What do you mean, there is no me in the cloud, and there is no intention in the cloud?

It means that the cloud and I are integrated. The original sentence comes from Wei Lizhong's "Before the Temple, Blue Clouds are Deep" in the Yuan Dynasty. It shows the hermit's noble character and elegant and unique realm.

Original text:

Blue clouds are deep, and the road in the depths of blue clouds is hard to find. Count the rafters and clouds, and the clouds are in the shade. Hang a cloud and an eight-foot harp, lay a moss stone on the cloud root pillow, and fold the plum blossom to soak the cloud tip. Cloud heart without me, cloud I unintentionally.

Vernacular translation:

A heavy blue cloud is as deep as the sea, and it is hard to find the Nakakoji in the depths of the sea of clouds. Rent a few huts together with Biyun. Biyun stays on the pine shade, then hangs a precious cloud and an eight-foot harp, lies on a moss stone, uses Yungen as a pillow, and breaks off plum blossoms to soak on the cloud tip. Yunxin, who is free to move, has no permanent me, and Yuner and I have no sense of dust and vulgarity.

Extended information:

Appreciation of works:

Here, the author uses an approximate number of "3," to describe the powerful lineup of Zhou Jun's fierce generals like clouds and chariots like waves, and then brings the "focal length of the lens" closer to the front of the team, and carefully arranges a magnificent appearance of the main commander. I saw him, riding in a red chariot, with a flower mat as a curtain and a shark's skin as a suit, and four well-trained horses, with bronze hooks and iron bridles, sitting in the middle of the whole team, tall and mighty and different. I've never seen it before. It's awesome.

The second chapter of the poem is basically the same as the previous chapter, and the description of the momentum of the drill team is continued to be strengthened by intertextuality, mainly through color depiction ("the flag is off the center" and "the balance is wrong"). In the depiction of the other uncle's image, it is a step closer: Fang Shu Zhu Yi Huang Shang and Pei Yu Ming Luan, who are "obedient to his life", have extraordinary bearing.

At the same time, it also points out his important status as Wang Qingshi. The third chapter is one of the changes in style, taking the soaring of eagles as an example, Zhou Jun led by his uncle is brave, invincible and high-spirited. Next, the author describes the situation of Zhou Shi's training under the command of the commander-in-chief: with the thunderous sound of drums, the chariot kept its offensive formation and rushed forward with the screaming and killing that resounded through the sky; At the end of the exercise, there was another drum, and the order to retreat was issued. The team withdrew from the exercise field in an orderly manner and returned to the camp in a mighty manner after the rectification. ("cutting the drum is deep, vibrating the brigade").

the fourth chapter is full of words and expressions, and with majestic spirit, it directly denounces the Jing Man who has no reason to stir up chaos ("stupid men are pretty men, and great countries are enemies"). It is warned that if Fang Shu's well-equipped and well-trained division brigade crusades against Jing Man, it will be able to destroy the enemy's army, pull out the enemy's city and capture the enemy's people with lightning speed, and it will be defeated by laughing and waving ("Fang Shu will stop, and the hearing will be ugly").