Bayin Boluo’s author evaluation

From the early 1990s to the present, Bayinboluo, as a poet with a very special identity, has successively experienced a general mental journey of "passionate history - realistic philosophy - natural mentality".

——Excerpted from Zhang Liqun’s “From Historical Lyrics to Natural Philosophy—On the Mental Journey of Bayinboluo’s Poems”

In Bayinboluo’s deeply humane writing, as a living being The other form of extreme, death, is the true eternity and ultimate. Facing the strong shadow of death, Bayin Boluo is calm, calm and serene. Death, which is usually regarded as a fearful path by all living beings, has a peaceful demeanor; death is no longer just the disappearance of the body, but the rebirth of the spirit in the world.

——Excerpted from Nie Zuoping's "Interpretation of Bayinboluo's Poems"

Bayinboluo's poems are as corn-like in today's literature, especially in the literature with heavy makeup. The nature of nature appears as hot as sorghum and as full as soybeans. It is really a beautiful scenery of literature. Compared with the kitsch "literary we return to our own wilderness" that appears in various forms, Bayinbo The value of Luo's poems is self-evident.

——Excerpted from Zhang Lei's "Nobility and Passion - A Brief Comment on Bayinboluo's Poems"

Bayinboluo's poems are thick and vast, majestic, majestic and majestic. The momentum is like "the whole force is empty and the sky is empty". Naturally, the poet is still young and his artistic path is still quite long; but people have been pleasantly surprised to find that his ideological and artistic starting points are also quite high, and he has the conditions to climb to the peak of art.

——Excerpted from "The Outstanding Young Poet Bayinboluo" by Li Hongran

For Bayinboluo, the historical penetration and realistic investment he has experienced in poetry have already It made him realize that observing life from cold, loneliness and darkness may be far more powerful than entering from the light. Therefore, in works such as the famous poem "Looking Back", death is used to express the poet's views on life, the world, and human nature. The power generated by the profound understanding has indeed reached a shocking level. At the same time, in connection with the poet's conscious intervention in the "marginal" experience in the 1990s, we cannot rule out that the poet used this to fight against the money worship era and express contemporary society. That unique almost absurd and embarrassing life situation.

——Excerpted from Zhang Liqun's "Expressing Profundity in Lyrical and Philosophical Philosophy"

He beats the heavy drum in the realistic feelings of injury and pain, and firmly believes that poetry is the speech of truth. And "The truth has always been the secret that most people keep when they are stung!"

——Excerpted from Liaoyuan's "Comments on Contemporary Poets - About Bayin Boluo"

Ba Yinbo Luo is one of the ethnic minority poets who has had wide influence and strength since the 1990s. His poems have a broad historical vision, soaring momentum and colorful colors. They are the magnificent result of the new Chinese poetry that was formed by the collision and integration of multiple cultures in the 20th century. In particular, his epic works reproduce modern people's thinking about life and death and their legendary journey of finding their spiritual home.

——Excerpted from Liao Lihua's "Mighty Poems on the Black Land - I Read Bayin Boluo's Poetry Collection "Chronicle of the Dragon""

Bayin Boluo in Life Showing a very soft side. Tall, thin, a bit bookish, he likes to sing Tengger's songs, and his hard-pen calligraphy is also good. He is a versatile person.

——Excerpted from "The Keeper of the Soul" by Yue Shan