Ask me the content of the poem "Floating Lift"!

[Last point]: Huang Chao will stay in Qiu Lai on September 8th [1], and all the flowers will kill me when I finish blooming [2]. The incense array [3] penetrates Chang 'an, and the city is full of golden flowers [4]. [Note ]: [1] September 8th: In ancient times, September 9th was the Double Ninth Festival, and there was a custom of climbing mountains and enjoying chrysanthemums. Say "September 8" rhymes. [2] Kill: wither. [3] Fragrant array: Fragrant fragrance. [4] golden armor: golden armor refers to the color of chrysanthemum. Just wait, wait until the autumn is crisp, and people will welcome the Double Ninth Festival. Chrysanthemum (my race) should be in full bloom, watching the flowers wither and the fragrance dissipate. The fragrance of chrysanthemum (my race) soared into the sky and permeated the whole Chang 'an City. Qiuju (my race) is planted here; There are chrysanthemums as golden as armor everywhere (teams of golden warriors are the heroes of Beijing's victory)! [Explanation]: Huang Chao is not only proficient in martial arts, but also loves reading and can write. He went to the capital Chang 'an to take the imperial examination, but failed. However, the failure of the examination hall gave him another gain: he saw the darkness of the examination room and the corruption of official management, which made him have a further understanding of the nature of Li Tang. After I failed the exam, I was full of pride. I sang chrysanthemums to express my arms. "Until September 8th in Qiu Lai", it is pointed out that chrysanthemum is in full bloom in autumn. Especially on the ninth day of the ninth lunar month, this is the traditional Double Ninth Festival in ancient China, a day for friends and relatives to get together, climb mountains and drink and enjoy chrysanthemums, and a day for chrysanthemums to show their charm and make people admire. This custom was particularly popular in the Tang Dynasty. Didn't Meng Haoran, who was 140 years earlier than Huang Chao, make an appointment with his friend "I'll come back when I have a holiday on the mountain"? Huang Chao particularly emphasized "September 8th" here. The word "stay" is used to express the firm confidence that September 8 will definitely come. People are also looking forward to the Double Ninth Festival, and the word "Liu" has also played a role in urging people to welcome the arrival of this festival, showing people a bright future. The second sentence of the poem is about the power of chrysanthemum: "I opened it, and the flowers killed me." There is no necessary connection between the withering of flowers and the blooming of chrysanthemums, but the poem says that chrysanthemums wither as soon as they open, which has become a causal relationship, just emphasizing the power of chrysanthemums. In the Tang Dynasty, peony was advocated and regarded as the national flower. According to Li Zhao's Supplement to National History in the Tang Dynasty: "For more than 30 years, you have enjoyed peony in Beijing. Every spring, if the horses and chariots are crazy, they are ashamed not to play. " Contrary to traditional ideas, Huang Chao admired chrysanthemums. You see, the sharp contrast between "I blossom" and "flower killing" shows that chrysanthemums are full of energy and great power. The Double Ninth Festival is the Chrysanthemum Festival. Three or four sentences in the poem describe the double ninth festival. The third sentence says, "Tianxiang pervades Chang 'an". This fragrance is not light or fragrant, but it is "Tianxiang permeates Chang 'an". In feudal society, the sky is sacred and inviolable. It is the supreme authority and the master of all things in the world. Even the feudal emperor, as the supreme ruler of the world, can only be called the "son of heaven". His father, heaven and earth, is commanded by heaven to govern all people. But the fragrance of chrysanthemum can "soar"; Not only "soaring", but also filling the capital Chang' an. A "hurry" and a "transparent" show chrysanthemums, and also reflect the majestic spirit of the poet's contempt for heaven and earth. The fourth sentence is written in color. If the third sentence is about the "god" of chrysanthemum, then the fourth sentence is about the "shape" of chrysanthemum. "The city is full of golden flowers" and "the city is full of chrysanthemums, all over Kyoto; "Bring the capital" means that all chrysanthemums in Chang 'an are full of golden flowers without exception. Wearing golden armor, standing in the rustling west wind, resisting frost and half cold, proudly blooming, how heroic! How handsome! Moreover, a "full" city is "full", like a cloud, reflecting the sky; Like a fire, it burned all over Chang 'an! What is sung and shaped here is not a chrysanthemum, but a "gathering of heroes" of chrysanthemums. This poem takes chrysanthemum as the theme to express one's ambition and express one's feelings through things. By depicting the image of chrysanthemum and praising its mighty spirit, it shows the heroic spirit of the author waiting for an opportunity to change the world. When the "Double Ninth Festival" of the peasant uprising came, didn't the feudal ruling class completely lose its reputation and wither like those "flowers blossom"? When the mighty insurgents marched into Chang 'an, the soldiers in military uniforms were not as dazzling and majestic as the chrysanthemums in the city. This chrysanthemum poem is a tribute to the hero of peasant uprising in feudal society. Although the poem is only four short sentences, it not only writes the spirit of chrysanthemum, but also writes the shape of chrysanthemum, which has both form and spirit; Not only did he write that the chrysanthemum was fragrant, but he also wrote that the chrysanthemum was full of color and taste, and the image was very distinct. The language is simple, magnificent and full of inspiring power. Lin Kuan, a poet at the end of the Tang Dynasty, said: "Mo Yan immediately won the world, and heroes have interpreted poetry since ancient times." That's true. Huang Chao, the leader of the peasant uprising in the late Tang Dynasty, was such a hero who immediately conquered the world and wrote heroic words. His two poems about chrysanthemums are well-known and have been passed down through the ages. They contain a great ambition to rebuild Gankun another day. It is a typical "rebellious poem" that borrows chrysanthemum to express emotion. The following is a little analysis. The first "Title Chrysanthemum" wrote: "The rustling west wind is planted all over the courtyard, and the cold butterfly is hard to come. If I am Di Qing next year, I will report peach blossoms. " This poem praises chrysanthemum, which is contrary to the tradition of chrysanthemum's aloof and aloof, and gives chrysanthemum the spirit of fighting against the cold wind and the sky. It is very touching to read, very touching. The autumn wind is rustling, thousands of trees are dying, and the chrysanthemums in the courtyard are cold and standing, and they are in full bloom in the wind. Their fragrance is quiet, cool and dazzling. Despite the untimely opening and the lack of bees and butterflies, it is rather deserted and desolate, but the fragrance of chrysanthemums in Leng Yan is not diminished, and it is much more measured. Perhaps a hundred flowers are blooming in spring, flowers are blooming, bees and butterflies are flying, and they are full of spring scenery. However, Chrysanthemum holds its head high, smiles proudly, smells rich and strong, and Leng Yan is threatening, showing an unyielding spirit as firm as a rock and as hard as steel. In fact, this is a metaphor for the firm will, tenacious style and unyielding belief of the peasant uprising army, as well as the fighting spirit of challenging the powerful and daring. Three or four sentences are the author's romantic fantasy, which can quite express the poet's lofty aspirations. The author imagines that he will become "Di Qing" (the God of Spring) one day, so that chrysanthemums and peaches can blossom together and enjoy the spring. This passionate imagination embodies the author's grand ambition. The chrysanthemum in the poem is actually the embodiment of thousands of farmers living in dire straits in Qian Qian. The author not only appreciates their tenacious vitality in the face of severe cold, but also expresses sorrow for their environmental fate, and is determined to fight against the world, change the tragic fate of working people, and let them turn over and enjoy a better life. It is worth noting that "The Newspaper and the Peach Blossom Bloom Together" also embodies the author's simple concept of equality. Because in the author's opinion, both chrysanthemum and peach blossom are one of the hundred flowers. Peach blossom can bathe in spring and bloom proudly, but chrysanthemum is independent in cold autumn, with a cold core and a Leng Xiang, which is really unfair to heaven. In addition, "If I were the future Di Qing" is a hypothesis, an imagination and a fantasy, but it shows that the poet is not at the mercy of fate, unwilling to be an ox or a horse, and vows to be the master of his own house and dominate his own lofty sentiments. In fact, it is also an ideal portrayal of the leaders of the Agricultural Development Uprising who want to overthrow the old regime and seek happiness for the public. Of course, we can also see the poet's fighting spirit of going forward bravely and fighting to the end, even knowing that he can't do it. The whole poem is magnificent, earth-shattering, magnificent! The second song is "Chrysanthemum", also titled "Fu Ju after the Last Time", which is probably Huang Chao's work to vent his anger after the failure of the imperial examination. The poem reads: "Until September 8th in Qiu Lai, I will kill all the blooming flowers. Tianxiang permeates Chang 'an, and the city is full of golden flowers. "Between the lines, it is the passion to win the battle. The word "Dai" in the first sentence is powerful and meaningful. The poet is eagerly waiting for a special day to turn Gankun upside down, and the arrival of this day is just around the corner, just like going to Qiu Lai in spring, with a moving time sequence, not illusory and out of reach. The word "kill" in the second sentence is suggestive and easily reminiscent of life. The poet juxtaposes the blooming of "My Flower" with the withering and withering of "Hundred Flowers", showing the brilliant prospect of the people's power defeating the ruling dynasty. The word "kill" reminds us that "I spend" (the power of the people) is unstoppable; Baihua "(ruling group) abandoned armour and dragged his troops away. This contest between the old and the new forces "killed" the soul and soul of the enemy, and was defeated, which greatly boosted the confidence and strength of "China" to pursue hard and defeat the enemy. Write three or four sentences about the magnificent scene of chrysanthemums in full bloom. In Chang 'an, Kyoto, chrysanthemums are everywhere, resplendent and magnificent; The fragrance overflows and goes straight into the sky; Colorful flowers, colorful embroidery, brilliant. This is simply the world of chrysanthemums, the kingdom of chrysanthemums and the grand festival of chrysanthemums. The poet wrote this way, which changed the elegant style of chrysanthemum and showed a bold and rough dynamic beauty. Writing incense with the word "chong" has the rhyme of welcoming the cold and overflowing the fragrance; Write incense with the word "array", which is rich in fragrance and infiltrates Chang' an atmosphere; Use golden armor to describe chrysanthemum, which has both color and fragrance and vivid charm. Moreover, these words are easily reminiscent of the prospect of victory for the peasant uprising army to attack the city and dominate everything. In fact, the poet used chrysanthemums in the capital and Qiu Guang to express the joy and smile of the insurgents' total victory. The whole poem should express the firm belief and beautiful vision of the victory of the uprising. Although the writing angles and expressive techniques of the two chrysanthemum poems are different, their lofty aspirations and lofty sentiments are the same. Huang Chao wants to rebel, overthrow the old regime, be a hero of fate and a trendsetter of the times. He doesn't express his feelings directly, but expresses his wishes by writing chrysanthemums. This implicit brushwork is really the main reason why these two poems are promoted to be excellent. Of course, as the leader of the peasant uprising, Huang Chao's broad-minded mind and political ambition are doomed to be different from those of ordinary feudal literati, which is one of the reasons why his chrysanthemums are so vigorous and full of fighting spirit.