In terms of poetic skills, Lu Ji and Pan Yue made various efforts, forming an artistic style different from the ancient poems of Han and Wei Dynasties: complexity. As the Biography of Song Xie Shu Lingyun said: "Down to Yuan Kang, Pan and Lu Texiu; Different types of law, Jia, Ti changed to Cao and Wang; The purpose of the star is thick and complicated. " In fact, Lu Ji has emphasized this point in Wen Fu: "Or flowers and thoughts are combined, and flowers sleep beautifully. Bing embroidery is sad. " These words can be used to evaluate his own poetic style. "Fu" originally refers to Fanmi and Hua Mao, and is later used as a metaphor for outstanding literary talent. In short, complexity means describing complexity and detail, and not avoiding triviality. A tappet refers to a gorgeous color. Say: "You are colorful." The Biography of Xiahou Zhan Zhang Zai in the Book of Jin says: Xiahou Zhan is "the beauty of time scale" and "the color of carvers"; "The machine language is Yu Hai, Hua Pengshan and Wu Yu; Moon dates are like rivers, which are beautiful. " "The moon carries a chapter, and the algae think about it"; "Ni Biao Fenghua, smell the word order"; "Alas, Xie Feifang and Dihua are increasing". It points out the complex features of the poems of Pan, Lu, Xiahou Zhan, Zhang Zai and Zhang Xie.
Compared with the ancient poems of Han and Wei dynasties, Taikang's poetic style is characterized by the imitation of ancient poems by Lu Ji, which can be regarded as the representative of gorgeous algae decoration. Try to compare "Ancient Poetry and Tall Buildings in Northwest China" with Lu Zhun as follows:
△ Ancient Poetry There are tall buildings in the northwest.
There are tall buildings in the northwest, flush with the clouds. Cross sparse junction window, aging third order. There is a string song on the floor, with a sad voice! Who can write this song? Nothing, just Qi Liang's wife. Merchants in the Qing Dynasty drifted with the wind in the Middle Song Dynasty. Sigh again and again, be generous and sad. I don't care whether the singer is bitter or not, but I hurt my bosom friend. I would like to fly high for two swans.
△ There is a high-rise land machine in the northwest.
The tall building is so steep, so steep and so safe. When the dust comes out of the window, it passes through the clouds. Beauty plays the piano, her hands are idle. Aromatic gas knot with the wind, sad sound fragrant if blue. Who cares about jade capacity? The whole city is in an instant. Stand and watch the sun and sigh again and again. Don't complain about standing for a long time, I hope the singer is happy. Thinking of driving back to Hongyu's home, Han flew with me.
These two poems have the same content, and the specific scenes described in each sentence are similar and the structure is consistent. However, there is a difference between simple and gorgeous styles. Lu Ji and Pan Yue's other poems, as well as Zhang Hua's love poems, frivolous articles and beautiful essays, are all similar to this. Take Roaring Tiger as an example. The old saying in "Roaring Tiger" is: "Hunger never comes from tigers, and dusk never comes from wild birds. Wild birds have no nests, and wanderers are proud of it. " Wei Wendi and Ming Di's draft is also very simple (see "Yuefu Poetry" Volume 31). Lu Ji's draft greatly enriched the content of the original work, and the wording was euphemistic and tortuous, but it won by complexity:
If you are thirsty, don't drink spring water. If you are hot, you will become evil. Evil trees have no branches, and people with lofty ideals work hard. The whole journey was saved by car, and the staff stayed away. Hungry to eat the tiger's den, cold-blooded wild sparrow forest. It's cloudy because it's not built. The clouds are worshipping the shore and the songs are singing with the wind. Quiet words are at the bottom of the valley, whistling all over the mountains. Sharp strings have no timid sounds, and bright knots are difficult to sound. Life is not easy, why not open this cloud? As soon as possible, I am Geng Jiehuai, ashamed of ancient and modern times.
This poem is about my experience in the service of lay people. Although my ambition is hard to achieve, I still don't change my view of Geng Jie. The combination of emotion, reason and nature, and the detailed and vivid description of the scenery are the masterpieces of Lu's poems.
Another example is Pan Yue's masterpiece "Mourning Poems", one of which is about the grief after losing his wife:
Over time, winter goes and spring comes, and cold and heat suddenly flow easily. The son of a childe belongs to a poor spring, and the heavy soil is separated forever. Who wants to obey privately, it is not enough to stay for a long time. I respect my life. I have changed my mind and turned against the original service. Looking at Lou, thinking about this person, thinking about the experience in the room. There is nothing on the picture, but there are traces on the calligraphy. The incense has not stopped, but it is still on the wall. Disappointment seems to exist, and it is difficult to rush back. Like a bird in the Hanlin forest, it only lives once. If you swim like a fish in Sichuan, you can see the middle of the road. The spring breeze came and the morning light slipped away from the eaves. When you forget to sleep, your worries accumulate day by day. When you are weak, you can still attack.
In the poem, what my dead wife saw and felt when she was preparing for work after being buried was delicate and sad. Second, third, although the specific scenes described have changed, the general meaning is close to that of the first prime minister, and there is repetition. Therefore, Chen Ruoming, a courtier, said: "An Ren's affectionate son, every pen involved, dripping with water, turning to music, writing songs and complaining, stabbing. Fu's poems are mainly based on Tao's feelings, but they have no deep meaning and are poor in language; Doubtful pens are cumbersome and cannot be cut. There are infinite wonderful ears in the ancient poems of Xun Yuefu. " ("Selected Poems of Caijitang" Volume 11) For example, Lu Ji's masterpiece "Luo Dao Shi Hua" is two:
Always walking a long way, sobbing goodbye. I'm sorry, I'm sorry, but I'm pregnant. Always sigh, follow Zhu Bei, but think of Nanjin. The road is long and the wild road is barren. There are many mountains and rivers, and the forest is sleepy. Tiger roars at the bottom of the valley, and chickens crow at the top of the tree. Hentai flows at night, and the solitary beast is in front. Sadness touches things, meditation lingers. Standing there looking at my hometown, I feel sorry for myself.
Travel more, the mountains and rivers are vast. Give full play to the policy of worshipping mountains and be peaceful and obedient. I feel sleepy when I think about it at night. He leaned against Song Yan, listening to the bell of hate. The clear dew falls on Su Hui, and the bright moon shines brightly. I can't sleep with a pillow and want to shake my clothes.
These two poems are about my nostalgia for my hometown and anxiety about the uncertain future when I was called to Los Angeles. Almost all sentences are even except the beginning and the end. The degree of parallel prose is not only unknown in China's poems, but also greatly exceeds that of Cao Zhi and RoyceWong. Another example is Lu Ji's poems "Zhao Yin", "Sorrow" and some quasi-ancient poems. Even sentences are also widely used in Jinguji, Two Poems in Heyang, Two Poems in Huaixian and Miscellaneous Poems by Zhang Xie. In order to strengthen the descriptive function of poetry, Lu and Pan applied the sentence pattern of Ci and Fu to poetry, enriching the expressive techniques of poetry. The elements of landscape description in their poems are greatly increased, and parallelism sentences are mainly used to describe landscapes, which plays a leading role in Xie Lingyun and Xie Tiao's landscape poems.
In a word, the pursuit of gorgeous rhetoric, complicated and meticulous description and extensive use of parallelism are the main manifestations of Taikang's poetry style. Judging from the law of literary development, it is an inevitable trend to change from simplicity to complexity. As Xiao Tong said, "If you want to hide things and increase China, if you want to change and increase China, there are both things and articles." (Preface to Selected Works) Lu and Pan developed Cao Zhi's side of "adopting Hua Mao", contributed to the development of China's poetry, and promoted the development of landscape poetry and the maturity of rhythmic antithesis skills in the Southern Dynasties.