This spring carries not only modern meditation, but also distant thoughts. In more and more modern characters, traces of 5,000 years are rarely seen. Is the bizarre modernity drowning out the classical romance, or is the ancient book with a long history banishing the modernity directly? Maybe no one knows. However, Zhang Xiaofeng's writing naturally shook the almost extinct classical feelings in this era. She has a good understanding of China's classical art and aesthetics, combined with her understanding and exploration of national etiquette, cultural customs, the beauty of the earth and mountains, and exquisite writing, which makes her articles have a beautiful fragrance. "I would like to be like that maple leaf, opening my pure light blue in the morning breeze and burning my fiery red in the sunset"; "How beautiful and sad the red leaves are poetically hanging all over the mountain!" ; "Imagine a small white flower blooming in front of your grave, transparent and pale, sobbing faintly in the rain." ; "She picked two baskets of flowers with a pole"; "The wind is reading your full hair today, and you are walking in the eternal wind in a windbreaker." How many sights have you seen? How many words in these artistic conceptions spread the brilliance that they originally had but were diluted by time? This modern woman, who "spent her whole life brewing her own strength, only waiting for that moment to pour", tells a long and endless story in her own days, including a heroic beauty, a wine knight, and more importantly, a love for nature and a sincere understanding of life. At this time, I can't help but think of Sanmao, a passionate woman who also loves life and feels life, but they are two completely different lives. Maybe women are born with a free heart and perfect love, and talented women need these to infiltrate their hearts, so that one day when their faces are old, there is no beauty precipitated by years, only silver hair and wrinkles are left. Fortunately, Zhang Xiaofeng has everything. Therefore, time will only make her more graceful and outstanding, and more exude the simple depth and brilliance of her own words after precipitation. Maybe Zhang Xiaofeng's words won't burn in the age of calling for passion. Her things may not warm everyone who is eager for enthusiasm, but they will certainly warm herself and everything she loves, and they will also warm me on a cold night. If one day you are tired and stand on the cold night of life blown by the biting cold wind, you might as well look at her words to keep warm. Or Liu Yong will think of another feeling besides the waning moon in Yang Liuan Xiaofeng. Yang Liuan, the breeze is warm as spring in my arms.
Poetic heart is not old.
Zhang Xiaofeng is an essayist and poet with a wide readership. He is 66 years old. Two years ago, she had a serious illness. But as soon as she set foot on the beautiful Gulangyu Island, she couldn't help but write poems by generate. "I want to have a good look and write a poem or two for her seriously." Despite the fatigue of the journey, she took a short break in the hotel and visited Gulangyu Piano Museum. During the visit, she repeatedly praised: "An ancient piano is a beautiful poem." In qing dynasty furniture Museum, Zhang Xiaofeng has a soft spot for traditional red floor tiles. "This two-foot brick is exactly the same as that in Taiwan Province Province. Unfortunately, modern people are neat and beautiful, and most of them use modern floor tiles, which is very disdainful. In fact, laying this traditional floor tile in the courtyard of rural residential houses is both eye-catching and comfortable. " She said with emotion that only those of us who are influenced by poetry will have such outdated and romantic ideas. She is a member of the management committee of Lin Yutang's former residence in Taipei. I heard that there is Lin Yutang's "Bridal Room" on the island, and I can't wait to visit it at once. At this time, the reception will begin, and time is not allowed. Zhang Xiaofeng said regretfully, "I really want to see under what circumstances the marriage of a grandmaster was married." Seeing the reporter holding a book just bought from Xiaofeng Bookstore on the island, Zhang Xiaofeng remembered something and said, "Two or three years ago, I went to visit Xiaofeng Bookstore in Fuzhou, and someone gave me a chair, which was very beautiful. I forgot it when I left. I'll never forget it. This time, I made an appointment with Mr Xu Xue of Xiamen University and asked him to entrust someone to bring me the chair. This time, I want to take it back to Taiwan Province Province. "
afterword
Zhang Xiaofeng: Modern women with traditional upbringing are talking —— Postscript of From Your Beautiful Watershed Zhang Xiaofeng is an important writer in Taiwan Province literary world in the 20th century, and has made outstanding achievements in the fields of prose and script creation. As far as prose creation is concerned, her prose is not only numerous, but also of good quality. Since 1966 published the first collection of essays, The End of Carpet, Zhang Xiaofeng has published nearly 20 collections of essays. These works are sincere in emotion, broad in vision, profound in thought and refreshing in writing. With these works, Zhang Xiaofeng has formed a unique pattern among many Taiwan Province prose writers, becoming a family. Yu Guangzhong is also a prose writer, and he appreciates Zhang Xiaofeng's prose very much. She thinks her prose is verve, broad-minded, elegant and luxurious, and praises Zhang Xiaofeng for "a pen dripping with thunder on his wrist". This pen can describe the scenery, recite things and convey people's stories. Raising is heroic, restraining is delicate, and even when it is gentle and pleasant, it is a bit stiff. "Yu Guangzhong's assertion should be the most critical. Love and affection are always the themes in Zhang Xiaofeng's prose creation. The article in the first budding poem, from the affection of parents, to love, to the affection of children, to friendship and persistence in things, all kinds of feelings run through my life and become the source of my happiness. As a China writer living in Taiwan Province, Zhang Xiaofeng has deep feelings for Chinese mainland. Most of the articles in the second series of "Nostalgia Stone" are lyrical words full of feelings after her repeated memories, imagination and closeness to the great rivers and mountains of the motherland. For all kinds of phenomena in the world, Zhang Xiaofeng's prose is both a metaphysical philosophical meditation and a metaphysical experience. The articles in "Give me an explanation" and "Life Fu" roughly reflect these two characteristics of Zhang Xiaofeng's prose. Because he loves nature, cares about human nature, and can inspire him to think about the world and reflect on life from nature and human nature, there are many works describing nature and lamenting human nature in Zhang Xiaofeng's prose. The fifth volume of Poems about Things is a centralized classification of Zhang Xiaofeng's prose, from which it should be easy to see Zhang Xiaofeng's "view of nature" and "view of humanity".
evaluate
She is deeply religious and loves writing. Thirty or forty kinds of novels, essays and plays are reprinted once and translated into various languages. He became famous for his prose in the mid-1960s, and 1977 was selected as one of the top ten prose writers in Taiwan Province Province. The editor said, "Her works are China's, homesick, modern and extremely humanized". Yu Guangzhong once called his article "combining rigidity with softness" and was listed as "the third generation famous essayist". Some people call it "the pen is like the heat of the sun, the frost and snow are innocent, the writing is like the fragrance of cold plum, and the words are like knocking on the ice." Be highly praised. As early as 1977, 36-year-old Zhang Xiaofeng was rated as "Top Ten Contemporary Prose Writers in China" by Taiwan Province critics, and she was rated as "as hot as the sun and as pure as frost and snow". Every article has the fragrance of Lengmei, and every word can be said to be the first perceptual sketch of her poetic prose. 198 1 year, when her fourth collection of essays "You have never loved" was published, Mr. Yu Guangzhong prefaced the book and called her a "dripping pen" with a storm on her wrist.
Edit paragraph 2. Research Librarian of China Academy of Fine Arts
Basic information
Pen name: Xiaofeng Gender: Female
Date of birth: 1939 Ethnic group: Han nationality (1939. 1-), female, once worked as a worker in Beijing Aluminum Experimental Factory, an agricultural worker in Beijing Seed Farm, Hu Feng, secretary of the consultant office of China Academy of Art, and a research librarian in the research room of contemporary literature theory. 1998 Join the Chinese Writers Association. Research librarian of the Institute of Marxist Literary Theory. Qichun, Hubei, high school culture. Member of China Democratic League and Chinese Writers Association. His father is a famous literary theorist Hu Feng. 1957, after graduating from high school, he didn't go to college because of his father's unjust case, and then worked on a farm in the suburbs of Beijing for 20 years. After Hu Feng's case was rehabilitated, he was transferred to the consulting room of China Academy of Fine Arts on February 198 1 to serve as the secretary of Comrade Hu Feng, assist him in his work and sort out his works, manuscripts and materials. After Hu Feng died, he was transferred to the research room of contemporary literature theory in our college. His main job is to sort out Hu Feng's manuscripts and related materials, edit and publish Hu Feng's works and research materials, study Hu Feng's literary activities and thoughts, and write related biographies and research articles.
Major achievements
He published biographies, papers, research materials and essays on Hu Feng's literary activities and thoughts. * * * 400,000 words or so. Among them, Taiwan Province Ye Qiang Publishing House published the monograph "Nine Death without Regret"-Hu Fengchuan (200,000 words); Collect, collate, compile, annotate, publish and distribute a large number of Hu Feng's works, manuscripts, letters, diaries, lost articles, lost translations, etc. * * * About 20 kinds (articles), and finally finishing and integrating the Complete Works of Hu Feng 10 volume, * * 5.5 million words. Editor-in-chief, published a book "Hu Feng and I-Memories of 37 People in Hu Feng Incident", with 660,000 words. Collect and sort out all kinds of materials of Hu Feng, including manuscripts, diaries, letters, photos, domestic and foreign related research articles, reports, review articles, etc., establish a complete file, and keep in touch with domestic and foreign scholars to carry out academic exchanges; Participate in the preparation and assist in all the work of the "First National Symposium on Hu Feng's Literary Thoughts" held in Wuhan from May 6 to 5438, 0989 (our institute is one of the organizers); Participate in the preparation and assistance of the "Photo Exhibition of Hu Feng's Life and Literary Road" held by Modern Literature Museum, Beijing Library, Shanghai Literature Foundation and other units in Beijing in June 1993 and Shanghai in September 1993. He edited and annotated Hu Ling's literary letters, compiled a compendium of Hu Feng's chronology, and wrote essays such as Fifty Years of Friendship, Meeting in Jiuquan, Storm, Hu Feng and Lu Ling. Hu Feng's Letters Collection won the 1985-1990 Excellent Book Award. The compilation and annotation of the Complete Works of Hu Feng won the honorary prize of the Fifth National Book Award.