Green silk cluster next sentence: I will pat rouge on the cheek in a moment. Title: Five Poems from Thinking: Self-love and residual makeup in the mirror. Real name: Yuan Zhen. Font size: small and bright. Time: Tang Dynasty. Ethnic group: Xianbei nationality with China characteristics. Place of birth: Luoyang, Henan. Date of birth: February, 14th year of Dali (779). Time of death: Taihe five years (83 1 year). Main works: Crossing Xiangyang Tower, Poems of Three Mournings, Hearing Letian Awarded Jiangzhou Sima, Three Nights of the Bright Moon, Walking Palace, etc. Main achievements: Advocating the New Yuefu Movement.
We will give you a detailed introduction of "Huanchaman _ Green Silk Cluster" from the following aspects:
First, the full text of "Five Poems Self-reflection, Self-love for Residual Makeup in the Mirror" Click here to view the details of "Five Poems Self-reflection, Self-love for Residual Makeup in the Mirror".
In the self-love makeup mirror, the ring is full of moss.
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Second, the background
Yuan Zhen's five farewell poems were all written in memory of his late wife Wei Cong, and were written in the fourth year of Yuanhe in Tang Xianzong (809). In the eighteenth year of Zhenyuan in Tang Dezong (802), Wei Cong married Yuan Zhen at the age of 20, and Yuan Zhen had a deep affection for her. Seven years later, Wei Cong died of illness. After Wei Cong's death, Yuan Zhen wrote many mourning works. This group of poems expresses his loyalty and nostalgia for Wei Cong.
Three. translate
In the self-love makeup mirror, the ring is full of moss.
I love to appreciate the residual makeup in the mirror in the morning, and the hairpin is full of hair.
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
In a short time, the rising sun shone on the rouge cheeks, as if a red flower was waking up and blooming, as if to melt.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
The mountain spring flows slowly around the street, and the small building is hidden in thousands of peach blossoms.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
I did nothing (upstairs) reading Taoist books, didn't get up, and watched (you were in front of the dresser) combing your hair through the crystal curtain.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Luo Hong, a knitting technique, always pursues fashionable and novel patterns. The tulle embroidered with Qin Jilie (a parrot-like bird) is dyed as smooth as a wine song.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Don't think that the material of the cloth is too weak. A little silk with sparse warp and weft is the most pleasant.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Once you have experienced the boundless sea, you feel that the water elsewhere is dwarfed; Once I experienced the clouds in Wushan, I felt that the clouds in other places were eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
Even among the flowers, I am too lazy to look back. Maybe it's because of the monastery, maybe it's because of you.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
At that time, a hundred flowers were blooming, but I just picked a white pear flower and gave it to you, a fair-skinned woman.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Now I stand quietly by the river like those two or three trees, but only a green leaf accompanies me through the last spring.
Fourth, appreciate
one
One is to recall the charming modality of residual makeup in the lover's mirror. When the poet married Wei Cong, they were deeply in love with each other. This poem is a touching feeling of "thinking" about lovers' lazy makeup after a night of love. The poet does not write directly, but is a lover who loves himself in the mirror. In the mirror, she has uneven hairpin rings and green lines. Soon, when the sun rises in the east, the cheeks are as red as rouge, and the skin on the face is ruddy and soft, as if it is about to melt, showing readers a beautiful and charming charm.
Secondly,
One or two sentences in Yuan Zhen's poems also give people an extraordinary sense of dust. Blue mountains and clear springs overflow, and thousands of trees and peach blossoms are hidden. It is no longer a small jasper in Cui Hu's "Chengnan Zhuang", and the beauty in the building must be as beautiful as a fairy. The scenery is from far to near, the color is light and the people are deep, and the focus is gradually prominent, setting suspense and specific environmental atmosphere for the characters to appear. Poetry is a picture with sound, and painting is a silent poem. If the two are mixed in the specified drama scene, it will produce unexpected excellent artistic effects.
Introducing the characters in three or four sentences and expounding the story of "thrush" in the boudoir, in contrast with the pen, written from one side of the eye, is also helpful to enrich the potential drama factors and the psychological level of the characters. The word "leisure" vividly depicts the ridiculous mode of absent-mindedness, which is a profound contrast between Ming Dow's Confucian classics and the secret seal of Yu Kexian's mind. "Unintentional" not only describes the delicate and touching in one side's eyes, but also shows infinite concern and affection, which is a profound contrast between the two layers; The beauty of boudoir is so chic and elegant, which is a deep musical contrast of three layers. There are also many twists and turns in Comb My Hair under the Crystal Curtain: crystal curtain and beauty makeup, one layer; Beauty is another layer in the eyes of lovers; The good times don't last long, and the hidden moon is deeper. The emotional yearning for combing hair under the crystal curtain can guide readers to the poetic realm of truth, goodness and beauty, so it has universal moral value and aesthetic significance.
third
This poem uses metaphor. The first two sentences say that Hong Luo always pursues novel tricks, just like other women are always moving one by one. The veils embroidered with Ji Qin patterns are dyed with delicate colors like charming wine songs. Don't say that the yarn is too thin, because only such yarn is the best. It is precisely because Wei Cong, his late wife, was elegant and indifferent, virtuous and dignified that the poet compared her to a gauze with sparse latitude and longitude. This is of course Yuan Zhen's preference for his wife, but only affectionate people can show this everlasting sincerity.
Fourth.
The most prominent feature of this poem is to express the hero's deep love for his lost sweetheart in a clever way. It uses water, clouds and flowers in succession, and it is written in a tortuous and euphemistic way, with far-reaching artistic conception and intriguing.
One or two sentences: "once the sea was difficult for water, it was amber forever." The vast sea dwarfs the water in other places. Wushan faces Yunfeng, facing the Yangtze River, and the clouds are steaming. According to Song Yu's "High Order", its cloud is transformed by the goddess, which belongs to the sky and goes down to Yuyuan. It is as lush as a pine tree and as beautiful as a charming girl. So in contrast, the clouds in other places are eclipsed. "Sea" and "Wushan" are the most beautiful images in the world. Poets use it as a metaphor. Literally, they say that they have experienced the "sea" and "Wushan", and it is difficult to see the water and clouds elsewhere. In fact, it is used to describe the feelings between their husband and wife, just like the water in the sea and the clouds in Wushan. Its depth and beauty are unparalleled in the world, so no woman can make herself emotional except his wife. "It is difficult for water" and "not a cloud", which is certainly Yuan Zhen's preference for his wife, but the feelings of husband and wife like them are really rare.
Three or four sentences explain the reason for "lazy review". "Cultivation" here can also be understood as paying attention to the cultivation of moral knowledge. However, for Yuan Zhen, respecting Buddhism and Taoism, cultivating self-cultivation and pursuing scholarship are nothing more than an emotional sustenance of his lovelorn grief. The anxiety expressed by "half cultivation" and "half monarch" is the same, and it is more meaningful to say "half cultivation"
Fifth.
"Hundred flowers are picked together, and pear flowers are picked in white." In spring, when all flowers are in full bloom, the poet picked a white pear and gave it to his wife, the fair-skinned woman. Flowers bloom in spring, and the poet picks pears, not because his wife is not like other women, not only virtuous and dignified, but also knowledgeable in poetry. More importantly, she was born rich, but she was not rich and did not advocate vanity, just like the white pear flower, which quietly bloomed in the branches. However, his wife has died, the pear tree has withered, leaving only green leaves, and he spent the last spring alone. Poets use metaphors to compare pear flowers to wives and themselves to green leaves, expressing endless nostalgia for their dead wives.
Verb (abbreviation for verb) notes
_: It's the same as the ancient "hairpin".
For a moment, for a short time.
Sloppy: Slowly.
Careless: lazy, lazy.
Crystal curtains: curtains made in time; Transparent curtains.
Lucky: Also known as Ji Qin, myna.
Tender Qu: A tender Qu with a color like wine.
Mao Biao: refers to silk with sparse warp and weft.
Once the sea was difficult for water: this sentence was stripped from Mencius' Watching the sea is difficult for water (Mencius' Dedicated Articles), which means that he has watched the water potential of the sea and the flowing water of rivers is not water.
Forever amber: This sentence uses the allusion of "Wushan Yunyu" in Song Yu's Gao Tang Mi, which means that all clouds are not called Caiyun except the colorful clouds on Wushan.
Hurry up: casually, hastily.
Fate: because, for.
F: It's open.
White: A person with fair skin. This poem refers to a dead wife.
Sixth, Yuan Zhen's other poems.
Chrysanthemum, self-reflection on five-character poems (Part IV), Palace, giving the best in September (autumn words) and late autumn. Poetry of the same dynasty
Sangu's Family, Warm Dishes, Farewell to Xu Kan, Mourning Poems, Jia Dao's Tomb Inscription, Tiantai Temple Couplet, Song of Eternal Sorrow, Memory of Jiangnan, Spring Tour in Qiantang and Ode to Mujiang.
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