Have you ever noticed how the water of the Yellow River flows out of heaven and into the ocean, never to return? Can't you see how lovely it is locked in a bright mirror, like moss in the morning and like snow at night? ..... Cook a sheep, kill a cow, sharpen my appetite, and let me, 300 bowls, have a big drink! . ("will enter the wine")
Cormorant, nautilus cup, 36 thousand days in a hundred years, 300 cups a day ("Xiangyang Song")
Worrying about drinking 2,000 stones, cold ashes and warm spring life ("Jiangxia gives Wei Nanling ice")
As soon as I was happy, I put pen to paper and shook the five mountains. After the poem was written, the sound of Xiao Ao, Xiao Ao, went straight into the sea. (Ode to the River)
Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love. (To Wang Lun)
Yanshan snowflakes are as big as seats, and pieces of them blow off XuanYuanTai. (popular in the north)
Within ten steps, kill one person, cross a thousand miles, leave no one behind. After you finish, brush off your clothes, don't show any sound, and hide in the depths. (knight)
White hair three thousands of feet, sorrow like a beard. ("Qiu Pu Ge")
The Paradise Terrace Mountains are 100 miles long, and it is here that they begin to extend to the southeast. (Dream of climbing Mount Tianmu)
Dapeng rises with the wind one day and soars into Wan Li. (Li Shangyong)
We all yearn for the distance and want to go to the blue sky to embrace the bright moon. (Farewell to Secretary of State Shu Yun at Xie Tiao Villa in Xuanzhou)
On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth. (Look at Lushan Waterfall)
Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away. ("Early Baidu City")
In these poems, the poet's drinking capacity, friendship, the height of things, and the speed of walking and changing have all undergone different degrees of artistic exaggeration. It is impossible to measure and understand with scientific and daily eyes.
It is a well-known fact that Li Bai likes to exaggerate. However, it seems that no one has ever conducted a systematic study on why Li Bai prefers exaggerated language art so much.
According to my superficial feelings of reading Li Bai's poems, I put forward the following reasons to explain:
First, Li Bai is a man with great ambition and considerable self-confidence. Such people, because of their lofty goals and broad-mindedness, are naturally extraordinary. In the eyes of ordinary people, it is inevitable that there are unrealistic drawbacks. Li Bai's "Li Shangyong" says, "People always talk big when they see me", and "I went to the East in May to answer an article", "I am stupid and ignore a strong man, which is not enough to be poor. I can get Liaocheng Gong with one arrow "and so on, all of which are excellent evidence.
Secondly, Li Bai's life was too bumpy to realize his ideal. Faced with the ups and downs of life, some people will become cautious, some people will become silent, and some people will be more generous and intense. Li Bai belongs to the last situation. The more frustrated he is, the braver he is and the more unfair he is.
Thirdly, Li Bai was born in Sichuan with a romantic literary tradition. Sichuan is the land of ancient Shu, which is close to or belongs to the Chu cultural system in terms of regional cultural types. Li Bai himself once claimed to be a Chu man. "I am a madman in Chu and sang a crazy song to argue Confucius" ("Lu Shan Ge Yu Shi Lu Xuzhou"). As we all know, Chu Ci, a collection of poems by Chu Feng, represented by Qu Yuan, is the most important source of romanticism in China literature.
Fourth, Li Bai is a Taoist believer. Taoists talk about being born as a human being, yearning for freedom, throwing away all the shackles, and finally becoming immortal through drug abuse and physical and mental cultivation. Li Bai, a devout Taoist, is full of imagination in his mind to ride the wind and waves, overlook mountains and rivers and roam the world. Poems such as "Climbing the Taibai Peak" and "Climbing Mount Tianmu in a Dream" were produced in this way.
Fifth, Li Bai has a strong chivalrous thought. Li Bai admired Lu Zhonglian and other ancient lobbyists since childhood and was keen on fencing in his early years. Hao Wei's Preface to Collection records that Ren Xia is missing, and Fan's Tombstone of Li Baixin also says that chivalry is missing. In Li Bai's own poems, there is even a saying that "I am in the white blade and killed in the world of mortals" ("Give my brother Xiangyang Shaofu"). Chivalrous people pay attention to pleasure, gratitude and resentment, and their actions are unambiguous. Killing may not be true, but Ren Xia's bohemian behavior must have happened when he was young.
Sixth, Li Bai is a drinker who loves to drink and often gets drunk. About Li Bai's drinking and drunkenness, Du Fu has a very vivid description in the Song of Drinking Eight Immortals. Alcoholic and often drunk, like poetry, there must be a lot of drunken words. The exaggerated verses in the poems such as Xiangyang Song and Into the Wine quoted above are obviously drunken words.
Seventh, Li Bai is a man of unknown origin. Li Bai claimed to be a descendant of Li Guang, a famous Western Han Dynasty star, and Li Gui, Liang Wudi, and was related to Li Tang. But the truth of this statement is quite doubtful. Some scholars think that Li Bai may be a Hu people, that is, a minority. He, a "four-Ming fanatic" who was kind to Li Bai, met Li Bai for the first time and called him "Xianxian". The fallen fairy can also be understood as Alien. As an unknown person outside the mainstream upper class, Li Bai wants to be among them and arouse people's attention and interest in the court, so he must be unconventional and use amazing words.
Eighth, Li Bai's reading taste is biased towards historical and geographical legendary books. Many exaggerated poems in Li Bai's poems are actually from previous works. For example, "until the two rulers of this area forced their way through in the foggy age." Forty-eight thousand years later, there is no contact with Qin Sai ... One person can keep it, and ten thousand people can't "(Shu Dao Nan), from Biography of Shu Wang:" Zuyou, Guan Bai, Yu, Pu Ze, Ming Kai ... from Ming Kai to Can Cong, with a total age of 34,000. " And Zhang Zai's Ming of Jiange Pavilion in the Jin Dynasty: "The only gate of Shu is Guzhen, which is called Jiange Pavilion ...... Every husband has a halberd, and countless husbands win their positions, and they cannot be without relatives." "The Tiantai Ridge, which is hundreds of miles long, is here and begins to turn to the southeast" (Dream of Tianmu Mountain) comes from Tao Hongjing's "True Patent": "Tiantai Mountain is 18,000 feet high." "Colorful clouds bid farewell to Baidi and return to Jiangling in one day" ("Send Baidi City Early") comes from Li Daoyuan's Water Classic Note Jiangling: "Sometimes send Baidi City at dusk. In the meantime, thousands of miles, riding the wind, did not die. "
I often hear young friends say that they like Li Bai. I estimate that young friends like Li Bai, mainly because the exaggerated language in Li Bai's poems has shaped a frank, elegant and chic poet image. In my opinion, behind Li Bai's exaggerated language, there is more helplessness, loneliness and indignation.
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