In terms of expression, Li Bai used various rhetorical devices such as exaggeration, metaphor and personification, which enhanced the artistic appeal of poetry. The Yellow Crane and the Ape Crossing the Shu Road is difficult to describe the precipitousness of the Shu Road vividly.
In addition, Li Bai is also good at using the singing method with national characteristics, showing the rigor and magic of Shu Dao with its fast rhythm, jumping rhythm and patchwork sentence patterns.
Extended introduction
Poets are good at combining imagination, exaggeration and myths and legends to write scenery and express feelings. Nowadays, some people say that this poem is difficult to write on the surface of Shu Dao, but in fact it is a bumpy career, reflecting the resentment that the poet's life experience and talents are not satisfied during his long-term roaming. So far, there is no conclusion.
Li Bai vividly described the dangers of Shu Dao with unpredictable brushwork, artistically showed the winding, majestic and rough face of ancient Shu Dao, and painted a colorful landscape picture. The moving scenes in the poem are vivid in my mind. Li Bai's description is so touching because of the romance that runs through it.
Overall appreciation of Shu Dao Nan:
"The difficulty of Shu Dao" is an ancient theme of Li Bai's copying Yuefu, with rich imagination. It focuses on the wonderful and breathtaking mountains and rivers on the road, and reveals some worries and worries about society.
Poets generally follow the clues from ancient times to the present, from Qin to Shu, and describe them by grasping the landscape characteristics of various places to show the difficulty of Shu Dao.
It is a passage from "Aye, Woo, Aye" to "Then the ladder is connected with the stone pile". At the beginning, he spoke highly of the difficulty of Shu Dao and pointed out the theme with strong emotion, which laid the tone for the whole poem. With the ups and downs of feelings and the changes of natural scenery, the chanting of "it is difficult to get through the Shu Road and get to the sky" appears repeatedly, like the main theme of a piece of music, which touches the readers' heartstrings.
Before the Tang Dynasty, Shu Daonan's works were short and pithy. Li Bai innovated and developed the ancient poems of Dongfu, and used a large number of prose poems, ranging in length from three words, four words, five words, seven words to eleven words, forming a very unrestrained language style.
The rhyme of poetry also broke through the old rhyme procedure in Liang and Chen Dynasties. Later, I described the sinister environment in Sichuan and changed the rhyme three times in a row, trying my best to change things. Therefore, Yin Kun's "He Yue Ling Photo Collection" called this poem "strange and strange, and it is rare for the poet to return."
There are various moral theories about this article, and the conclusion is addressed to someone or something. According to Hu Zhenheng and Gu in Ming Dynasty, Li Bai "sang for himself" and "had no other intention". Nowadays, some people say that this poem is difficult to write on the surface of Shu Dao, but in fact it is a bumpy career, reflecting the resentment that the poet's life experience and talents are not satisfied during his long-term roaming. So far, there is no conclusion.