A, stork tower west 100 feet, tingzhou vast clouds and trees.
Appreciation: This sentence depicts the magnificent scene of the mirage. A hundred-foot-high mast stands in the west, and the clouds and trees on Tingzhou are endless, forming a very imposing picture. The author compares the stork tower to a hundred-foot mast by metaphor, which vividly shows the height of the stork tower and creates a daunting majestic scene.
At the same time, the scene of clouds and trees in Tingzhou is also very spectacular, which makes the whole picture more vivid and three-dimensional. This spectacular intentional description highlights the author's extraordinary understanding of the scenery.
Second, Linjiang Zhu and Ming Luan sang and danced.
Appreciation: This sentence depicts the prosperous scene of Wang Teng's singing. Wang Teng was built by the river, overlooking the river. The island is shrouded in clouds and trees, and Yu Peiming bears endless songs and dances. In this sentence, the author compares the prosperity of Wang Teng Gao Ge with the desolation of the mirage, expressing the pursuit of prosperity and the feeling of desolation.
At the same time, Yu Pei's songs and dances also hinted at the luxurious life of the dignitaries at that time, expressing the author's dissatisfaction with this life and criticizing the social reality. This poem is a perfect fusion of romanticism and realism.
Third, the Forbidden City is frosty in the morning, and the moon is bright outside the Shili Tower.
Appreciation: this sentence depicts the deserted scene of the palace. The morning frost in Jiuchong Palace refers to the high cold in the palace, which makes the palace more desolate. Moonlight tower refers to the palace under the moonlight, which is even more empty.
In this sentence, through the description of the palace, the author expressed his recollection of history and reflection on reality. The coldness of the palace is in sharp contrast with the brightness of the sunset, which expresses the author's nostalgia for history and dissatisfaction with reality. At the same time, this sentence also implies the desolation and desolation of the palace, expressing the author's endless thinking about the palace and profound reflection on history.