Accurately grasping the content of the work and thoroughly understanding its internal meaning are the important premise and foundation for reading the work. Of course, the use of various artistic means in recitation is very important, but if we leave the premise of accurately and thoroughly grasping the content, then artistic skills will become passive water, trees without roots, pure formalism, and it will be impossible to express feelings and make the audience emotional. To accurately and thoroughly grasp the work content, we should pay attention to the following points:
1. Correct and in-depth understanding
In order to accurately express the thoughts and feelings of the works, the reciter needs to understand the inner meaning between the lines of the works. First of all, he must clear the obstacles and make clear the meanings of new words, idioms, allusions and sentences in the text, so as not to swallow them all at once. Reading literature is a student's righteousness. Secondly, we should grasp the background, theme and emotional tone of the work, understand the work accurately, and don't read the work fragmented or even distort the ideological content of the original work. Taking Gorky's Haiyan as an example, after removing the text barrier, we should make a comprehensive analysis of the works. The work symbolically passed before the storm. The description of the approaching storm and the coming storm has shaped the image of Haiyan No.1, a "victory prophet" who is not afraid of lightning and thunder, but dares to fight against the wind and waves. This work spread like wildfire immediately after its birth, and was told by workers and revolutionary masses in the activities of revolutionary groups. It is regarded as a battle song to spread revolutionary information and strengthen revolutionary ideals. Comprehensive analysis, it is not difficult to grasp the theme of recitation: calling for the arrival of the revolutionary climax with passion. Furthermore, it is not difficult for us to grasp that the keynote of this work should be yearning and expectation for the revolutionary climax.
2. profound. subtle emotion
Some recitations also have cadence, but they just can't impress the audience. If there is no flaw in the work itself, it is that the reader's feelings for the work are too shallow, and he does not really enter the work, but "squeezes" the feelings there and "creates" them there. The audience is keen, and they will not be moved by false feelings. In order to arouse the feelings of the audience, the reciter must seriously appreciate the work, enter the role and enter the situation.
3. Rich and realistic imagination
While understanding and feeling the works, it is often accompanied by rich imagination, so that the contents of the works are moved in their own hearts and eyes, as if they were seen and experienced with their own eyes. Taking Chen Ran (my confession) as an example, while making a comprehensive analysis of my works, I can imagine that I am Chen Ran (special secretary of Chongqing Qianjin Newspaper). At that time, I was in such a situation: I was arrested by the Kuomintang and tortured in prison, but my belief was firm. Finally, the enemy put a blank sheet of paper in front of me and asked me to write a confession. I am full of resentment and contempt for the enemy and full of revolution. In this way, through in-depth understanding, sincere feelings and rich imagination, we can make ourselves emotional, thus making people move.