Wan Li worries about adding white hair, and it is cold to sail across Huangzhou. You see, Chibi has finally passed. Why do you have a child like Zhong?
Enjoy 1:
In the fifth year of Song Xiaozong trunk road (1 169), Lu You was ordered to pass the sentence for Kuizhou, Sichuan. He went to work along the river the following year and arrived in Huangzhou (now Huanggang, Hubei) in August.
Huangzhou Chibi Chicken is often mistaken for the battlefield of Chibi Chicken in the Three Kingdoms by later generations, and it is said that it hurts the present and pursues the past, especially Su Shi's Red Fu Bi. Poets will make mistakes here to express their feelings. During the Spring and Autumn Period, Zhong Yi, a native of the State of Chu, was captured in the State of Jin and was called "Chu prisoner". The poet fought the main battle all his life. Under the attack of the pacifists, his political views could not be stretched, just like "Chu prisoners". How can he not be sad? Friends of Qi is also a story in the Spring and Autumn Period. Confucius ruled Lu, and Qi people suffered greatly. He sent Nvle to be in power in Lu, and Confucius was forced to go to the countryside. Le Shu in Historical Records said that Confucius "can't rest on his right side". Sima Zhen's "Suoyin" says: "Qi people belong to women's music and Confucius does it, so words can't stay in Lu." With this book in his hand, the poet expressed his sufferings in spreading streams in Kuizhou (now Fengjie, Sichuan).
Zhuan Xu wrote about Jiang Tao's roar, like the voice of resentment of a former hero; When the grass falls, it is providence. There is the hatred that Cao Cao does not swallow Wu and catch old thieves, and there is also the hatred that the poet has no way to serve the country and his ambition is hard to pay. In autumn, the flowers and trees in front of us are dying one after another, just like the heroes of past dynasties have died one after another, and they will inevitably rot with the flowers and trees. We can't help but sigh that providence is selfless and unsatisfactory. In the eternal sigh, this poem is full of endless regrets about his life experience. The scene is open and desolate, and the love words are sad, reaching the muddy realm of scene blending.
Neck couplets directly describe the journey, but the artistic conception is still inherited from the couplet: the new white hair and the bleak sky on the sail set each other off, and "Wan Li" and "Yifan" are opposite, showing the loneliness and sadness of the journey in a desolate and bleak place. A word "Guo" seems dull, but its subtle taste is full of profound meaning: the original poet's sadness has been exhausted endlessly, and now he is disheartened. Although I passed through Huangzhou, I just walked quietly.
The ending of the poem is very painful. "Give birth to a child like Sun Zhongmou" was originally a sigh of Cao Cao when he saw the purge in Wu Jun (see the biography of the reflection of Sun Quan quoted Wu Li). Now the poet is naturally deeply moved by the history of Chibi. He changed Cao Cao's eulogy to "Why do children need to be like a clock", which is quite ironic, showing his deep disappointment and sorrow for the future of the Anti-Japanese War, and also including his indignation at the pacifist ruling.
Appreciation 2:
This poem was written on Song Xiaozong Avenue for six years (1 170). Sail west into Shu, sail across Huangzhou, see the ruins of the previous generation, sigh that the hero has passed away, infinite sadness, spontaneously rise, and form various poems. Therefore, it is entitled "Huangzhou", but the poem is dedicated to Huangzhou; It seems like a poem about the past, but it is actually a sad work. When reading this poem, don't stick to the topic and the words. When the word means sadness, you should know its anger. Where the pen is horizontal, ask for its injustice; Listen to the depth of the syllables, where they tremble.
When Wanli arrived in Shu, he was tied up by a micro-official and was as cramped as a pony. Therefore, the first sentence is branded with its feelings, and inferiority is like the embarrassment of Chu prisoners. Biography of Historical Records and Le Shu: "Since Zhongni, you can't be in harmony with Qi You." Sima Zhen's "Suoyin": "Qi people belong to women's music and Confucius does it, so you can't let them go." This so-called "Qi You" is very different from releasing people. Therefore, the word "Qi You" is really handy and not necessarily used as a metaphor. The first couplet is all about "constraint" and "migration". If you get stuck in Chu Prisoner and Qi You and think that releasing Weng will have certain significance, it will be poetic.
Huangzhou is located in the middle reaches of the Yangtze River, where the three countries compete for hegemony. Du fu's poem: "beside the changing river, the stone is like his sorrow, and he did not conquer Wu." ("Eight Arrays") Parallel prose becomes a sentence, that is, borrowing Du Fu's poems. This "hero" seems to refer to the romantic figures of the Three Kingdoms swept away by the huge waves of the Yangtze River. But the significance of releasing Weng is not nostalgia, so "hero" is actually Tao. Its hatred is exactly the hatred of "cramping" and "moving away" mentioned by the first part of the League, and it is the hatred of years wasted and unfulfilled ambitions. The antithesis of couplets comes from Li Heshi's poem "Farewell to Lan's farewell to Xianyang Road, and the sky will grow old if it is affectionate" ("Golden Copper Immortal Ci Han Ge"). Although people are affectionate, providence is selfless. It's just natural for people to be sad when the orchid is fading and the autumn grass is picking people up. The ruthlessness of the sky is in contrast with the injustice of the people. This joint article has profound implications and excellent brushwork.
The neck joints are closely connected. The sorrow of Wan Li is the hatred of heroes; Diligent and white hair, set each other off with vegetation; On cold days, compare the autumn sounds on both sides of the strait; At the gates of Huangzhou, point out the places of interest. At this time, I am always filled with emotion, and I can't help but vomit, but I don't want to speak freely, so I pay my respects repeatedly. Although the scenes written in the middle two couplets are similar, the brushwork is complex and the changes are unprovoked.
There are many red cliffs in the Yangtze River and Hanshui River Basin. Su Shi, an official in Huangzhou, mistakenly believed in the local legend, saying that "the spring goes around the western hills and fights into the river, and the stone color is like Dan, spreading Cao Gong and defeating the clouds, so-called Red Cliff." (After "Tiaoxi Fishing and Hidden Conghua Collection") I visited the land several times and wrote lyrics, which was full of wonderful meanings, and it was called a swan song in ancient and modern times. In fact, Su Shi went to Chibiji, just outside Huanggang, the former site of the Three Kingdoms "Battle of Red Cliffs" in the northeast of Puyin County, Hubei Province. The two places are not the same. However, Huangzhou Chibi is famous for Su Shi's sake. Later generations will think of Chibi when they cross Huangzhou, and recall the heroes of the past when they see the stupid wall. Especially when the enemy is half safe and half strong, we should think about the reincarnation of heroes and compete with the enemy. I'm here, but going to Chibi is a thing of the past. Everything goes east, and the world succeeds or fails. The same is He Zudao. Why should that child be like Zhong? He devoted his life to recovering lost ground. Even if he was lying in a remote village, still dreaming of an iron horse, writing crazy books and thinking about driving away the enemy, he would never make such negative remarks. Commenting on Du Fu's poem "What's the use of Confucianism for me? Kong Qiu's "Stealing feet is dust", Wang Mingsi said, is always an unjust and helpless word. ("Du Yi") At the end of this poem, it was precisely because the small court at that time did not cheer up that there was a helpless voice of injustice.
Lu You wrote patriotic and passionate poems, some of which were high-pitched and passionate, and some were sad and sad. This seven-tone melody is the representative of the latter type, with a lower tone.