Snuff and Tessie, Wine and Green are dating.
When you are drunk, you are a guest, and poetry becomes a sense of god.
War is still in sight, Confucianism is not the body.
* * * bound by a micro-official, bowed their heads and ashamed savage.
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Du Fu (7 12-770), with a beautiful word, is called Shaoling Night Old, and is as famous as, etc. Han nationality, a great realistic poet in the Tang Dynasty in Gongxian County, Henan Province. Du Fu is respected as a poet by the world, and his poems are called the history of poetry. Du Fu and Li Bai are called Du Li together. In order to distinguish them from the other two poets, Li Shangyin and Du Mu, that is, Little Du Li, Du Fu and Li Bai are also called Big Du Li. He is concerned about the country and the people and has a noble personality. About 65,438+0,400 of his poems have been preserved, and his poetic skills are exquisite, and he is highly respected in Chinese classical poetry and has far-reaching influence. He lived in Chengdu from 759 to 766 and was commemorated by Du Fu's Caotang.
Drink with the moon
Li Bai drinks the bright moon alone
Flowers in the next pot of wine, no friends, drink alone.
Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.
The moon doesn't know how to drink, but the shadow in front of it is behind.
I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering.
Wake up and be happy together, and disperse after drunkenness.
I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.
Translation and annotation
Prepare a pot of wine, put it in the flowers, and pour it yourself, without friends or relatives, alone. I raise my glass to invite the charming bright moon and look down at my back. There were three people drinking * * *. Moon, where do you know the fun of drinking? Shadow, you snuggle up to me alone in vain! Stay with Yutu for the time being, this heartless thin shadow, I want to eat, drink and be merry in time, and the Spring Festival Evening is in its prime. Yue listened to my singing and lingered for nine days. The shadow danced with me and jumped and rolled on the ground. You can have fun when you are sober, and it is inevitable to be separated when you are drunk. Moon, I would like to be friends with you forever and meet you on the high shore of the Milky Way. Goodbye!
1, will: Kay, and.
2. stage: meet.
3. Han Yun: Tianhe.
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There are four original poems, and this is the first one. Poets who write poems drink alone in the moonlight, and no one is close. With rich imagination, the poet expressed a complex emotion from loneliness to non-loneliness, from loneliness to loneliness, and from loneliness to non-loneliness. Li Baixian is broad-minded and has no tolerance between things and me. This poem fully expresses his thoughts. The first four sentences of the poem are the first paragraph, which describes flowers, wine, people and the moon. The poem expresses loneliness, but till, raising my cup, I asked the bright moon, conjures up the moon, shadows and people; However, the moon cannot be drunk, and the shadow is still lonely. Therefore, from the fifth sentence to the eighth sentence, I discuss the moon shadow and point out the significance of carpe diem and spring. The last six sentences are the third paragraph. The poet made unremitting efforts to travel with moonlight and figure, and reunited in the fairyland far away from heaven. The whole poem shows the poet's loneliness and detachment, as well as his wild and uninhibited character. Invitation to the Moon Projection is an eternal quatrain. The front looks like you can really enjoy yourself, but the back is extremely bleak.
This moment should last forever.
This moment should last forever.
golden
Author: Li Shangyin
Original text:
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
Precautions:
1, Jinse: a beautifully decorated musical instrument. A plucked instrument, usually with 25 strings.
2, unprovoked: why still. Words of resentment.
3. Fifty strings: This is Togu's word. The author meant that Jinse should have been 25 strings.
4. Saint Zhuangzi daydreaming was bewitched by butterflies: "Zhuangzi's Theory of Everything": Zhuang Zhoumeng is a butterfly, and butterflies are also vivid; Self-metaphor and ambition! I don't know, Zhou Ye. If you suddenly feel it, you will suddenly feel it. I wonder if Zhou Zhimeng is a butterfly and? Butterfly's dream is Zhou Yu. Shang Yin quoted the story of Zhuang Zhou's dream butterfly to illustrate that life is like a dream and the past is like smoke.
5. Wang Chunxin sings in Du Fu: "Huayang Guozhi Shu": Du Yu proclaimed himself emperor and posthumous title. It was enlightened and decided to take Lei Yushan to eliminate the flood. The emperor then entrusted political affairs to teach Yao and Shun Zen, so Zen was oriented to enlightenment. The emperor rose to the western hills. In February, the cuckoo sings, and Shu people are sad for the cuckoo singing. Zi Juan is a cuckoo, also called Zi Gui.
6. Beads have tears: Natural History: There is a Jiao Ren outside the South China Sea, where the water lives like fish. Don't waste your performance, tears make pearls.
7. Lantian: Records of Yuanhe County: Lantian County, Jingzhaofu, Guannei Road: Lantian Mountain, a jade mountain, 28 miles east of the county seat.
Poetic:
Jinse, why do you have fifty strings? Every string and paragraph reminds people of the year of Huang Jinhua. My heart is like Zhuangzi, confused by butterfly dreams; Another example is watching the emperor, turning the cuckoo into a cuckoo. Hai Ming Yue Ming, Jiao Ren's tears are pearls. Lantian is sunny and warm, and you can see good jade and good smoke. The feelings of joys, sorrows and sorrows cannot be recalled today, but they have been inadvertently long ago. Although it is difficult for readers to understand the ideological content of the poem Jinse, the poetic realm that can be used to wander easily comes to mind.
Appreciate:
This poem "Jinse" is Li Shangyin's masterpiece, and everyone who loves poetry is happy and the most famous. However, this is the most difficult poem to explain. Since the Song and Yuan Dynasties, there have been many speculations.
This poem entitled Jinse uses the first two words of the first sentence. In the old theory, this poem was originally thought to be a poem about objects, but recently, it seems that all the commentators claim that this poem has nothing to do with the theme of utensils, and it is really an untitled work that uses utensils to hide the theme. Scholar Zhou believes that it is really different from the general object of chanting things, but it is not just an untitled poem that simply intercepts the first two words and starts with a metaphor, which has nothing to do with the literal. What it writes is obviously related to Joseph.
There are many misunderstandings in couplets, thinking that the poet was fifty years old or nearly fifty years old when writing this article, so he was a cloud. Actually, it is not. For no reason, for no reason. The poet's idiotic words are also. Jinse has so many strings, there is nothing wrong with it; The poet stubbornly complained: Jinse, why do you have so many strings? In fact, there is no need for textual research on how many strings there are in the original work and how many strings Li Shangyin actually had in that era. The poet only uses words to see the meaning. According to records, ancient musical instruments have fifty strings, so Yuxi often writes musical instruments with the number of fifty. For example, "Fifty Strings" written by Yu Da Xiang Ling can prove that there is no special purpose in the poet's original work.
Every flower has its youthful interval, and the key lies in the Spring Festival. A string, a column or a sound. There are 50 strings in a stringed instrument, and the syllables are the most abundant, and its numerous sounds promote the festival, which often makes the listener difficult to conceive. Poets never want to let people die, to dig for numbers. He said: Listen to the complicated strings of Jinse and think about China's past; The sound is complicated and confusing, so it's hard to say. These 50 strings are to create an atmosphere, so as to see the weight of the past and nine affectionate songs. To appreciate Yuxi's poems, we must first understand the main idea, but we should not stick to the drum and column instruments. He Zhu, a songwriter, said: Who is the degree of golden flowers? (Jade case) Yuan Hao, a poet in Yuan Dynasty, asked: Beautiful woman, Jin Se, complaining about the New Year!
(On Thirty Poems) Chinese New Year is a wonderful youth. The most important focus of Yuxi's poems is China's prosperity, so it's just pedantic to recall 49 years and only 50 years old.
The intention of the alliance is clear. Let's see how he undertakes it.
The last sentence of "Zhuan Xu" uses an allegorical allusion from "Zhuangzi", which says that Zhuang Zhou dreamed that he was a butterfly and flew vividly, forgetting that he was Zhuang Zhou; Later, when I woke up, it was still Zhuang Zhou at home, and I didn't know where the butterfly had gone. Yuxi wrote such a sentence: A beautiful woman, a beautiful musical instrument and a complicated string awakened the poet's dream and stopped sleeping. Lost, gone, does not mean. Let's see what he said in Autumn Night Thoughts: The butterfly left, left and died, which is what he called a fan. Meng Xiao butterfly, although born in Zhuangsheng, once used in Yuxi, is not only a vivid problem, but also an illusory dream, which vaguely contains a beautiful situation. The king of the next sentence in this couplet is the legendary monarch of Shu in the late Zhou Dynasty, named Du Yu. Later, the Zen position retired, and unfortunately the country died. After death, the soul turned into a bird. As for the bleeding in the mouth, its voice is sad and touching, named Du Fu. Du Yu's spring, what does this have to do with Jinse? It turned out that the complicated strings and plaintive songs of the golden harp aroused the poet's infinite sadness. His unspeakable grievances, such as Du Fu's plaintive voice, sent him home in the spring. An excuse, not only wrote Du Yuzhi's Chun Qing to Du Fu, but also wrote a beautiful woman's Chun Qing to Jinse, waving at her, the interest of flowers falling into the water, the poet's wonderful pen, which reached a climax.
It seems that Chun Qing of Yuxi was entrusted to Du Fu, and it is also true that the beauty Jinse complained about Huanian. Yuxi's poem eulogizes the golden harp, which is extraordinary and carefree, and has a strange feeling that I hate. Writing about the pain of being forced to leave, the author is reluctant to part with them. Taking Wang's heart as a metaphor, the author expresses his dissatisfaction with the outcome he faces and his disappointment with this situation.
As soon as the poem passes through the couplet, it's time to turn to the pen. When the pen arrives here, the present situation has reached a small level, which seems to be a knot, meaning to be applied. Below this, the pen and ink fell, as if to start over. His brushwork is like a towering peak, or like a broken wire, or pushing a pen down, or slow and tight. The technique can be different, but there is a turning point and constant attention in the context of God. At this time, Yuxi wrote the famous sentence: Mermaids shed pearl-like tears on the sea as green as the moon.
Beads are born in mussels, and mussels are born in the sea. Whenever the moon is bright and quiet, mussels will open their mouths to the moon to raise their pearls, and pearls will get moonlight and aurora will shine. This is a beautiful folk tradition. The moon is a pearl in the sky, like a bright moon in water; Tears, like beads, are natural since ancient times. Jiao Ren's tears turned into pearls, which is also a strange sight in the sea. In this way, the bright moon falls between the seas, and pearls are bathed in tears. The moon, pearls and tears are three votes in favor and one vote against. Divided into three? Three is one? In the poet's pen, an indistinguishable fairyland has been formed. There are so many rich connotations and wonderful associations in Tang poetry, but there are not many lives in Yuxi.
So, is there any connection between the sea moon, tears and Jinse? Didn't Qian Qi's famous song "Ode" say that playing jathyapple on 25 strings would be overwhelming? Therefore, the moonlit night is appropriate, and the grievances are particularly deep. In this way, the relationship between the territory of Haiyue and Sese can't be spied?
For the poet Yuxi, the realm of the sea and the moon has a particularly deep feeling. Once, due to illness, he couldn't go to Hedong Gong's music camp to bow and buy wine, so he wrote a sentence that only the sea and the moon would be under high pressure. From this perspective, on the one hand, he appreciates this situation, on the other hand, he is very sad and lonely: a complex and unspeakable disappointment.
Si Kongtu, a poet in the late Tang Dynasty, quoted a passage from Dai Shulun who was earlier than him: the poet's beautiful scenery, such as a warm day in Lantian, like fine jade, cannot be placed in front of us. The eight words used for metaphor here are exactly the same as the seven words in the next sentence of this poem, which shows that this metaphor has another source. Unfortunately, the ancient books were lost later, and it was difficult to find the source again. The explanation of this sentence has no reference today, and it is hard to say whether it is appropriate or not. Lu Ji, a writer in the Jin Dynasty, has a famous sentence in his "Wen Fu": Shi Yuyu has beautiful mountains and beautiful waters. Lantian Mountain is a famous jade-producing place in the southeast of Lantian, Shaanxi Province. This mountain is sunny and contains jade gas (the ancients thought that treasures have phosgene invisible to ordinary eyes), and Ran Ran rises. However, although the essence of Meiyu is far away, it is not close, so it is out of reach, representing an extremely beautiful ideal scenery, but it is impossible to grasp and approach. Here in Yuxi, under the inspiration and association of Huayushan Club and Huaizhu Chuanmei, the warmth of Lantian is in confrontation with the previous sentence, resulting in a sharp contrast. Literally speaking, Lantian is also very neat to the sea, because the original meaning of Cang is cyan. Yu Xi's exquisite rhetoric can also show his talent and skills.
The two sentences of the neck couplet show that yin and yang are warm and cold, and jade is beautiful. Although the realm is different, regret is one. The poet loves and insists on this noble feeling, but he dare not profane and lament.
The end couplet gathers the strength of the whole article and clearly puts forward the word "this feeling", which echoes the beginning of the New Year and never shies away from the gesture. The poem says: If you are so sentimental, when you think back to the present, you will feel endless regret, that is, you were already disconsolate at that time. I don't remember, which means: recalling the present is regret, what should I do! The poet expressed several layers of twists and turns in two sentences, and several layers of twists and turns were just to illustrate that kind of distressed mood. This is the reason why poetry is a poet, and this is the reason why Yuxi poetry is a Yuxi poet.
Yuxi's life experience, unspeakable pain, bitter feelings, stagnation in the chest, hair like poetry, deep wounds to be stung, reciprocating deep, deeply infected people. He said in a farewell poem: I believe in many feelings, and Yang Zhu died with feelings; The hostess is in danger, and the hostess is chilling. It is conceivable that guzheng is a song, which often depends on the deep affection of life and death. According to this, if there is hatred in Jinse's poems about where you will go, I'm afraid it can't be said to be arbitrary.
Flowers and trees have grown into flower beds, and all poems are planted by hand.
Flowers and trees have grown into flower beds, and all poems are planted by hand.
Shu Hu yin xian sheng wall
Author: Wang Anshi
Original text:
The eaves are long and clean without moss, and flowers and trees are planted by hand.
One water protects the field and surrounds the green, and two mountains send green.
Precautions:
1, Book: Writing, Poetry.
2. Mr. Hu Yin: Yang Defeng, a hermit, was a neighbor of Wang Anshi when he lived in Jinling in his later years. The author Yuan Feng lived in Jiangning (now Nanjing, Jiangsu) (1078 1086) and was also a good friend of the neighborhood. There are two songs on this topic, and the first choice is here.
3. Mao Yan: Under Mao Yan, this refers to the courtyard.
4, no moss: no moss.
5. Ridge formation (Q): Ridge formation. Border: A field that has been trimmed.
6. Protecting fields: This refers to guarding and surrounding garden fields. According to the Preface to the Biography of the Western Regions in Han Dynasty, the western regions in Han Dynasty were cultivated and guarded by envoys.
7, will: carry. Green: refers to the color of water.
8. Exhaust (T): Open the door. Lu: Xiaomen. Biography of Fan Guan in Historical Records: Gaozu was seriously ill and hated people, and he was in the Forbidden City. Those who petitioned the family could not get close to the courtiers. Dare not enter the court. More than ten days later, the minister also came. Justice of Zhang Shoujie: Lu, the small gate in the palace.
Former Shu Du Guangting's Biography of Campus Guests: [Li Jing] took the official uniform and rode away. Zuo Liangyu lived in seclusion. Shi Wei Pailu shouted: General Zuo, you are rich! Drink me quickly! Xu Chi's Under Qilian Mountain: Scenery as a Note.
9, send green: send green.
Poetic:
The thatched courtyard is clean without a trace of moss because of frequent cleaning. Rows of flowers and trees are filled with flower beds, all planted by their owners. A small river outside the courtyard protects farmland and surrounds green fields. Two doors pushed open by two green hills brought a piece of green.
Appreciate:
The first two sentences praise the tranquility of Yang's compound. Mao Yan refers to the yard. Quiet is clean. How to write it clean? The poet refuses all plain descriptions and only uses the word "no moss", which is really unique. Why do you see it? It is rainy in the south of the Yangtze River and rainy in early summer, which is more conducive to the growth of moss than other seasons. Moreover, moss likes darkness, always grows in secluded places, and is more difficult to sweep than other weeds. Now there is no moss in the yard, doesn't it mean it is everywhere, all the time? Here, the humble image, because of the proper use of words, has an unusually rich expressive force. Flowers and trees are the most striking scenery in the courtyard. Because there are many varieties, we should plant them in separate beds. In this way, the word Chengqi not only shows the neatness of the flower bed, but also strongly implies the richness of flowers and trees, which is both neat and not monotonous.
This quiet environment is intoxicating, so when the poet's eyes move from the flowers and trees in the courtyard to the mountains and rivers outside the courtyard, his thoughts will be so distant and elegant, so the following epigram was born. The scenery in front of the door is a river, a farmland and two green hills. In the poet's eyes, mountains and rivers also have feelings for this noble master. The poet personified one river and two mountains into a kind image full of human feelings. Curved rivers surround lush farmland, just like a mother protecting her children with her hands. Protecting the word and wrapping it up looks very kind. The castle peak in front of the door saw that the yard was so neat and tidy, and the owner loved beauty so much, and they also rushed to the owner's yard to add color: pushing the door and pushing in, offering a piece of green. The poet left a famous sentence with a stroke of genius.
One water and two mountains have been transformed into a kind image full of life and feelings, which has been passed down from generation to generation. But the last two sentences are widely read, mainly because of the following two points: first, personification and description are integrated into one, seamless. A stream of water protects the field and is wrapped with words. It's like a scene where a mother protects her child with both hands. A protective word is clearly visible when you look around. As for the word "Pailu" before the Qing Dynasty, it was a stroke of genius. It not only wrote that the mountain was not only dark green, but also fascinating, but it seemed to pounce on the courtyard! This description gives readers a fresh and vivid aesthetic feeling. It also shows that the distance of the mountain is not far, just in front of Yang's compound, so it looks within reach. What is particularly touching is that the mountains are rushing, as if they had just rushed from a distance, excited and enthusiastic. These all capture the characteristics of the scenery, and all these descriptions are combined with full personification. The mood and purpose are completely like showing the scene of friends coming from afar: they rushed into the yard to give gifts without knocking at the door. The two blend seamlessly, setting each other off into interest, both strange and natural. It is both tempered and carved, fresh and meaningful, and has a long charm. Second, these two poems also conform to the image of Yang Defeng. In Qianlian, you can already see Mr. Hu Yin who is noble in character and full of interest in life. He only lives under the thatched eaves. He not only sweeps, but also sweeps for a long time (that is, often sweeps), so there is no moss; Flowers and trees grow into flower beds, not by others, but by themselves. It can be seen that he is quiet and refined, simple and hardworking. Such a noble literati, wandering between mountains and rivers, can certainly appreciate their beauty better than others and feel the closeness of one river and two mountains; The poet imagines that the mountains and rivers have feelings, and has already forged a profound friendship with Mr. Hu Yin. The title of the poem is "The Wall of Mr. Yin's Book Lake", which closely follows the theme and takes care of it everywhere, and also shows the depth of the poet's thought.
The personification of one water and two mountains in this poem is not only based on the characteristics of natural scenery, but also coincides with the specific content of life, so it is full of spirituality and has become a famous sentence in ancient and modern times.
In terms of rhetorical skills, three or four sentences can also be used as examples. Poets use rhetorical devices such as duality, personification and metonymy to describe landscapes with emotion and interest.
Landscape is a heartless thing, but the poet said that water protects the fields, mountains give green, water has a sense of protection to the fields, and mountains have a sense of intimacy to people, which makes the originally lifeless landscapes have a human touch, soft and lovely, and full of vitality. Originally, water was surrounded by green crops, but the poet did not say specific plants, but replaced them with plant colors, saying that green would be surrounded by green and surrounded by green; Cyan, which is also empty, can't be sent, but the poet said that mountains should be green, turning reality into empty and poetic. The fact is that Mr. Hu Yin's home is close to the mountain. As soon as the host opened the door, he saw the green mountain peak. But if it is written as a castle peak, there is no poetry at all. The poet put it another way, writing from the opposite side, taking the mountain as the subject, turning silence into action and creating a beautiful sentence. This is really ingenious and amazing.
The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy the beautiful growth sentences.