The wind and rain cry sadly, the chicken cries,
Meet a gentleman. Don't worry?
The wind blew through the rain, and there was a cock crow outside the window.
Why not be embarrassed when you meet a gentleman?
The wind and rain darkened the sky and the cock crowed outside the window.
Didn't Hu Yun like seeing a gentleman?
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The wind and rain are cold and clear, and the cock crow is silent.
Looking forward to the arrival of my relatives, my heart suddenly calmed down.
The wind and rain beat, and the chicken giggled.
I am looking forward to the arrival of my relatives, and my heart is gone.
It's dark and cloudy all day. Why does the chicken keep crowing?
Looking forward to the arrival of relatives, smiling happily.
This is a masterpiece of ups and downs. On a morning of "stormy weather and crowing", when the pregnant woman "saw a gentleman", her joy was beyond words. It's hard to describe, just sing three sighs about Long song. The three chapters are repeated, and the poems are simple. The dialectics of art lies in simplicity and richness. Judging from the poetic art and theme, The Tempest has rich artistic implications.
The meaning of the present includes the past and the future. In the choice of situation, the poem did not write endless lovesickness before writing, nor did it write the reunion after meeting and laughing, but re-emphasized the feeling of being overjoyed when "seeing". And this moment is the most meaningful moment. Through this woman's indescribable joy, readers can not only see her mood of "willing to talk about blogs and take the first illness" during the day, but also "sleepy at night if there are hidden worries" before she "meets"; I can also imagine the happiness between husband and wife after "meeting", such as "meeting customs again, laughing and laughing" and "meeting women and teasing each other" The process of winning more with less and accumulating in an instant is very clever.
Sad scene Syaraku, double its feelings. The first two sentences of each chapter are inspired by wind and rain and cock crow. These exciting sentences not only have scenery, but also redraw a cold and gloomy background where chickens crow everywhere. It's the easiest time to evoke feelings of parting. Sentences for scenery are indeed the language of writing feelings. Tired of wind and rain and sleepless nights; The thought of crowing among sheep and worrying about people's unrest; The cock crows on time, and the expected person doesn't come, which can be described as a perfect fit. However, at this almost desperate moment, pregnant women unexpectedly "saw" their long-lost lover; The sudden joy and joy can be imagined. At this time, the chicken crow in the biting wind and rain seems to be the chicken crow in the warm spring rain. As Wang Fuzhi said, "Write mourning with joy, mourn Syaraku, and be twice as sad and happy" ("Dongzhai Poetry"). This technique is not only found in Xiaoya Cai Wei, but also commonly used by poets in The Book of Songs.
Refine the meaning of words step by step. The structure of the poem is simple, and three chapters overlap; The poet's description of the scenery in Yi Ci shows people's different feelings delicately. Sorrow is a woman's icy feeling; When it rains, you can hear the sudden rain at night; Like the darkness of night, it also shows the scene in front of us visually.
Yao Jiheng's General Theory of the Book of Songs has made an accurate analysis of the exquisiteness of the scenery written in Yi Ci: "If it is gloomy, write it clearly. Only when it is clear is it called' as dark'. Only when you are embarrassed,' sadness' and' embarrassment' are fashionable. " The poem subtly expresses the movement of tense and the gradual development of modality while changing the meaning. Regarding the progressive tense, Yao said that "Hehe" is the harmony of many voices. At first, the voice was very small, but many people felt it. Glue', simultaneous high also. After the third day, it will be dawn. Go on. "There is also a folk saying that' the cock crows three times and the sky will be bright'; The overlapping of the three chapters of The Storm may be based on this customary law. With the development of tenses, pregnant women's mentality of "seeing a gentleman" has gradually improved. " Neither cloud nor Hu is foreign ",with a rhetorical sentence and a warm tone, indicating that his mood is great;" Clouds don't cover the body ",which is a disease of ideological accumulation. The more so, the deeper the tone; In the last chapter, "Hu Yun doesn't like it", the joy is hard to hide, even loudly. The weather changed from darkness in the night to darkness in the morning, the cock crow changed from low voice to high voice, and the emotional change changed from first sight to conviction and shouting. Fang Yurun said: "This poet is good at lyricism and lyricism on the spot, so he is unique in the future. "(The Book of Songs Primitive Man) is really called this.
Symbolic image, a poem can explain many things.
The poem Storm aims at "reunion of husband and wife" or "meeting lovers". It is more reasonable to talk about it in the context of poetry. However, the theory of "thinking of the monarch in troubled times" put forward by Confucian scholars in Han Dynasty had a positive impact on later generations. "Preface to Mao Poetry" says: "Wind and rain, thinking of a gentleman. In troubled times, a gentleman does not change his mind. " Jian Zheng declared: "Monkey, Yu Junzi, although living in troubled times, will not change his frugality. ..... chickens don't stop screaming because they are gloomy. " In this way, "wind and rain" symbolizes troubled times, "cock crow" symbolizes that a gentleman will not change his mind, and "gentleman" has changed from "husband" to a noble and chaste gentleman. Although this is an affiliated meeting, it also has its written basis. Because "gentleman" can be applied to respectable, lovely and amiable people in the era of The Book of Songs, and its meaning is uncertain. Therefore, understanding the image of Fu prose as the symbolic image of Bi prose may lead to the association of "thinking in troubled times"; It is also in line with the aesthetic law to understand the "stormy" natural scenery as a sinister life situation or a turbulent social environment. Therefore, many scholars and gentlemen in later generations often encourage themselves to "cry endlessly" regardless of "ups and downs".
In the Southern Dynasties, Emperor Jianwen of Liang said in the preface to the Xuanbi: "Liang Zhengshi, Lan Ling Xiaogang, did what he did immediately, which is often the case. The wind and rain are like rain, and the chickens are like singing. " Guo Moruo wrote in The Return of the Starry Sky during the ebb tide of the May 4th Movement: "The wanderer has returned, and in this stormy morning, the wanderer has returned!" From the perspective of modern reception aesthetics, this aesthetic re-creation based on this article is beyond reproach; And Mao's "incidental meeting" can also be said to be a "creative misunderstanding".