Flowers are like splendid flowers, like rivers, and my heart is really afraid of spring. (Afraid of a work: packaging) Poetry wine is still driving, regardless of the white-headed people.
There are two or three families living in the bamboo forest beside the river bank, and the provocative red flowers set off the white flowers. I have a place to repay the happiness of spring. Joan can take her time at the hotel.
Look east at the flowers and cigarettes in Shaocheng. It's time for the high glistening in western restaurants to resolve jealousy. Who can take me to drink, call a beautiful woman, sing, laugh, dance and have a good life?
The water in front of the Yellow River flows eastward, giving people a sense of sleepiness and spring breeze in spring. Clusters of peach blossoms bloom by the river. Are they dark red or light red?
Four yellow maiden flowers thrive on the road covered, and thousands of flowers bow and the branches are low. The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.
It's not that the love for flowers will die, but because the fear of flowers can only be. It's easy to drop flowers when flowers bloom to the peak. Bud, please discuss it slowly.
I was so bored by the spring flowers by the river that I had nowhere to tell my feelings that I had to wander around. My neighbor came to Nannan to find a drinking partner, but his bed was empty and he went out to drink ten days ago.
Flowers and flowers are winding around the river like brilliant flowers, and I am really afraid of spring when I walk askew. But at present, poetry and wine can still be driven away by me, and there is no need to have any psychological burden on me.
There are two or three families living in the quiet bamboo forest next to the deep river bank, and the provocative red flowers set off the white flowers. I have a place to repay the splendid spring scenery, and the Joan oars in the hotel can send away my years.
Looking to the east at the smoky city, the tall glistening restaurant is even more eye-catching. Who can bring me wine to drink and call beautiful people to sing, laugh and dance on holidays?
I came to the east bank of the river in front of the Yellowstone Tower, sleepy and lazily bathed in the warm spring breeze. A peach blossom with no owner is in full bloom. Should I love crimson or light red?
The flowers in the yellow silk girl covered the path, and thousands of flowers bent lower and lower from the ground. The colorful butterflies in the fragrant flowers have been dancing, and the free and soft oriole just cried with joy.
It's not that I love flowers to death, but that I'm afraid I'll be forced to move to my old place if I run out of flowers. Flowers are easy to fall when they are in full bloom. Please discuss the buds slowly.
Note 1. Jiang: It refers to Huanhuaxi, the author's thatched cottage in Chengdu. Walking alone: Walking alone. 2. Car: Yes, I have. 3. Crazy: bohemian. Tipping is "epilepsy" 4. South neighbor: refers to Hu Sirong. The original note of the poem: "Hu Sirong, my drinker. 5. Ten days: Ten days is ten days. 6. thickness: density. Fear (wēi): After Wei, the scenery here is curved. One is "inside". 7. walk: steps. Hehe (ask hehe): skewed. Reality: One is "independence". "8.In: auxiliary word, equivalent to" de ". Saying "yes" is equivalent to "yes". 9. Cooking: Tidy up and help. White-headed man: the old man. The author mentions himself in the poem. 10. A lot of things: it means provocation here. 1 1. Send: Send. Career: life. 12. Shaocheng: small town. Chengdu is divided into big cities and small cities, and small cities are in the west of big cities. According to Yuanhe County Records, Shaocheng is located in the southwest of Chengdu County. 13. Poor: cute. 14. Lights: one is "lock". 15. Beauty: refers to official prostitutes. Feast: a sumptuous feast. 16. Yellowstone pagoda: a pagoda for burying monks. Lu You's Notes on the Old Learning Temple: I went to xipu on business, and I went through the pine forest. I asked Yu Zu, where is this? A: "The division tower is also. Shu people say that a monk is a teacher and buried in the tower, which is a sentence to realize Shaoling's "Yellow Sect in front of the tower". 17. Lazy and sleepy: tired and sleepy. 18. No owner: let it die, no one cares, no one enjoys. 19. Love: one is "reflection" and the other is "harmony". 20. Huang Siniang: Du Fu's neighbor when he lived in Chengdu Caotang. Path(xρ): the path. 2 1. lingering: reluctant to leave. 22. Jiao: Cute look. Cha-cha: Onomatopoeia, which describes the harmony and sweetness of birds' songs. When we say "cha-cha" is a Tang dialect, it means this. 23. Love: Be a "look". Ken: Still fighting. One is "desire" and the other is "demand". 24. One after another: too many and messy. 25. Bud: refers to a flower in bud.
Looking for flowers and enjoying the moon alone by the riverside, Du Fu wanted to find a companion to enjoy the flowers, but he couldn't find it, so he had to walk alone by the Jinjiang River in Chengdu, writing a place for each experience; Write a place, change a meaning; A series of seven poems, * * * into a system, each poem has its own system. The first poem in this group is about looking for flowers alone, which is quite abrupt from the beginning of annoying flowers. The second song was written by the river to see more flowers, and suddenly it said that it was afraid of spring, and the language was extremely strange. Actually, it's ironic The third song is about some people's flowers, dazzling red and dazzling white. The fourth song is about seeing the flowers in a small town, imagining the prosperity of flowers and the joy of people. The fifth is about the peach blossom in front of Master Huang's tower, the sixth is about the flowers of Huang Si's family, and the seventh is about enjoying flowers, loving flowers and loving flowers. This group of poems has clear context and orderly levels, which is a one-step flower-seeking map. It shows Du Fu's love for flowers, nostalgia for a better life and hope for the safety of things.
This group of poems is closely related to the theme of finding flowers and is written in various capitals, where there are flowers. The first sentence "the river annoys the flowers" echoes the last sentence "I want to die without looking at the flowers", just like a snake in Changshan. Respond first when you buckle your head, and respond first when you buckle your tail. Among them, the capital is painting flowers and has been watching them.
The first song: "Flowers annoy the river." Flowers are annoying, but they are actually cute. The flowers on the river, the shadow of the flowers make the water surface flatter, and the water surface is colorful and more lovely. The word "crazy" vividly describes the modality of loving flowers. So the poet looked for a companion to enjoy the flowers, "go to the south neighbor to love wine companions." We can see Du Fu looking for neighbors to enjoy flowers together. Drinking alone in bed after ten days clearly says that this wine lover is drinking, but it is time for him to enjoy flowers alone. This "Madman with Nowhere to Tell" is about two people-they both went to the river alone to look for flowers. There may be many people looking for flowers, and everyone has a love of beauty. These seven quatrains are all looking for flowers, running through the word "crazy" This poem is about solving problems.
The second song "Flowers Panic and Fear the Riverside" inherits the first song "Flowers on the River". The flowers on the river are countless flowers and messy pistils around the banks of the river, and Huanhuaxi is a sea of flowers. The first sentence of the first song says "the river is not completely bothered by flowers", while the second sentence of this song says "walking in danger is afraid of spring." In Du Yi, Wang Siyuan gave a thorough description of the form and psychology of madness. Flowers are so intoxicating, then I wrote a poem to drive away wine, "I don't need to take care of myself." This is the charm of writing flowers. Flowers add poetry and wine, and flowers make youth grow. This is philosophical and reasonable.
The third song: "there are two or three quiet families in the deep river, and red flowers reflect white flowers." These two sentences are derived from the first sentence of the second sentence, "Flowers are like flowers and fear the riverside", which narrows the large scope to a small one-two or three. The scope has narrowed, but the flowers are busy. The first sentence of the poem is static, and red flowers and white flowers are also common. Add the word "troubled" and it feels very lively. "Trouble" comes from the annoying flowers in front, and its strangeness is also reflected in the front and back. The last two sentences are lyrical and anthropomorphic. " To repay the spring, we should send the cause with wine. "It seems to have a wonderful understanding, as if relieved, but its affection should still love flowers.
The fourth song: "looking east, the city is full of smoke and clouds, and the tall buildings with flowers and flowers are even more pitiful." The poetry group opened another layer, writing colorful flowers on the edge of West China, which were seen in the village; At this time, the author imagines the flowers in one of the few cities in Chengdu. "The tall buildings with flowers are even more pitiful. "This sentence is very similar to what he later wrote," Flowers, as high as my window, hurt a wanderer's heart ". The first half of the two sentences are very similar, and the last three sentences are completely different. " How pathetic "is how cute. Looking at the flowers in a small city from a distance, it turned out to be misty fireworks, but there were no fireworks. Instead, it was said that the flowers were full of smoke, just like Du Yi said, "Turning decay into magic". "In this way, the flowers in the city will be used to set off the flowers in the rural areas of Jiang Shang and Jiang Bin. Although the distance is different, the fun is the same. The last two sentences ended with a question, "Who can bring wine to turn on the golden lantern and invite beautiful women to dance and embroider the feast?" "No one drinks, leaving only imagination and endless aftertaste. This is the real sigh.
The poem is called "Looking for Flowers Alone", and the fifth song in the group is written in front of Miss Huang's tower to see flowers. "There is a river in front of the Yellowstone Tower, and the water is in the east", and write down the specific location. "Spring is lazy and sleepy, leaning on the breeze" is about a person's fatigue. People who are warm in spring are easy to be lazy and tired, so they rest by the wind. But this is to see the flowers better. Look at the sentence, "Peach blossoms are in full bloom, and lovely deep red loves light red." The words "love", "love crimson", "love light red" and "love this and love that" are stacked here, followed by the words "open and ownerless". "Open without the owner" means to open freely, as far as possible, wide and special, so the next sentence is even more gorgeous and beautiful, and the poem is like brocade.
The sixth song is looking for flowers in Huang Si's family. This poem narrates the scene and feelings of Shang Huashi, a girl from Huangsi Temple, depicts the splendid spring scenery around the thatched cottage, and expresses her love and comfort for beautiful things. The beauty of spring flowers, the cordial harmony between man and nature, are all on paper. The first sentence points out that the place to find flowers is on the path of "Huangsi Niangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "let a hundred flowers blossom" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly. The third sentence says that the butterfly on the flower branch lingers because it loves flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered. Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also conveys the author's psychological pleasure and relaxed feeling. The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. This poem is about appreciating the scenery, which is common in the quatrains of the prosperous Tang Dynasty. However, it is rare to see such a poem with a very delicate description and unusually beautiful colors. For example, "So people are at the peach blossom bank until the stream flows in front of the door" (Chang Jian's "Looking for Li Jiuzhuang in Three Days"), "Last night, the wind opened the peach well, and the moon was high in the front hall of Weiyang" (Wang Changling's "Spring Palace Song"), these scenes all appear "beautiful"; After Du Fu's "Flowers Like Flowers", he added "Thousands of Flowers" and butterfly singing and dancing, and the scenery was beautiful. This kind of writing is unprecedented. Secondly, people in the prosperous Tang Dynasty paid great attention to the harmony of poetic tone. Their quatrains can often be strung together, so they are very harmonious. Du Fu's quatrains are not written for singing, but purely poetry, so there are often awkward sentences. In such a poem, the word "flowers press branches" should be flat according to the law. But this "contradiction" is by no means an arbitrary destruction of the melody, and the overlap of "letting a hundred flowers blossom" has a taste of beauty. Although the word "flower" of "thousand flowers" and the word "four" in the same position in the previous sentence belong to the same sound, the rising tone and falling tone are different from each other, and the tone still changes. It's not that poets don't pay attention to the musical beauty of poetry. This is manifested in the use of disyllabic words, onomatopoeic words and reduplicated words in three or four sentences. "Linglian" and "Freedom" are both disyllabic words, such as a perfect match and a turning tone. "Yes" and "Chen Wenjing" are overlapping words. Even if the upper and lower sentences form antithesis, the meaning is stronger and more vivid, which can better express the poet's sudden joy when he is infatuated with Hua Hudie and suddenly awakened by the sound of warblers. Except for the words "dance" and "warbler", these two sentences are all tongue-toothed sounds. The use of these series of tongue-toothed sounds creates a sense of self-talk, which vividly shows the feeling that flower lovers are intoxicated and surprised by the beautiful scenery. The utility of sound is very helpful to the expression of emotions. Syntactically, most of the poems in the prosperous Tang Dynasty were naturally muddy, which was different from Du Fu. For example, "antithesis" (later couplets) is the style of quatrains in the early Tang Dynasty, and there are few quatrains in the prosperous Tang Dynasty, because it is difficult to achieve a perfect ending. Du Fu, on the other hand, because it is difficult to see coincidence, such a poem couplet is both steady and full of charm, and it is used properly: when it is pleasing to the eye, hearing Ying Ge's "Cha Cha" adds a lot of interest. Besides, according to customary grammar, these two sentences should be written like this: butterflies dance while playing, and Yinger crows freely. Putting "lingering" and "freedom" at the beginning of a sentence is not only for the needs of phonology, but also to emphasize them semantically, making the meaning easier to appreciate and the syntax more novel and changeable.
The last song: Love flowers or die. Happy simply, don't hide. Du Fu used to fight to the end, often using harsh words, such as "words are not surprising and never stop", that's all. He also wrote, "I am afraid that I will spend all my time urging each other." "I'm afraid the flowers will wither. The next two sentences are about the scenery, about the easy falling of flowers, the slow blooming of flowers, and the deep affection of flowers in the scenery, so as to express pairs, which are even more intimate and affectionate.
The creative background of Seven Poems by the River. This group of poems was written in the spring of the 2nd year of Shang Yuan in Tang Suzong in Tang Dynasty (76 1) or the first year of Zong Baoying (762) after Du Fu settled in Chengdu Caotang. In the first year of Shangyuan (760), Du Fu lived in Chengdu, Sichuan, and built a thatched cottage beside Huanhuaxi in the western suburbs, looking for a temporary residence. Du Fu lives in a thatched cottage on the outskirts of Chengdu, which is "the western end of Huanhuaxi and the owner is cousin Brin" ("Buju"); The poet was very satisfied. "But an old friend offered him rice. What else can I ask for?" (Jiangcun). Therefore, it is spring, but also enjoyment. Du Fu loves life. This is his life and emotional basis for writing this group of poems. In the second year (the third year), in the spring season, he walked alone along the Jinjiang River to enjoy flowers and wrote a group of poems "Looking for Flowers Alone by the River".
Poetry: seven quatrains by the river. Du Fu's Poems in Tang Dynasty: Spring, Flowers, Scenery and Music