How to embody the innovation of Han Yu's poems?

Han Yu opposed the formalistic style of writing since the Six Dynasties, vigorously advocated ancient prose, and led the ancient prose movement in the middle Tang Dynasty together with Liu Zongyuan. Han Yu was a famous essayist in Tang Dynasty. Su Shi called him "the decline of eight generations of literature" (Chaozhou Hanwen Gongci Monument). Han Yu's argumentative essays are extensive in content and eclectic in genre, such as The Original Road, Buddha's Bone Table, Teacher's Notes, Jin Xuejie, etc., with novel ideas, distinct viewpoints, boldness and frankness, and strong militancy. His epitaph Han creatively applies the biographical techniques of Zuo Zhuan and Shi Ji to the epitaph, creating a large number of vivid characters, adding luster to this always boring epitaph style, and some of his works have become excellent biographical literature, such as Liu Zihou's Epitaph. Preface to Farewell to Meng Dongye and Preface to Farewell to Dong Shaonan have their own advantages in techniques, which makes Preface to Farewell to Meng Dongye develop into a practical literary style. Books such as Answer to Cui Lizhi were opened because people made statements and they were sincere. Koreans are unrestrained, while Wang Yang is unrestrained, "like the Yangtze River, vast" (Su Xun's Ouyang Connotation Book). Profound conception, ingenious conception, concise language and creativity. His poems are also unique, innovative and long-lasting, making the past serve the present, adopting the style of prose poetry, which is magnificent, full of talent and whimsy, forming a unique style of extraordinary and magnificent, creating an important school after Li and Du Fu, and correcting the mediocre poetic style since Dali. His representative works include "Rocks" and "On the Mid-Autumn Festival to be divided into official posts". The Seven Laws "Moving Left to Lan Guan Xian's Grandnephew" and the Seven Unique Works "Zhang, Assistant Professor of the Ministry of Water Resources in Early Spring" are also well-known masterpieces. However, his excessive pursuit of novelty will inevitably lead to danger and strangeness, and his emphasis on "taking prose as poetry" will inevitably turn poetry into "rhyming literature"