-There are many poems in in my heart forever in ancient times, most of which focus on abandoning women and thinking about women, with the theme of hurting spring, and analyze the complex psychological state of women's sorrow, regret, loss or melancholy under a specific social model and life experience.
Young women in boudoir have no worries,
On a bright spring day, she got all dolled up and boarded a tall building.
Suddenly I saw the color of willow on the strange head.
Regret to Teach Your Husband and Seek Fame —— Wang Changling's in my heart forever
Spring resentment (Jin Changxu)
Drive away the oriole in the tree, and all their music woke her up. When she dreamed that she went to the camp in western Liaoning to be with him.
A poem that will always be in my heart (Yu Xin) Let a hundred flowers blossom in the Northern and Southern Dynasties.
There are a lot of complaints about the vacant rooms.
Be a weaver for a few years.
You should also listen to crossing the river.
Li Shangyin's "Existence"
"Because there is an infinitely charming cloud screen,
Fengcheng is cold and afraid of spring nights.
Marry a rich man for no reason,
It's too early to disappoint Elsholtzia. "
My husband guards the border, my concubine is in Wu, and the west wind blows my concubine and worries about her husband. A line of tears a thousand times, so cold that my clothes are gone. "
In his Miscellaneous Poems, Shen Quanqi wrote a complaint about soliciting prostitutes: "Facing Huanglong City, our army has already made a fortune. The girls here look at the same melancholy moon, illuminating our China soldiers. Young wives dreamed of spring, and last night their brave husbands. In a big attack, Huanglong City was captured with flags and drums. " This poem is about a young woman's lovesickness with her long-lost husband in the boudoir.
After the Anshi Rebellion in the Tang Dynasty, wars were frequent and cruel, and thousands of soldiers stationed in the frontier died heroically in the battlefield, leaving their wives to die alone in an empty boudoir. Chen Tao's "Longxi" describes this situation with painful pen and ink: "I vowed to sweep the Huns, but 5,000 mink brocade lost to Chen Hu. Poor riverside bone, still a dream girl. "
Li Yi's Jiangnan Qu: "Since I married a Qutang businessman, he has broken his promise day by day. If I thought the tide was so regular, I might choose a boy by the river.
I hate songbirds in the morning, but I envy songbirds at night.
I am not used to saying goodbye in spring, but I know I am crying. The pearl foil cage is cold, and the screen window shines.
The tears on the towel at night are half spring ice. It's hard to get out of the boudoir when the mountain is far away.
Hard work should be haggard, cold clothes should not be lenient. -Bai Juyi