The full name of "China Left-wing Writers' Union" was established on March 2nd, 1930. It was established on the basis of the Creation Society, members of Sun Society and Lu Xun's writers, and gathered almost all the left-wing elite writers in China at that time, forming a literary group that resisted the cultural "encirclement and suppression" policy of the Kuomintang government, built Marxist literary theory and promoted the popularization of literature and art. The writers of the "Left League" not only responded to the cultural "encirclement and suppression" of the Kuomintang in words, but also directly participated in the political struggle with the Kuomintang authorities. Many writers took to the streets, publicly held "flying rallies", "festival parades" and "General League strikes", and even publicized "armed riots" in central cities, paying the price of blood.
"Five Martyrs of Left-wing League" joined the Chinese Left-wing Writers League on 1930. Except Fu Yin, the other four were all born in party member, and Li Weisen also served as the propaganda minister of the Central Committee of the Communist Youth League.
Rou Shi, formerly known as Zhao Pingfu, was originally engaged in education and participated in the New Literature Movement. 1923 began to create; 1in the summer of 928, he went to Shanghai and had more exchanges with Lu Xun. With the help of Lu Xun, he translated and introduced foreign literature, especially those in eastern Europe and northern Europe, and edited such publications as Yusi, Chaohua Xunxun and Germination Monthly, which had a positive impact on his creation. He has written works such as February and Slave Mother.
Hu Yepin started his literary activities on 1924, co-edited People's Literature and Art, one of the supplements of Beijing Daily, and published his works in the journal under the signature of Hu Chongxuan. 1928 spring, arrived in Shanghai, began to read Marxist theory, and made it clear that literature served the revolution. In the preface of "Going to Moscow", he emphasized that creation should "grasp the reality of this era of struggle" and "go deep into proletarian society and experience their life and consciousness", which influenced his creation. He once wrote "Go to Moscow" and "The light is just around the corner".
Yin Fu, formerly known as Xu Zuhua, took the pen name Bai Mang. He began to write poems around 1924, and wrote more at 1928, and quickly became a proletarian revolutionary poet. Yin Fu had an early relationship with the revolution./kloc-0 was arrested for the first time in Shanghai in April, 927. From 65438 to 0929, he left school to specialize in the youth workers' movement, and his creation reached its climax. He published many poems, essays and papers under the pseudonyms of Yin Fu, Bai Mang and Sha Fei. Lu Xun cherished Yin Fu's poems very much. In the preface of Baby Tower, he wrote:' This is the shimmer of the East, the whistling arrow in the forest, the bud in late winter, the first step of marching, the monument of great love for predecessors and hatred for saboteurs. All the so-called mature and concise works, quiet and quiet, need not be compared, because this poem belongs to another world. "
Li Weisen, pen name Li Qiushi, is mainly engaged in practical work. Starting from the needs of the revolution, he wrote many papers and essays, compiled the Collection of Revolutionary Songs, translated Dostoevsky's biography, and also made some literary essays and sporadic translations. He is not a member of the Left League, but he is closely related to the Left League.
Feng Keng mainly wrote lyric poems in his early days, but after taking part in the revolutionary struggle, he wrote more novels, and his style changed.
After the death of the "Five Martyrs of the Leftist League", Lu Xun felt extremely sad and indignant at their sacrifice. Knowing the bad news, he wrote a mourning article, pointing out that they "wrote the first article" for China's proletarian revolutionary literature with their blood, and said: "As long as the masses exist and develop, proletarian revolutionary literature will develop" ("China proletarian revolutionary literature and the blood of its predecessors"). Many years later, he wrote In Memory of Forgetting (65434.