I urgently need an essay of 1000 words to appreciate Li Bai's Into the Wine.

At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Angelababy is not far from the Yellow River, so it's interesting to climb the mountain. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent wave scene can be seen extremely badly without the naked eye. The author wants to fall from the sky and "get the word and get it", which is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is short, instead of hurting the boss bluntly, say "how cute the lock on the shelf is", a gesture of scratching your head to see the shadow and calling for help, just like painting. Describing the whole process of life from youth to aging as an "early" and "late" event is a kind of reverse exaggeration to say that the original is shorter and stronger than the previous two sentences. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is often used by the author. He was like, "If you abandon me, you can't stay tomorrow; Today it hurts my heart even more "("A farewell letter to Xie Tiao Tower in Xuancheng "), Shen Deqian said:" This body is too white and self-centered ",which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing.

"The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, until "the cup never stops", poetry gradually became wild. "When you reach your destiny, you don't worry when you are free. You can climb the stairs with wine" ("Song of Liangyuan"), and you can't eat, drink and be merry without wine. This is the topic. But what is in the cup is not written directly in the sentence, but expressed in the image language of "golden urn" and "moon", which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused. "Oh, let a man with spirit take risks where he likes" seems to advocate the idea of "eat, drink and be merry", but it is only a phenomenon. Has the poet ever been "proud"? "The phoenix blooms purple mud at the beginning, and the emperor calls it a royal banquet" ("Yu Hu Yin")-it seems to be proud; However, this is just an illusion, "I want to go home, there is no fish to eat, and I don't think about courtesy for weeks"-this seems to be not pride, but disappointment and indignation. But are you depressed? No. Therefore, the poet affirmed his life and himself in an optimistic and competitive tone: "Since God has given talents, let them be used!" This is a word that makes people applaud. "Useful" and "necessary", how confident! Like a declaration of human values, this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden and eager positive essential content. "I will ride the wind and waves one day", why not drink and sing for such a future! Spending money is nothing-"spin a thousand pieces of silver and come back all!" ! "This is another amazing word of high self-confidence, which can drive money instead of being made by money, which really surprises all ordinary people. Poetry is like a man, thinking that the poet "traveled in less than a year and scattered more than 300,000 yuan" ("Pei Chang Shang An Shi") is how heroic. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author uses this style to describe a grand banquet, which is by no means "do you want one dish or two dishes?" "Do you want a pot of wine, two pots?" But "cooking sheep and slaughtering cattle" from beginning to end, and never stop until you drink "300 cups".