Some of Li Bai's poems, which are widely circulated and brilliant for several generations, are mostly Yuefu poems. Taibai rarely creates a large number of Yuefu poems to promote individuality for the sake of rhythm. The number of Yuefu poems is an important part of Li Bai's poems.
One of the main problems in the study of Li Bai's Yuefu poems is the meaning of the poems. The rich content and complex feelings of Taibai Yuefu make the meaning of poetry unique. The research on the theme implication of poetry should be combined with the theme of Yuefu ancient poetry and the content of poetry, and understood and discussed from the aesthetic aspect, which is more in line with the characteristics of image thinking.
Taibai's Yuefu poetry is the freest style in classical poetry. Most Yuefu poems in Tang Dynasty were divorced from music and became a kind of free lyric poems. Taibai Yuefu poetry has the characteristics of overall irregularity, prosaic language, the use of classical Chinese function words and dense phonology.
Hu Zhenheng:
Hu Zhenheng (1569-1645) was a writer and bibliophile in the Ming Dynasty. The original word Jun Zhen, later changed to, from Chicheng Mountain, later named Ji Mao. People from Wuyuan Town, Haiyan, Zhejiang Province. Confucian scholars in the past had thousands of books. Zhenheng only knows agility and has the ambition to help the world's students.
Twenty-five years of Wanli in the Ming Dynasty (1597), which was taken from the middle, followed by Hefei magistrate. After five years in office, Daxing water conservancy, reform of official grain transportation, and a lot of governance. At the end of Chongzhen, he was recommended as a well-known Dingzhou and was appointed as the Minister of War. Begging to go home. Nearby Zhang Yuanji called it "the first reading seed in our city".
He wrote a lot of books in his life. At that time, most of the books carved in Ji Gu Pavilion in Shi Mao were compiled by Hu Zhenheng. Hu devoted his whole life to compiling the masterpiece Before the Tone of Tang Dynasty, which established his position as a giant in the study of Tang poetry in the Ming Dynasty and was highly praised by later scholars.