1, Yellow Crane Tower bid farewell to Meng Haoran's old friend on the way to Yangzhou, and the fireworks went down to Yangzhou in March. My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon. Look at Lushan Waterfall, the incense burner gives birth to purple smoke in the sun, and the waterfall hangs in the distance. On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.
2. I went boating with Wang Lun and Li Bai, and suddenly I heard singing on the shore. Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love. It is said that Wang Changling moved to the left of Longbiao kiln, which sent Huayang into the sub-gauge, and Wendao Longdu five streams. I entrust my sad thoughts to the moon, hoping to accompany you to the west of Yelang.
Seven-character quatrains are a genre of China's traditional poetry, which belongs to the category of modern poetry. There are four poems in this style, each with seven words, and there are strict metrical requirements in rhyme and adhesion. This poetic style originated from Yuefu songs in the Southern Dynasties or Yuefu folk songs in the Northern Dynasties, or can be traced back to folk songs in the Western Jin Dynasty, and it matured in the Tang Dynasty.
Representative works include Wang Changling's Poems on Newly Built Lotus Inn, Li Bai's Poems on Newly Built Baidicheng, and Du Fu's Poems on Riverside Meeting Li Guinian. Genre Evolution of Seven-character quatrains Seven-character quatrains are a kind of quatrains, which is called seven-character quatrains for short, and its origin is not clear.
In the early Tang Dynasty, the seven-character quatrains were not only few in number and narrow in subject matter, but also had little influence on the poetry circle and were not mature enough in art. Not only was the rhythm not completely coordinated, but the style was relatively sluggish (such as the first half of an antithetical poem) and lacked long rhyme. Famous poets in the early Tang Dynasty, such as Shen Quanqi and Song, wrote good metrical poems, but the level of seven-character metrical poems was average.