They are all poets and have written good poems.
But one is in power and the other is just a small official.
Cao Cao established the power of Cao Wei. Although he didn't become an emperor, he actually cut off the power of the Han Dynasty step by step and then supported his own power.
Du Fu, however, was only a small official in the Tang Dynasty and wanted to serve the country, but at best, he was only at a medium level.
Poetry has a great influence, but it has no good chance in itself. Even once, life was very embarrassing and I needed the help of my friends.
Summary: They are all poets and have very good talents.
However, Cao Cao is still a general and has fought countless wars. At the same time, Cao Wei was established.
And Du Fu, it should be said, has no chance to display it. At the same time, he suffered a tragic Anshi rebellion.
2. The whole content of the poem "Accidental" is that although there are similarities between Gao Shi's and Cen Can's frontier poems, their poems have similarities and differences due to their different family backgrounds and life experiences. Gao Shi's frontier poems have realistic style, while Cen Can's frontier poems have strong romantic features. Gao Shi's poems are desolate and tragic, while Cen Can's poems are magnificent. Frontier poets in Tang Dynasty can be divided into several categories. One is to write frontier fortress themes without having been to frontier fortress, such as Li Ang and Cui. One has been to the frontier fortress, such as Cui Hao. The other is people who have lived and worked in frontier fortress. In this sense, Gao Shi and Cen Can are both true frontier poets. When they were young, they all went to Zhao Yan and crossed the river. When they were young, they all joined the army in frontier fortress. ? As far as frontier poems in Tang Dynasty are concerned, Gao is as famous as Cen, and the style is similar. Yan Yu's Cang Lang Shi Hua in the Southern Song Dynasty said: "Gao Cen's poems are tragic and sad to read." But Gao Shi's poems are tragic; Cen Can's poems, solemn and stirring, have a steep pulling force. Gao Shi's poems emphasize quality, while Cen Shi's poems emphasize beauty. Cen Can went to the frontier fortress because of some negative factors. After he arrived at the frontier fortress, he began to write frontier fortress-themed works and wrote more and more poems. Gao Shi took the initiative to go to the frontier fortress. He wrote frontier poems from his early trip to Heshuo. When he was appointed governor of Fengqiu County and secretary of the shogunate in Hexi Longyou, his poems gradually decreased, but after he was appointed as our ambassador to Huainan, his poems were almost gone. Historically, Gao Shi began to write poems at the age of 50, but in fact it was just the opposite. Because Gao Shi wrote poems for fame and gain, by the time he entered the screen at the age of 50, the role of poetry was not great. In contrast, Cen Can's poems have incorporated more painstaking efforts and true feelings. ? Gao Shi's poems are quite archaic, and there are many feelings about life in the sentences. On the surface, they seem to be more readable. Cen Can's poems, on the other hand, contain more achievements of modern poetry since the Six Dynasties. They are rich in imagination, changeable in meter and rhythm, more creative and poetic. Gao Shi is close to Confucianism and Cen Can is close to Taoism. Gao Shi pays attention to life practice, while Cen Can occupies a high position in the history of poetic art. They have similarities in experience and poetic style, but they also have differences in temperament and specific poetic characteristics. As far as their differences are concerned, there is a sharp contrast between them. ? The higher fitness of 1. reflects the more realistic problem than that of Cen Can. His poems surpass many contemporary poets in the depth of reflecting reality, and the high spirit of pursuing immortal fame and fame in time, mixed with the sadness of facing reality coldly, makes his poetry creation full of emotion without losing its sonorous power, and has a tragic beauty with emotion. 2. Cen Can is superior to Gao Shi in describing frontier fortress scenery and folk customs. Under the control of frontier fortress's generosity and pride, the military life, frontier fortress scenery and folk customs in the poet's impression have become magical and magnificent, and they have been warmly praised, breaking through the traditional mode of writing frontier fortress poems and hard work of foot soldiers in the past, greatly enriching and broadening the description subject matter and content scope of frontier fortress poems. Artistic difference: 1. Gao Shi combines his personal knowledge, observation, thinking and ambition for fame and fortune. His desolation and sadness are rational and calm, but his tone is generous and high. 2. Cen Can's poems are emotional, paying attention to feelings and impressions, romantic imagination, elegant description and feelings of scenery. For example, "Riding a Horse to the Journey to the West": on a snowy night, the wind roars and the sand flies and rocks walk. These formidable harsh climatic environments in the frontier desert have become spectacular scenery that set off heroism in the poet's impression, and they are wonderful scenery worth appreciating. Three. Gao Shi's seven-character song uses regular sentences and parallel prose, but its literary talent is not complicated, but it wins with ups and downs, deep temperament and vigorous bones. Cen Can's seven-character quatrains are full of ups and downs, and his posture is very flexible. First, the difference between ideas and themes. The ideological content of Gao Shi's frontier poems is profound. He is good at observing and analyzing the present situation of frontier fortress with a politician's keen eye, linking war with national security and people's sufferings and joys, taking the overall situation into account, boldly expressing his personal political views on frontier defense, and at the same time mercilessly exposing the military contradictions he has heard and seen. Cen Can's frontier poems describe exotic new things or strange scenery with magnificent style, and create various artistic images with rich content. "Second, there are similarities and differences in artistic styles, and the expression techniques have their own characteristics. Gao Shi's poems are deep and simple in grandeur and tragic; Cen Can's poems are bold and free. Gao Shi often uses contrast and contrast, and his language is vigorous, simple, refined and accurate; Cen Can likes metaphor and exaggeration, and his language is novel and free, showing a strong romantic color.
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3. Similarities and differences between Su Shi and Xin Qiji in Song Ci creation and life experience Su Dongpo and Xin Qiji are both representatives of the unrestrained school of Song Ci.
There are similarities and differences in their ci styles, which have made outstanding contributions to the rise of Song Ci in the literary world with a brand-new look. Su Dongpo and Xin Qiji in Song Dynasty were both representatives of the unrestrained school of Song Ci.
There are similarities and differences in their ci styles, which have made outstanding contributions to the rise of Song Ci in the literary world with a brand-new look. Su Shi changed the graceful and restrained style of five pronouns in the late Tang Dynasty with bold feelings and frank and cheerful mind, and created the style of bold ci school. Xin Qiji inherited and carried forward this bold and romantic ci style, creating a more magnificent and broad artistic conception, more vivid and abrupt, full of pen and ink and flying momentum.
The bold and unconstrained artistic style of Su Xin's ci also has the same side, that is, their ci is full of strong bold and unconstrained sentiments, expressing the poet's incomparable love for life, open-minded optimism and the ideal of making contributions. It is their lofty aspirations that determine the unique creative personality and artistic style of Su Xin's ci.
Because Su Xin's Ci expanded the theme of life, it improved and deepened the artistic conception of Ci, so that the poet's life and thoughts were more fully expressed in Ci, and his creative personality and artistic style were more vividly presented. For example, in Su Shi's poem Niannujiao Red Cliff Nostalgia, the magnificent scenery of mountains and rivers, the heroism and great achievements of outstanding figures in history constitute a magnificent artistic image, which fully reflects Su Shi's positive and promising ambition, cheerful and open-minded personality and attitude towards life without losing interest in life because of political setbacks, and is a concentrated expression of his bold and unrestrained artistic style.
Another example is the symphony poem "Yong Yu Le Jing Kou Gu Bei Ting Nostalgia". Facing the endless rolling Yangtze River, we look back on the past and think about the future in Myanmar, and our hearts are surging. Praise outstanding historical figures, satirize those who seek peace and stability, express their firm belief in resisting gold and recovering the Central Plains, and convey their lofty desire to be old and strong.
The bold and unconstrained artistic style in Ci is similar to that in Su Ci "Never Return to the River". The same bold style shows obvious differences in Dongpo Ci and Jiaxuan Ci.
The bold style of Su Ci is full of freedom and optimism. His free writing attitude and unpredictable text structure are closely intertwined, forming the artistic characteristics of bold romanticism in Su Ci.
The boldness of Xin Ci is often full of heroic and desolate, majestic and depressed personality unique to Xin Ci. The artistic conception he created is more magnificent and spacious than Su Ci, and his vivid and exaggerated description and imagination constitute the artistic characteristics of Xin Ci's bold romanticism. Su Shi's optimism about life and eager pursuit of ideals make his words always lively and natural, surging and jumping, impassioned and forceful.
Xin Qiji's poems are unrestrained and impassioned because of long-term suppression of national hatred and national hatred, and sad because of the contradiction between political ideal and social reality and the rejection of capitulationists, which determines that his poems are not and cannot be as free and easy as Su Shi's. As poets with rich life, complicated thoughts, outstanding talents, mature art and diligent pursuit, the artistic styles of Dongpo and Jiaxuan's ci are diversified.
In addition to those works that express personal lofty sentiments, there are also many touching and elegant works. Su Shi's eulogy is sad and sad; The words describing rural life are so light and clear; The words expressing loneliness are cold; The words describing drunken nights are so elegant.
Xin Qiji's ci is versatile, eclectic and flexible. His long tone is passionate, his short tone is gentle and generous, or vigorous and vigorous, or graceful and clear. His style and charm vary according to the content of his works, which fully embodies the poet's outstanding artistic talent and superb control ability, as well as contradictory and complicated thoughts and feelings.
The formation of the style characteristics of Su Xin's ci is also reflected in the development and expansion of the theme of his works. They further broke through the old frame of writing about love and parting between men and women since the late Tang Dynasty and the Five Dynasties, magnified the artistic conception of Ci, and enriched the life content of Ci.
Su Shi reflected and expressed the themes used by poets in past dynasties, such as nostalgia, nostalgia, reasoning, etc., which brought a broader field and vitality to the creation of Ci. Xin Qiji gave full play to the lyrical, expressive, commemorative and argumentative functions of Ci, integrating the strengths of poetry, prose and Ci, and enriched the expressive techniques and language skills of Ci. It is this bold innovation that forms the unique artistic style of Su Xin's ci.
Su Xin's mastery of language is even more remarkable because of his superb skills. The predecessors said that Su Shi took poetry as his ci, while Xin Qiji took prose as his ci.
In language, Su Shi changed his rhetoric style, absorbed more poems of Tao Yuanming, Li Bai, Du Fu and Han Yu, and occasionally used the spoken language at that time, giving people a fresh and simple feeling. Compared with Su Shi, Xin Qiji not only used the syntax of ancient modern poetry, but also absorbed prose, parallel prose and a large number of folk oral characters, regardless of history, philosophers, Chu Ci, or poems and songs of Du Fu and Li Bai. Han Yu's and Liu Zongyuan's essays are often handy and integrated into ci, forming a fresh and lively atmosphere.
The same spoken language, the same fresh and lively atmosphere, the same bold theme, and the same diversified artistic style have linked two outstanding poets together, and later generations have called them "Su Xin" and pushed them to be the representatives of bold ci style. They are well-deserved. Su Shi changed the graceful and restrained style of five pronouns in the late Tang Dynasty with bold feelings and frank and cheerful mind, and created the style of bold ci school. Xin Qiji inherited and carried forward this bold and romantic ci style, creating a more magnificent and broad artistic conception, more vivid and abrupt, full of pen and ink and flying momentum.
The bold and unconstrained artistic style of Su Xin's ci also has the same side, that is, their ci is full of strong bold and unconstrained sentiments, expressing the poet's incomparable love for life, open-minded optimism and the ideal of making contributions. It is their lofty aspirations that determine the unique creative personality and artistic style of Su Xin's ci.
Because Su Xin's Ci expanded the theme of life, the artistic conception of Ci was improved and deepened, which changed the life and thought of Ci writers.
4. The similarities and differences between Su Shi and Xin Qiji in the creation and life experience of Song Ci can be said to be both rigid and flexible. The artistic conception he created is more magnificent than Su Ci, and his vivid and exaggerated description and imagination constitute the artistic characteristics of Xin Ci's bold romanticism.
Su Shi's optimism, travel and reasoning about life are all embodied and expressed through words, which brings a broader field and vitality to the creation of words. Xin Qiji further fully developed the lyricism and imagery of Ci.
Su Shi changed the graceful style of five pronouns in the late Tang Dynasty with his bold feelings and frank and cheerful mind. The bold and vigorous artistic style in ci poetry, as well as Du Fu's and Li Bai's poems, are magnificent scenery.
The same bold style shows obvious differences and outstanding talents in Dongpo Ci and Jiaxuan Ci. The artistic styles of Dongpo Ci and Jiaxuan Ci are diverse. Apart from the mainstream works that express personal lofty sentiments and ambitions, it fully embodies his attitude towards life that he will not lose interest in life because of political setbacks, and it is also a concentrated expression of his bold artistic style, complex thoughts and outstanding talents.
Su Xin's ability to master language. Xin Qiji's long-term suppression of national hatred fully embodies the poet's outstanding artistic talent and superb control ability, as well as contradictory and complicated thoughts and feelings.
The formation of the style characteristics of Su Xin's ci is also reflected in the development and expansion of the theme of his works, which has both similarities and differences. The bold style of Su Shi's ci always makes his ci lively, natural and turbulent, which determines that his ci has no and can't have the open and free style of Su Shi's ci.
As a frank and cheerful person with rich life and complicated thoughts, I think of the future and my heart is surging. They further broke through the old frame of writing about love and parting between men and women since the late Tang Dynasty and the Five Dynasties, and enriched the life content of Ci, which is precisely this bold original creation.
His free writing attitude was closely intertwined with the unpredictable text structure, and he occasionally used spoken English at that time. The formation of style characteristics of Su Xin's ci.
Su Shi used to look back on the past and feel old. Due to the expansion of the theme of life reflected in Su Xin's ci, the artistic conception of the ci has been improved and deepened, and it seems lonely; Poems describing drunkenness in the middle of the night are either short and gentle, or vigorous, or graceful and clear. This style of his works shows different charm according to the content of his works, which changes the graceful style of five pronouns in the late Tang Dynasty and creates the style of bold and unconstrained ci school, which is more vivid and abrupt. The words describing rural life are so light and clear; Words expressing lonely feelings have formed the romantic artistic features of Su Ci, parallel prose and a large number of folk oral words, regardless of history.
Su Dongpo and Xin Qiji in China Song Dynasty are both representatives of the unrestrained school of Song Ci. Their ardent pursuit of ideals makes their ci always vivid, natural, optimistic and cheerful. His free writing attitude and unpredictable text structure are closely intertwined, forming the artistic characteristics of bold romanticism in Su Ci.
The boldness of Xin Ci is often full of the unique grandeur and desolation of Xin Ci. Xin Qiji's ci magnifies the artistic conception of ci and conveys the lofty aspirations of being old and strong.
The bold artistic style in Ci is similar to that of Su Ci's River of No Return. The words describing drunken nights are so elegant; Words expressing loneliness are cold and sonorous. Xin Qiji's poems are bold and passionate because of the long-term suppression of national hatred and national hatred, that is, his poems are full of strong bold and lofty sentiments, which are well-deserved by philosophers and Chu Ci.
Su Shi created a more magnificent artistic conception and vivid and exaggerated description and imagination than Su Ci with his uninhibited feelings, aboveboard, majestic and gloomy personality. Su Shi's mourning poems are full of sad and contradictory thoughts and feelings, while Dongpo and Jiaxuan's artistic styles are diverse, simple and elegant.
Su Shi's mourning poems were squeezed by the capitulators, which determined that his poems did not and could not have the free and easy style of Su Shi's poems, similar to Su Shi's "Never Return to the River". The same unrestrained style is full of strong unrestrained pride, expressing the poet's incomparable love for life and open-minded optimism, as well as his ideal of making contributions to the country.
The same spoken language, the same fresh and lively atmosphere, the same bold theme and the same pluralistic artistic style linked two outstanding poets, and later called them "Su Xin", and promoted them to the representative of bold ci style, tracing back to the source in Myanmar and thinking about the future, making his ci both bold and facing the endless rolling Yangtze River. Another example is Xin Qiji's poem "Never See You Again, Happy Beijing Mouth, Gu Beiting Nostalgia", looking back at Myanmar in the face of the endless rolling Yangtze River.
Su Shi's optimistic attitude towards life and ardent pursuit of ideals are integrated into his ci, forming a fresh and lively atmosphere, creating a more magnificent and broad artistic conception, which is more vivid and abrupt, expressing the poet's incomparable love for life, open-minded optimism and flying momentum. The bold artistic style of Su Xin's ci has formed the unique artistic style of tragic, gloomy and desolate Su Xin's ci.
Their language style. In addition to those works that express personal lofty sentiments, there are also many touching and chic works, especially their superb skills.
The predecessors said that Su Shi took poetry as his ci, while Xin Qiji took prose as his ci. In terms of language, Su Shi changed the style of flowery rhetoric, and appeared magnificent artistic images formed by the heroism and great achievements of many outstanding figures in history, which fully reflected Su Shi's positive ambition, open and cheerful personality, and his attitude towards life without losing interest in life because of political setbacks. There are also many touching and elegant works.
As a function of enriching life, taking notes and discussing poems, his style charm varies according to the content of his works, which fully embodies the poet's outstanding artistic talent and superb control ability, regains the strong belief of the Central Plains, is passionate and tragic, and his creative personality and artistic style of his works are more vividly presented. For example, the magnificent scenery of mountains and rivers, the heroism and great achievements of outstanding figures in history in Su Ci "Niannujiao Red Cliff Nostalgia" constitute a magnificent artistic image, which is satisfactory in all directions.
5. Ancient poems describing the huge gap between people 1. Those who wear Luo Qi are not silkworm farmers.
2. The students are all embroidered, wearing hats decorated with Zhu Yingbao, a circle of white jade around their waist, a sword on the left and a stench on the right. I look a little ugly in my robe. If you travel against the trend, your host will eat again every day, and you won't enjoy the taste of fresh fat.
Dry the dirt in front of the door, and there are no tiles on the house. 5. The wine in Zhumen stinks and the road freezes the bones.
6. ten fingers don't touch mud, and scales live in the building. 7. Swallows know the ambition of swans! 8. But Chen She's son is self-employed, and so is the migrant population; Unexpectedly, they are not as good as Chinese people, as sages in Zhong Ni and Mo Zhai, as well as wealthy businessmen in Tao Zhu and Yidun.
9. The rock is thick and can die for thousands of years; Puwei sewed for a while, and then it was overnight. 10. The favored son of heaven is far from being virtuous.
1 1. Your husband is a rock, and my concubine is a reed. Detailed explanation: 1. All over Luo Qi are not silkworm farmers.
Source: "Silkworm Girl" Song Dynasty: Zhang Yu entered the city yesterday and returned with tears. All over Luo Qi are not silkworm farmers.
Interpretation: A woman who lives in the countryside and raises silkworms for a living went to the city to sell silk yesterday. When she came back, she was in tears, and the sad tears even soaked the towel.
Because she saw in the city that people wearing beautiful silk clothes were not silkworm farmers who worked as hard as her! 2. The students are all embroidered, wearing hats decorated with Zhu Yingbao, a circle of white jade around their waist, a sword on the left and a stench on the right. I look a little ugly in my robe. Origin: Preface to seeing Ma Sheng off to Dongyang in Song Dynasty: Song Lian was young and eager to learn.
Because my family is poor, I can't get books to read. I often borrow money from the library, copy it myself, and send it back on the appointed day. When the weather is cold, the water in the salt pond freezes into ice and I can't stretch my fingers. I still don't relax reading.
After copying, please go back to China, and dare not exceed the agreed time limit slightly. So most people will lend me books so that I can read all kinds of books.
When he grew up, he admired the teachings of saints and suffered from being unable to associate with knowledgeable teachers and celebrities. He quickly walked out of the hundred miles and brought the scriptures to his fellow villagers. Senior honorary person, Yemeni students crowded his room, and his words and attitude were never slightly euphemistic.
Around Lishi, he assisted the suspect and leaned over to ask questions; Or the more respectful and polite you are when you meet, you dare not say a word; Please ask again as soon as it is happy. So I was stupid and finally learned a lot.
When I was looking for my master, I was walking in the mountains of Otani with my book box on my back and Tara shoes on. In winter, the wind was cold and the snow was several feet deep, and my feet and skin were frozen and cracked. After entering the room, my limbs were stiff and I couldn't move. The servant gave me hot water and covered me with a quilt. It took a long time to warm up.
Stay in a hotel and eat two meals a day, without fresh fat and delicious enjoyment. All the students are all embroidered, wearing hats decorated with treasures, white jade rings on their waists, swords on their left and smelly faces on their right. I am wearing a robe, but I am not sentimental at all.
Because there are enough things in your heart to make you happy, don't feel that the enjoyment of food is not as good as others. My efforts and efforts are probably like this.
Although I am old and have no achievements, I am fortunate to be among the gentlemen. However, I have been blessed by the son of heaven. After I became a public official, I worked as a consultant every day, and the whole world misreported my last name. What else? Now all the students are studying in imperial academy, and the county officials have a little support every day. Their parents have Qiu Ge's legacy at the age of 20, and there is no danger of being frozen and embarrassed. Sit downstairs and recite "poems" and "books" without running around; Some are teachers, some are teachers, some don't ask, don't tell, and some ask but don't; All the books should be kept here. There is no need to record them through other people's hands and read them later. If they are not proficient in their studies and their moral character is not cultivated, if they have no talent and qualifications, they will not be as single-minded as I am. Can you say it's someone else's fault? Dongyang Ma studied in imperial academy for two years, and his peers praised his virtue.
I went to the capital to appear before the emperor, who met me as a fellow villager and wrote a long letter as a gift. The words were fluent and accessible, and I argued with him with a gentle and polite attitude. He said that when he was young, he studied very hard and was a good learner. He was going home to visit his parents, and I told him about the difficulties in his studies.
It is said that Yu Mian's fellow villagers are all scholars, and so is Yu. Those who despise me, brag about my wealth and prosperity, and be arrogant to my hometown know the rest! I liked studying when I was young. Because my family is poor and I can't get books to read, I often borrow them from people who collect books, copy them myself and return them on an agreed date.
When the weather is very cold, the water in the inkstone pool is frozen into hard ice, and my fingers can't bend and stretch, so I still don't relax reading. Return it to others as soon as possible after copying, and dare not exceed the agreed time limit slightly.
So most people are willing to lend me books, so I can read all kinds of books. As an adult, I admire the theory of sages more, but I can't communicate with knowledgeable teachers and celebrities. Once I walked (ran) a hundred miles and asked my compatriots for advice with scriptures in my hand.
His predecessors were highly respected, and his master students crowded his room. His words and attitude have never been euphemistic. I stood beside him, asking questions, asking truth, and bowed my head to him for advice; Sometimes I am reprimanded, my expression is more respectful, my manners are more thoughtful, and I dare not answer a word; Ask him when he is happy.
So although I was stupid, I finally learned a lot. When I was looking for a teacher, I walked in the old valley in the deep mountains with my book box and shoes on my back. In the severe winter, the wind was cold and the snow was several feet deep, and my feet and skin were frozen and cracked.
When I arrived at the school house, my limbs were stiff and I couldn't move. The servant poured me hot water and covered me with a quilt. It took a long time to warm up. Staying in a hotel, eating two meals a day, no fresh, fat and delicious enjoyment.
The students' scholars are all well-dressed, wearing red scarves and jewels, with white jade rings around their waist, knives on the left and sachets on the right, which are as bright as gods; I'm wearing an old cotton gown and a rag, and I'm not jealous. Because there are enough things in my heart to make me happy, I don't feel that the enjoyment of food and clothing is inferior to others.
My efforts and hardships are probably like this. Although I am old now, I have achieved nothing, but fortunately, I am still among the gentlemen, bearing the honor of the son of heaven, following the emperor every day, waiting for inquiries, and praising my name inappropriately under the sun, not to mention anyone who can surpass me. Now students are studying in imperial academy, and the court provides meals every day. Parents give them leather clothes in winter and kudzu clothes in summer, so don't worry about freezing and hunger. Sitting downstairs reading classics, there is no hard work; There are teachers like doctors, who ask for advice without asking themselves and get nothing; All the books you should have are concentrated here. You don't have to copy them by hand like me. You can borrow them from others before you can see them.
Among them, if they are not good at their studies and their moral character is not developed, if they have no talent and qualifications.
6. What are the poems about differences? 1. Jiang Chengzi Mao Yi's dream of the 20th day of the first month.
Song sushi
Ten years of life and death,
Never think, never forget.
A lonely grave thousands of miles away, desolate and nowhere to talk about.
Even if we don't know each other when we meet,
Face covered with dust, temples like frost.
At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated.
Care for each other without words, only a thousand lines of tears
It is expected that the annual sad place,
Moonlight night, short matsuoka.
2. "Five Thinking Poems, Part IV"
Don
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Looking back at the emblem of flowers, half the edge is repaired.
3. "Altair"
anonymous
Distant Altair, Jiao Jiao Hehan girl.
Slim hands, solid hands and sewing machines.
There is no chapter all day, and tears are pouring down.
What's the difference between a clear river and a shallow one?
Between water and water, there are no words.
You said you would come, but you didn't. You didn't leave me any trace.
Tang Li Shangyin
You said the meeting was empty talk, after we didn't see its trace; Wake up in the oblique moonlight upstairs and listen to Xiao Zhong Chuming.
The dream in the wound is far from being called; When I woke up, I began to write a letter.
The layering of residual jade is hazy; Musk smoked through the tulle, soft.
In those days, Liu Lang had long complained that the mountain was far away; You go to more places than the mountains in Shashaling!
5. Say goodbye to the viceroy and go to Shu for his post.
Don
Across the wall of Sanqin, across a layer of fog, across a river.
We said goodbye sadly, and our two officials went in opposite directions.
After all, the world is just a small place.
Why are you wandering at the fork in the road? The child is holding a towel.