Su Shi [Song Dynasty]
Spring is not old, the wind is fine and the willows are oblique. Try to see it on the detached stage, half the city is full of flowers. Fog and rain darken thousands of people. (Look at the work: Hope)
After a cold meal, I woke up but felt uncomfortable. Don't miss the old country for the old friend, try new tea with new fire. Poetry and wine use time.
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Spring is not over yet, the breeze is thin, and the willow branches dance with it obliquely. Try to climb the separated platform and overlook. The moat is half full of spring water flashing slightly, the city is full of spring flowers, and the city is drizzling, and thousands of households are not true.
After the Cold Food Festival, I woke up with a homesick sigh. Don't miss your hometown in front of your old friends, just light a new fire and cook a cup of newly picked tea, and get drunk while writing poetry.
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1074 (the seventh year of Xining in Song Shenzong) In autumn, Su Shi moved from Hangzhou to Mizhou (now Zhucheng in Shandong). In August of the following year, he ordered someone to repair the old platform in the north of the city. His brother Su Zhe titled it "Transcendence" and took the meaning of "Although I have a glorious view, I am detached". 1076 (Nine Years of Xining) At the end of spring, Su Shi boarded the transcendental platform, looked at the misty rain in spring, touched the feeling of homesickness, and wrote this work. This heroic and graceful poem, through the complex changes of spring scenery and the author's feelings and demeanor, expresses the poet's open-minded and detached mind and attitude towards life. The first part of the poem is about the suburban scenery in late spring when I was on stage.
This word is disyllabic, which adds a stack to the original monotonous "Looking at Jiangnan". The first part describes what you saw when you took the stage, including three levels.
"Spring is not old, the wind is fine and the willows are oblique." The first two sentences of this word say that you are on the platform of detachment, and the spring scenery has not faded, and the breeze is blowing gently, blowing countless delicate willows. First of all, with the attitude of spring willow in Spring Breeze-"the wind is thin and the willow is oblique", it points out the seasonal characteristics at that time: spring dusk is not old. "Try to see it on the detached platform, half the city is spring water." This bay moat surrounds half the city, and the whole city is full of splendid spring flowers. Secondly, three or four sentences are straightforward, meaning looking far away, while "a flower city with half a ditch of spring water" is set in the middle of the sentence, spreading the front picture with spring water and spring flowers. "Misty rain in Qian Qian." The five sentences are that there is a drizzle in the city.
Three passes and a close-up shot, then a description of the big scene, and finally condescending, saying that misty rain enveloped thousands of households. The city has a panoramic view. This is the last film, which is about spring scenery.
The next part is about feelings, which is closely related to the scene written in the last part. "After a cold meal, I wake up after drinking, but I feel anxious", which further points out the boarding time. Cold food, two days before Tomb-Sweeping Day, is said to be a memorial meson push. From this day on, the fire will be banned for three days; After the cold food, it is called "new fire" to rekindle. It is pointed out here that "after cold food". On the one hand, after the cold food, you can start a "new fire". On the other hand, after the cold food, it is Tomb-Sweeping Day who should go home to sweep the grave. However, at this time, I want to return. The above two sentences are full of emotion, full of twists and turns, which reflects the author's endless yearning for his old country and friends. In order to get rid of homesickness, the writer of "the old country is not an old friend, and the new fire tries new tea" takes tea as his own self-dismissal, which not only implies the poet's hard-to-get-rid of depression, but also expresses his self-psychological adjustment to get rid of this depression.
"Poetry and wine take advantage of the time" further points out that we should be detached from things, forget everything in the world, seize the opportunity, and entertain ourselves with poetry and wine. "Time" refers to a good time, which corresponds to the "spring is not old" mentioned in the opening paragraph. The whole word revolves around the word "detachment", and at this point, it has entered the highest realm of "detachment". This realm is the concrete embodiment of Su Shi's mood and ci realm during his stay in Mizhou.
The word begins with "spring is not old", which is not only aimed at the season, but also refers to the fact that spring breeze, spring willow, spring water and spring flowers are not old and still full of spring vitality, and it is also aimed at the failure of their boss. The so-called spring is not old and people are empty and old, indicating that they are uncomfortable inside. In this sense, Su Dongpo can't really be detached. This paradox is really the true embodiment of Su Dongpo's spiritual world.
The first part of this word is to write scenery, and the second part is lyric, which is a typical lyric by borrowing scenery. The scene in the last movie contains the element of "setting off sadness with pleasure", which expresses the author's helplessness and frustration at having a home but unwilling to pay. More importantly, the whole poem expresses homesickness, especially the author's comfort with tea narration.
Wang Jiangnan Chun Mu
Su Shi [Song Dynasty]
Spring is getting old, when will spring clothes change? The winding water is low, the banana leaves are stable, and the dancing wind is soft and light. The music rose to.
After a light rain, there is no impulse to plow. A hundred tongues are silent, peaches and plums are exhausted, and the depths of Zhelin are singing. Spring belongs to radish.
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Spring has gone, when will spring clothes be made? The stream bends slowly and the waves are low, and the surface of the banana leaf cup is stable. The wind in the dance floor is gentle, gently blowing the skirt of the gentle skirt; Let's sing and dance to our heart's content and sing about world peace.
It's just a light rain that floats around. Where can farmers not be urged to plow? In the noisy spring, the babbling birds are speechless, and the gorgeous peaches and plums have blossomed fragrant. The cuckoo that urges spring has flown into the dense mulberry forest. Spring is spring, which gives radish rich roots and leaves.
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This word not only has the same tone and similar sentences, but also shows some differences in the time of creation through the difference between "Wei" and "Ji". However, the artistic perspectives of these two landscape paintings are quite different. If the author is compared to a clever photographer, then the first one is about climbing the scenery, and the author is shooting at a fixed point. This film is about a trip in late spring. The author is excited and changes the scene, thus constantly changing the shooting position, angle and distance.
Uptown begins with the meandering water and pavilions in the city as the center. Start with a pen, clarify the meaning of the topic, and use the allusions in The Analects of Confucius to write the psychology of trying on spring clothes for the first time, much like the "voice-over" in modern film and television. Then write two scenic spots with antithesis: on a curved water surface, the waves surge slightly, and the flowing cups move smoothly on the water surface, which reproduces the dynamic scenery of the winding water surface, like a bird's eye view taken from a high place; On the pavilion of the spring outing, the soft spring breeze gently floats people's light spring clothes, which is a close-up, accompanied by people's tactile feeling ("softness"). These two scenes in the author's works not only reflect the seasonal characteristics of late spring, but also show the author's pleasure in spring outing from the side. "Miruoqing" echoes the last article "When will the spring clothes be finished", which is a detailed composition of the work and deserves attention. Taking a short break means praising the rise of peace, which is a bit vulgar and trite, but first, the author moved to Mizhou in the winter of Xining for seven years and made remarkable achievements, so he was gratified in his works, which is probably the practical significance of "praising the rise of peace"; Second, this sentence focuses on the word "music" and clearly points out the author's emotional psychology at the moment. So it is still not satisfactory.
The spatial background of Xiatan has become a village, which is another scene. A few words wrote down my first impression after I came to the countryside: after a light rain, there was a busy atmosphere of urging farming everywhere. Although the author did not reveal his identity, he vaguely conveyed his concern for agriculture as a local governor. Then, like a photographer, he aimed the camera at the scenery in late spring: the peach blossom and plum blossom had withered, but the sound of water bream came from the depths of the bushes. All the scenery here also captures the seasonal characteristics of late spring, accompanied by people's auditory feelings. When I saw a large piece of radish cauliflower in full bloom, I couldn't help but sigh: the spring scenery at this time should belong to radish! The third cloud in Han Yu's "Three Poems of Feeling Spring" says: "The yellow radish flowers, peaches and plums have retired." Liu Yuxi's poem "Visit Du Xuanguan again" also said: "A hundred acres of courtyard is half covered with moss, and peach blossoms are all in bloom." A pause in this Dongpo poem may emerge from it, but it is a record of the scene at that time and the strongest "voice-over" matching the camera. Throughout the author, although there are joys and sorrows from time to time, there is always a sense of "detachment", especially the author in Mizhou period. Therefore, Spring Belongs to Radish is really a unique discovery of late spring scenery and even nature, revealing the author's satisfaction and enthusiasm for spring outing.
If the sentence "a hundred words are not peaches and plums" is a little sentimental, it has been swept away. Indeed, the recipient can go beyond the author's creative intention and make a reasonable re-creation. Whether Su Shi intends it or not, the phrase "Spring belongs to radish" expresses some kind of natural philosophy. This can be understood from two different angles: one is derogatory: the great spring scenery has disappeared, and the rest is not enough. "Radish" is not worth mentioning, "Spring belongs to radish" is ugly and beautiful, pitiful and hateful; Second, praise: Although the spring in Xiangguo is impressive, "the romantic wind is always blown away by the rain" and failed to stand the test of time. Only radish has the strongest vitality, and it is the most energetic in late spring, so spring finally belongs to them.