On the twentieth day of the first month, Pan Guoer was born in the suburbs looking for spring. Last year, he went to the Queen's city to write poems and enjoy the rhythm on the same day.

When the author wrote this poem, it was already two years since he came to Huangzhou. The terrible wave of Wutai poetry case has become a thing of the past, but the poet can't get rid of the dilemma of "resettlement in this state". When I first came to Huangzhou, I asked, "The Yangtze River knows the beauty of fish everywhere, and bamboo shoots are fragrant in the mountains." Later, he found his spiritual sustenance, copied the Diamond Sutra by hand, built Nantang and recovered Dongpo; Xu You, the county magistrate, defected, visited the nearby soil and made friends with Yuqiao. Huangzhou has new friends, singing poetry and wine together. "Pan and Guo Ersheng" in the title of the poem refers to Pan Bing and Guo Di who live in Huangzhou. On the 20th day of the first month of the year before last, Su Shi went to visit Chen _ in the pavilion. Pan Bing, Guo Di and another new friend sent them to Queenstown through an ancient road and wrote a seven-tone song. A year has passed, and now it is the twentieth day of the first month. Thinking of this day a year ago, Pan, Gu and Guo were sent out of the city, feeling the breath of spring, and the poet's mood rippled. The first sentence is based on the idea I felt the year before last. "East wind" is the messenger of spring. If there is spring in the city, the messenger of "Dongfeng" will enter from the east gate first; At this point, Su Shi felt that he had nothing. I'm afraid, he thought, "the east wind refuses to enter the east gate." As for why "I don't want to enter the East Gate", that would be wonderful. However, before I went out of the city, it suddenly occurred to me that last year was that day, and I didn't go out until the tenth spring. I didn't know about "Liujianghan Village" until I got to the suburbs. Just this year, in the early spring when the suburbs had not yet entered the city, the poet who longed for spring took the initiative to "go out and look for spring in the suburbs." He is looking for spring in the old place, which is also a "walking horse", so the second sentence says "walking horse still looks for the old village"

Next, I didn't write what I got in the process of looking for spring, but I made a mistake. Suddenly I heard the warning: "People are Malik Hongse, and things are like spring dreams." Ji Yun commented: "Three or four sentences are deeply amazing." People, like birds, will be moved by external information. Hongyan from south to north, even if it never slackens every year, will not leave any trace in the ever-changing universe. People are like migratory birds here, but the information between people is much more complicated than the natural season; But it is also true that people are moved by feelings, and all experiences and thoughts are just like spring dreams. Time passed without a trace. The reason why Su Shi has the feeling that "people are red, things are spring dreams" is that he has suffered a heavy blow from Wutai poetry case and is being relegated. Only by pushing all the past, all the nostalgia and all the troubles into the nothingness of "a dream of spring without trace" can he get rid of the pain that is difficult to eliminate in setbacks. Ji Yun commented on the so-called "deep police", which is what he said. This is about three or four sentences themselves. As far as its relationship in the whole poem is concerned, beauty lies in the separation of reality and fiction. "Man is a flood", which is the first couplet; "Things are like spring dreams", which is reflected in the following. The enterprising life and the indifference of political ambition led to the detached and broad-minded pursuit of spring in the suburbs, and the joy of spring outing expressed in the following four sentences. Seemingly free, it is the key to the whole poem.

"Jiangcheng" refers to Huangzhou located on the north bank of the Yangtze River. Jiangcheng liquor with a mellow taste and a wild old face with a gentle smile can not only refer to the party drinking this spring outing, but also summarize Su Shi's life fun in Huangzhou. In a word, he enjoys it and even wants to die with it. When I met my old friend Chen _ the year before last, three new friends bid farewell, and the spring came suddenly; This year, I went out to find spring in the suburbs. Pan Bing and Guo Di kept me company. I was drunk and embarrassed. The natural pleasure of mountains and rivers and the simplicity of human feelings can completely dispel those troubled past events, and can also completely dilute or even forget his predicament at that time. Therefore, at the end of the poem, he wrote: "This meeting will be held every year, and people don't have to assign" Evocation "." Ode to Evocation refers to Song Yu's abandonment of his son because of Qu Yuan's loyalty, and writing Evocation satirizes Chu Huaiwang, hoping that he will repent and recall Qu Yuan (this is from Wang Yi's Chu Zhangci Sentence, and later generations' analysis is wrong); Su Shi here refers to his old friends running for his comeback. The last two sentences are to comfort my old friends: I had a good time in Huangzhou, and I made an agreement with my friends here to come here for a spring outing every year. You don't have to worry about my situation, and you don't have to worry about the court calling me back to Beijing.

Su Shi is "determined to live in the world" and confident that "you are difficult for Yao and Shun". However, after several ups and downs in the party struggle between Zongshen and Zhezong dynasties, his "ceremony of establishing the dynasty was very impressive, and he only believed in it" (Ma Yongqing's Quotations of Yuan Cheng), and he never "stooped to conform to the crowd and condescended to follow the times" (Xie Xuan's "Imperial edict of Dengzhou Quebiao"), which plunged him into endless disasters. Su Shi's general attitude towards this 30-year-long disaster is "conforming to destiny", but it is different in each period. At the beginning, on his way to Mizhou, he said, "Be reasonable, you can hide in me" (the word "Qinyuanchun"), and then he had the desire to return to Korea. In the Wutai poetry case, he expected to die, but he didn't. Going to Huangzhou is like a lifetime ago; After this blow, "usually all kinds of hearts stay for the second time." (My son never said goodbye to Chen for three days) In Huangzhou, "looking for a new life", he felt "insurmountable regret". Although it has been changed today, it will be changed in the future. It is better to "return to the Buddha for washing." Then things were forgotten by me and my body and mind were empty. Judging from his poems and activities in Huangzhou, he has lost confidence in going back to North Korea. Therefore, the two sentences at the end of this poem are not complaints or satire, but a kind of true feelings. Su Shi sent love poems in Huangzhou, made new friends and old friends, and was especially enthusiastic about benefiting the people, which was different from the passive seclusion of frustrated literati. His portrait poem says: "Ask your life's achievements, Huangzhou Huizhou Lianzhou. "It should not be regarded as complaints and satire. When he is most frustrated and miserable, he is always trying to comfort himself and everyone and live happily. This is his spiritual strength to overcome all disasters. When he died, he said to his son, "I am not evil when I am alive, but I will not degenerate when I die." "People admire him and commemorate him. One reason is that he is good at poetry, ci, writing and calligraphy. Another reason is that he has an honest and upright heart and an open heart.