During the Ming Dynasty, Hu Yinglin, an expert on Du Fu's poetry, once rated "Deng Gao" as "the best of seven rhymes in ancient and modern times"; he commented: "The fifty-six characters in this chapter are like corals on the seabed, thin and The power is difficult to move, the depth is unpredictable, but the light is endless, and the power is extremely powerful. The composition, syntax, and calligraphy of this piece are unprecedented and unparalleled. The first seven-character rhyme." Why did Hu Yinglin give such a high evaluation to Du Fu's poem "Deng Gao"? Let’s first understand the original text of this poem!
"The wind is strong, the sky is high, the apes are whistling in mourning, and the white birds are flying back from the clear sands of Zhug Province. The endless fallen trees are rustling, and the endless Yangtze River is rolling in. The sad autumn of thousands of miles is a frequent guest, and a hundred years of illness is the only one on the stage. Hardship, bitterness and hatred The frost on the temples makes the wine glass turbid. "This is the content of Du Fu's "Deng Gao", a seven-rhythm poem he wrote while he was in Kuizhou. It is not difficult to see that this is a metrical poem with neat antitheses and rigorous rhymes. During the prosperous period of poetry in the Tang Dynasty, metrical poetry truly matured, and Du Fu must be credited first, and this poem "Climbing High" is attributed to Du Fu. A typical representative work of metrical poetry.