History of French literary linguistics

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The earliest French literature can be traced back to 1 1 century. Song of Roland is the earliest epic in France, and its author is unknown. Epics with similar forms include Beowulf in Britain and Song of Nibelungen in Germany. Most of these epics praise the great monarch. For example, Song of Roland is a tribute to the famous French king Charlemagne (742-8 14). In addition, chivalrous legends prevailed in medieval France, all praising chivalry and advocating elegant love. The most important French writer in this period was Kerity Ann de Trouvat in the12nd century. She was the most famous narrative poet in medieval France. In addition, most of the poems popular in Provence in the south are based on the elegant love between knights and ladies. Most of these poems are imaginative, but their style is melodramatic and their literary value is not high. It was not until the end of the Middle Ages that the first truly great lyric poet, Fran? ois Veron, appeared in France (143 1- 1465).

The style of medieval French prose is the most common in history and chronicles, but the most attractive of these works is the series of stories of "Okasian and Madame Nicole" which appeared from12nd century.

Like other parts of Europe, French drama originated from medieval religious drama, but after a long time, these two literary styles became incompatible enemies. The earliest dramas were only simple plots of religious ceremonies, and the most common ones were legends about Christmas and Easter. However, when the performance places of these dramas were transferred from the church to the public, the original Latin was replaced by French, and the development of French drama began to embark on a completely different road from the Roman Christian style. Those burlesque dramas with humorous language, rough form and realistic style are very popular. In this farce, as well as satirical fables and narrative short poems, the shadow of the above-mentioned "Gaul spirit" appeared for the first time.

The Renaissance

The French Renaissance began with the rule of Francois I (15 15- 1547). The collapse of feudal system, the introduction of printing technology and the rediscovery of ancient Greek and Roman cultural heritage are the most important factors that gave birth to the French Renaissance. Although the European Reformation in full swing at that time also influenced France in this century, until the end of 16, the French were still devout Catholics. In the field of literature, the influence of Renaissance is mainly reflected in the creative tendency of classicism. A group of writers named "Seven-Star Poetry Society" published a declaration on 1550, which clarified the creative rules of academic literature. The lyric poet Bill Delongsha (1524- 1585) is the leader of the Seven Star Poetry Society. Poetic tragedy officially appeared. This theme attaches importance to the combination of plot, time and place, and has been popular in France for 300 years.

However, this16th century greatest French writer wrote in prose style. Francois Rabelais (1490- 1553) and his most famous work, Biography of the Giant, were written in a novel style that was still ambiguous at that time. Biography of the Giant has a peculiar style, extremely exaggerated language, and sometimes even vulgar language, but it mercilessly satirizes society in its gag. Michel de Montaigne (1533- 1592),/kloc-0, another French writer in the 6th century, had a completely different style from rabelais. His style is mature and quiet, and he is the first great essayist in modern times. His works aim to reflect his real life experience, not to pursue gorgeous language.

European rule

Enter the seventeenth century

France has completely become a monarchy. 1635 The famous French Academy led to the centralization of French culture. Nicholas Boile de Sprow (1636-1711), a literary theorist, published The Art of Poetry, which established the rules for the creation of classical literature and became an absolute authority at that time, which could not be challenged.

French classicism holds that literary creation should be based on the classic works of ancient Greece and Rome, while poetry should follow the principles of nature and rationality. The creation of all rhymes must follow strict laws, especially tragic creation. However, under these restrictions, French literature reached the first peak in history, which is the classicism period, also known as the "Louis XIV period", because this period basically coincides with the long-term rule of Louis XIV, the "sun king" (1643- 17 15). During this period, France was the undisputed hegemon in Europe, both politically and culturally. In classical times, the development of politics, religion and literature should follow the authoritative dogma. However, the related concepts of classicism, such as order, balance and elegance, still reflect the French people's pursuit of literary taste. Pierre corneille (1606- 1684) and jean racine (1639- 1699) created many poetic tragedies according to the principles of classicism. Most of Gao Naiyi's works describe themes related to personal honor, while Racine often describes tragic love. The theologian and orator Jacques-Bonnie Bourboucher tried to concretize the classical principles, but his achievements were not as good as that of another religious writer. Blaise pascal (1623- 1662) was not only a great thinker, but also the greatest French prose writer at that time. In the era of serious classicism, Moliere (1622- 1673) and La Fontaine (162 1- 1695) are the most distinctive styles. The former creates witty and lively modern comedies, while the language stories created by the latter have become a must-read for French children today. Francois de laroche Foucault is a master of prose aphorisms. The style of "prose aphorism" is very rich in French literature.

Classical literature is essentially aristocratic literature, which embodies the aesthetic taste of the royal family and its achievements are limited to a few fields. With the continuous improvement of citizens' education level and the continuous expansion of social concern, the rigid dogma of classicism has gradually become the shackles of literary development. However, whether you can understand the spirit of classicism and appreciate its masterpieces is still considered by the French as a sign to judge whether a person has culture or not.

The age of reason

The style of French literature in18th century was quite different from that in 17th century, and its change was the fastest between the death of Louis XIV in 17 15 and the outbreak of the French Revolution in 1789. This is an era that advocates rationality and breeds many ideas, some of which are even destructive to the existing system and country, and their basic tendency is criticism, doubt and innovation. The ideas of freedom, tolerance, fraternity, equality and revolution are accepted and supported by more and more people.

Some of these ideas come from the British intellectual class. The most distinctive literary works of this century are all propaganda of ideas and challenges to tradition, dogma and authority. At this time, a large number of writers called "Philosophers" appeared in France, mainly Montesquieu, Voltaire and Diderot. Montesquieu (1689- 1755) satirized all aspects of social customs and praised the British Constitution. Voltaire (1694- 1778) attacked stubborn superstitions and sympathized with the victims of religious persecution and political oppression. In him, the principle of rationalism has been the most profound embodiment. However, most of Voltaire's works are too dependent on the times and do not have eternal literary charm. Only his letters and some stories are still read today. Denis Derot (17 13- 1784) is the editor-in-chief of a famous encyclopedia. Encyclopedia not only provides people with a lot of information, but also aims to attack ignorance and intolerance and get rid of ignorance and superstition. From the perspective of pure literature, the creation of this period still belongs to the category of classicism. For example, Voltaire's poetic tragedy is largely based on the creation of Gao Naiyi and Racine. Diderot was an innovator to a greater extent. His drama creation and contribution to drama theory, including the concept of "drama", have adapted to the needs of the growing middle class.

/kloc-Boer Made Wally (1688- 1763) in the first half of the 8th century and Boer Pierre Augustin Caron de Beaumarchais (1732- 1799) in the second half of the 8th century inherited the classics. In addition, some writers are engaged in pure literary creation that has nothing to do with concept propaganda, and some novels have appeared, including Jill Brass by Alain Rene Lesag (1668- 1747) and Mistress Manon by Rabbi Kubrat Pulev (1697-/kl).

/kloc-the most important French writer in the 0/8th century was Swiss-born Jean Jacques Rosso (17 12- 1778). His works promote the natural virtues and instinctive rationality of human beings and attack the decay of social civilization. He is eager to live in a knowledge-oriented world, and he himself is an innovator of education and an enlightener of revolutionary thought. In literature, he is regarded as the pioneer of romanticism. Throughout the eighteenth century, Rousseau's influence surpassed that of any other writer.

World War I

With the great success of Edmund rostain's poetic drama (1868- 19 18), especially the sensational effect of sihano de Gyerak (1897), people even mistakenly think that another romantic movement has arrived. However, the facts are disappointing. French literature at the turn of the century has a tendency of eclecticism. Various ideological trends go hand in hand, but no one can dominate. Arnado Le Fran? ois (1844- 1924) has long occupied the leading position in the literary world. He regards literature as a tool for thinking about human problems. The most outstanding thinker in this period was Renning (1823- 1892), who had a great influence on French intellectuals. Both Renan and Francois firmly believe that the absolute truth will never be really touched by people. People can only think about the problem from many aspects and try their best to approach the absolute truth. As a result, skepticism prevails among young people. On the eve of World War I, there was a movement in France to resist the phenomenon of "shallow involvement in literature and art". The so-called "dabbling in literature and art" refers to the act of dabbling in all kinds of knowledge without seeking a very good understanding. Literature at this time has been inseparable from religious, ethical and political ideas.

In addition, the literature of French dialects such as Walloon and Catalan also developed to a certain extent before and after the First World War.

After the first world war

During the period of1920s, the French surrealism movement appeared, and Paul Ayroud made many valuable attempts in this field. Paul Sartre and albert camus, representatives of existentialist literature in the1940s, may be the most famous French writers in the 20th century. Simone De Beauvoir is one of the pioneers of feminist literature.

In the 1950 s, France became the cradle of the "new novel" movement. Contemporary French literature has produced a large number of outstanding masters, but few can dominate. French literature has developed in novels, plays, poems and literary criticism. No matter what the achievements and development trend of modern French literature are, at least up to now, the development of French literature is still full of vitality and enjoys it.