It expresses the author's desire to liberate talents, change society and revitalize the country.
Full text: Kyushu is angry in accordance with the wind and thunder, and thousands of horses are sad to study. I suggest that God stand up again, let go of his talents and don't stick to a pattern.
Only the great power of explosion can make the land of China full of vitality, but the social and political situation is dead after all, which is a kind of sorrow. I advise god to cheer up, don't stick to certain specifications and get rid of more talents.
Extended data:
When the poet exposed the disadvantages of the times, he suddenly advised God to come. At the end of the poem, it says, "When you cross Zhenjiang, you will meet the Jade Emperor, the Fengshen, and the Raytheon, and you will ask for a thousand halls. Taoist priests beg for green words. " This self-explanation explains the specific environment in which the poet wrote this poem, and shows that the poet took the opportunity of "Taoist begging for green words" and used folk superstitious activities to serve his thoughts and feelings.
"Not sticking to one pattern" fully shows the poet's broad mind, broad vision and strategic vision. At that time, the Qing government was corrupt and incompetent, with internal troubles and foreign invasion, especially the imperialist aggressors, eager to enslave and destroy the Chinese nation.
The trend of carving up is imminent. Unless there are a large number of talents in all fields, it is useless to save China, which was wrecked in the storm. Therefore, the poet advised God to cheer up and send a large number of talents in an eclectic way, so that the tide of * * * will fall and the building will also fall.