About the author: Ye San, born in 1978, has lived overseas for many years. He missed the excitement of Beijing, so he returned to China. Love literature and art, like to sleep. His representative works include "Ninety Thousand Words", "Cut Nezha in Half" and "We Sing".
Ye San's Weibo is called "Xiao Qing Xing". "Xiao Qing Xing" refers to herself as Bo Liang, vicious, extremely aggressive, and like a female gangster, which naturally attracts many onlookers. Ye San Her writing has her amazing aura and her charm that attracts many literary young people and literary hooligans. It is interesting yet profound and very literary. She is obsessed with recording the trivial matters of life in words. She often records some fragments on airplanes and buses, and later synthesizes them into prose under the names of "notes" and "whispers."
These essays show all kinds of trivial details and immediate reflections in Ye San’s life. The words may be short or long. In the longer one of two hundred words, she can list one by one within one meter of the computer desk. He placed various items, and then described everything he had done before opening Word. The deliberate tediousness vividly reproduced the anxious state of mind of a writer writing a manuscript;
And in the shorter Five Cross In the novel, she can casually explain the relationship between men and women: "Unpleasant love experiences make people sensitive. When encountering love again, you must first judge whether the other person's personality matches your own before starting. The French have become Germans."
Extended information:
"Ninety Thousand Words" includes: ten winter murmurs; six spring notes; a dozen distracting thoughts at the beginning of the year; November, the sea rejects the river; one thousand and zero A year old is cold; picking up things is a thousand years cold; the end of September·In the name of the father; Guangzhou fragments; various dreams and delusions that seem to be narcissistic; early intrusion of separation and memories; Monkey Brother and others; vulgar grief; in the original place; I miss you It's always dusk in the city; The Conjuring and so on.
As Ye San’s debut novel, this work has a total of 90,000 words and is highly rated. It was jointly recommended by three people:
Feng Tang: A September day in South China, from nine o’clock to midnight , one person, a bottle of red wine that smells good and tastes great for the first time, reads Ye San's 90,000 words, and the room is filled with mountain ghosts and tree monsters. Writing is a false material, and coding is a useless craft. In an era where usefulness is a must, why? Maybe it's because this is the only place where you can be mad and lost.
Luo Yonghao: Ye San’s writing is smart, mean, spiritual, with jumping imagery, and avoids warmth as if to protect himself. He has a first-class sense of humor when he is happy, but he is not happy at all when he is humorous. This always reminds me of Li Ao's words: Excellent women have a tendency to self-destruct.
钭江明: Ye San’s 90,000 words are so cruel and so affectionate. What I want to warn readers is that you must be careful with Ye San.
Reference material: Baidu Encyclopedia - "Ninety Thousand Words"