We will give you a detailed introduction of "Bai Di Five Thousand Miles Wild Goose City" from the following aspects:
First, click here to view the full text of Jincheng Qu for details.
It's sunny and snowy in Shushan, and the buds of bamboo shoots and ferns are 10% off.
Jiang Feng skillfully cut the summer yarn and spent thousands of azaleas' blood.
The cuckoo flies over the rocks, and the night is called homesickness, mountains and moons.
Ba Shuiyang's feelings are endless, and Wen Jun's knitting is very popular.
The bitter spirit has not returned to the grass to die, and Jiangtou senior is lovesick.
Trees send homesick people, and Baidicheng is five thousand miles away.
Second, other poems of Wen
When I first traveled to Shangshan, Luoyang and Lianhua, there were many leaks and I sent people to the east. Three. notes
City of the Desert: A Works of "Urban Shortage"
Fourth, appreciate
Taking four sentences as one must, this poem is divided into three must.
At the beginning of the first verse, I explained the geographical environment where silk weaving women workers live: "It's sunny and snowy in Shushan, and bamboo shoots and ferns are 10% off."
The mountains are dense, and these dark mountains are not only clustered together like bamboo shoots, but also surprisingly high, allowing the cold light of years of snow to shine on the top of these peaks. If you stand on the top of this mountain, you can also see Emei and Qingcheng Mountain floating in the clouds, just like clusters of indigo fern buds. They gather around, numerous and endless. From the beginning, the poet pushed the situation in such a high-risk and boundless Shushan to the readers with a breathtaking look. The mountains are high and steep, which may be beautiful for tourists, but for the weak women who are far away from home and suffer here, it is tantamount to an insurmountable blockade. And this is precisely to detain them and choose this environment. Dealing with these weak women in such a sinister and huge environment, their fate can be imagined. These weak women imprisoned here will never return to their cultivated land. Therefore, the handicraft industry they are engaged in cannot be called "sideline", which determines that they have the basic conditions of "working class" In fact, China's industrial development was characterized by feudalism and even slavery from the very beginning. During the semi-feudal and semi-colonial period, this situation of the working class did not change much. This is how the working class in China has gone for more than a thousand years. So until China overthrew the monarchy and wrote "Bonded Labor", it was still strikingly similar to Wen's poem.
Wen is an outstanding poet. He is full of mountains and plains, and he is affectionate. The poet didn't put his ideas straight out, such as "Luo Qi is not a sericulture man in the street", although he understood it, but that's all. He used the artistic technique of realism to reproduce life, and he just tried to write the typical environment of Jincheng silk weavers' life truthfully, so that readers could follow the sad eyes of silk weavers and see the mountains that imprisoned them. In this way, although he said nothing, he did not change the objective truth because of his subjective feelings. Of course, he only described nature truthfully, not naturalistic. This is because he believes that as long as readers understand the feelings of silk weavers, they will also understand his poems. Therefore, if you want to understand the poems of a writer like Wen, you must try your best to enter the specific emotional world he set for readers and read them in the way of the hero in the poem. You must never take an indifferent attitude. When you see colorful natural scenery in your works, you will call it aestheticism. As soon as I saw him using words like "Wen Jun" and "Acacia", I was shocked at what a decadent voice it was. He is really a writer who doesn't like shouting political slogans in vain. Reading his works is a revision of some works.
After giving readers a concept of the outline of the local environment, the poet directed readers' eyes to the famous Jinjiang, with the aim of making the poem quickly enter the theme and let readers see the labor of another group of workers working by the river. With tears in his eyes, he sang in praise of labor: "Jiang Feng blows skillfully to cut summer gauze, and the flowers are full of azaleas." "
"Qiao", of course, refers to the brocade, which shows the colors and patterns of the brocade. It is unique and surprisingly beautiful. This is a compliment, but it is also a compliment to the wisdom and skillful hands of the brocade workers. The river wind blows this exquisite brocade, just like the rosy clouds just falling from the sky; The pattern on it looks like azaleas blooming all over the mountain. Literally, the work of writing brocade and the exquisite brocade are very vivid and beautiful, as Shao Xiyu said: the text is "good at making words and extremely beautiful". However, we can't dismiss him as "the same as Justin Chen's palace style" because of his gorgeous rhetoric, but we should take a look at his ideological content. For example, his couplets are full of affection, combining high praise for workers' labor with deep sympathy for their fate. The workers have superb skills and exquisite finished products, but their fate is tragic. So he deliberately linked "flowers" with "blood". The pattern on the brocade may be azaleas in Sichuan. Rhododendron, also known as azalea, is said to be dyed by the blood and tears of Rhododendron. Cuckoo is a legendary complaining bird. Legend has it that it is homesick and cries sadly, often with blood behind its tears. This image is very much like a female worker being concentrated here and never going back. This tells people that the tapestries worn by the royal family, rich families and rich families are just tapestries woven by weavers with their young lives and lifelong blood and tears. This is a profound revelation. Wen Tingyun certainly doesn't know what class is and what exploitation is. However, due to his loyalty to reality and his progressive stance of sympathy for women workers, he was able to write such a distinct nature of class opposition. This is even more profound than "the wine in Zhumen stinks, and the road freezes to death", because Du Fu only talks about class opposition and injustice, and "the blood of a thousand azaleas" even reveals the class relationship between exploitation and exploitation, which is tantamount to telling workers directly that the flowers on the clothes of giants are woven with the blood and tears of female workers. There is a lot of stirring and stirring force here. He revealed the essence of class more deeply. Although this is not the call sign of the awakened one, it is already a snake of hatred in the corpse forest.
The second thought further describes the tragic fate of female workers: "The cuckoo flies into the rock, and the night is called homesickness for the mountains and the moon. Bashui is full of affection, and Wen Jun's spring weaving machine is red. "
The sentence "azaleas" was written by two kinds of azaleas, flowers and birds. The poet skillfully changed from the mountain red pattern on the brocade to the cuckoo crow in the forest. Then, using the legend of cuckoo, it is a metaphor that a female worker runs away from home until she dies. From the red of flowers to the blood of birds; From the crying of birds, the sleepless thoughts of female workers are naturally introduced. Then this "night thinking" contains many meanings.
At this time, if the cuckoo cries out of the window again, they will be very sad. It can be seen that the poet is very good at setting colors in the scenery.
The long night has passed, although I can't sleep all night, I still have to work as usual during the day. Women workers in Jin Zhuo are homesick and slow. They just move mechanically when they are in Jinzhuo. The flowing water in front of me gradually turned into thoughts and fluctuated, so she had her "he", her parents and a broken but warm home. This "endless feeling" is that a thousand women will have a thousand ideas. Wen can be said to be a master of art who knew how to use montage more than a thousand years ago.
This is the case with brocade women workers. Brocade women workers sit on the machine and their thoughts can't be transferred. They only struggled in the heat of life, weaving their youth and efforts into brocade until she finally fell to the ground and died. They don't have all the rights as women, just a machine in the boss's factory. Yuan Zhen's "Weaver Girl" said: "The boss's white child can't be married to solve the problem." He explained himself: "I gave a witness in Jingzhou that Gong Linghu had a daughter and never married." The tribute households of freemen are still so, and the female workers who lost their freedom because of prostitution are even worse. This is what the poet said, "Wen Jun weaves very successfully". Here he used Zhuo Wenjun's allusions, and there is another meaning, because Zhuo Wenjun was finally abandoned, then Sima Xiangru's beautiful "Phoenix Begging for Phoenix" is really tantamount to cheating. This is also very similar to the scam of female recruitment.
"Wen Jun Weaving Spring Machine Red" and "Red" are synonymous with brocade. As I said before, they are the red of azaleas and the blood of azaleas. This "red" closely links the two. It vividly illustrates how these deceived women, such as "Wen Jun", have turned the colors of their youth and their lifelong efforts into brocade. Here, "Wen Jun Weaving Spring Machine Red" is beautiful, even fragrant. Because Wen Jun can be associated with elopement, and "spring" and "red" can also be classified as pornographic words. The poet doesn't want people to understand that society is complex: it is a contradictory whole in many ways. He wanted people to know how to see the ugly inner essence of feudal society through its superficial decorative beauty, and smell the bloody breath of people squeezing the bottom in its upper flowers. He is willing to use this gorgeous rose ink to describe this society, so that it can be like this colorful, complex and changeable society, and let people know more about its bitterness, pride and frustration. Although there was a romantic history of eloping with Qin, she also had a tragic history of being cheated and abandoned. Here, the poet uses "blood" and "red" interchangeably, and writes "salvation" and "desolate city", "spring machine" and "resentment" in contrast. These women workers are facing the fate of death and poverty, but they have woven one gorgeous brocade machine after another with their own hard work, weaving those auspicious and festive patterns on the machine. However, they just ended up in the happiness and carefree of others, but they died exhausted. Finally, they threw their bones into the wilderness without even shedding a tear. Compared with Li Shen's "every grain is hard", these workers are still reunited farmers, and their fate is even more tragic. Of course, the predecessors of South China University of Technology are all farmers, but they are all farmers who can't live in the countryside. Therefore, writing about the tragic fate of female workers is a profound description of the decline of rural areas in China. This has more historical significance and cognitive value than writing about the sufferings of ordinary farmers.
Finally, the tone changed from flat to even rhyme, and it was tooth-shaped, which made people read it, as if they heard the voice of gnashing their teeth: complaining that the grass was not dead, and Jiangtou senior was homesick. Trees send homesick people, and Baidicheng is five thousand miles away.
"Hating the Soul" and "Fangcao" can be said to be written about two generations of silk weaving women workers here, and it can also be said that several generations of silk weaving women workers alternate between life and death. In order to highlight the tragic fate that women workers can't escape, the poet adopted a layered and in-depth writing: Du Fu is the ghost of the dead, which has turned into a bird of resentment, but still can't fly back freely, so he can only cry to the north day and night, so that tears come with blood; Blood dyed the grass red, and even the grass could not bear its sorrow and died. It's like "How can a man deserve such a tree?" However, this still can't impress the factory owner. The cuckoo can only crow here day and night. The dead complained about the birds, and the birds wept blood, and the blood also made the grass white and haggard. All this is of no help, if it can't change this tragic fate. It can be said that it is hard to write about the sadness of workers and the resentment against those who caused them. But the poet refused to stop. He turned the story of complaining that his daughter missed her husband and cried to death under the tree into red beans, which on the one hand highlighted the strong and unyielding spirit of female workers missing their loved ones; On the other hand, it was born out of this and wrote the awakening of resentment. It means that the workers who came before died, and the acacia trees that became trees after death grew up and produced seeds. After such a cruel practical lesson, they finally understand that no matter how wailing, weeping for blood, changing birds and trees, they can't impress these greedy hearts of public and private owners, so they can't get rid of their tragic fate. So she said to these new workers who are still struggling to get home like she used to, "No matter what you think, there is no hope. When you get here, you'll never get out! What's more, it has already been clearly stipulated in the "Six Codes of the Tang Dynasty and the Ministry of Industry" that "once you join the craftsman, you must join other colors! "In the end, you can only die sadly in another country like us, just prolonging the wasteland and increasing the desolation here!"
Of course, "Baidicheng" does not necessarily refer to Kuizhou, but refers to Sichuan in general. And "five thousand miles" is just an insurmountable difficulty in the eyes of weak women. From "Beautiful Snow in Shushan" to "A Desert City in Bai Di Five Thousand Miles Away", the care from beginning to end, from green to white, from birth to death can be said to sum up the psychological changes of silk weavers throughout their lives: when they first arrived, they were still novel and moving when they saw "Beautiful Snow in Shushan"; Speaking of the feeling of death, it is a "barren city", which abandoned its bones in the suburbs and completed the whole psychological process from fantasy to reality to disillusionment, from pain to death, saturated with sadness. Therefore, this seems to be a brief history of silk weavers. And it is so profound and touching that readers can find evidence everywhere in the book "Bonded Workers" more than 1000 years later.
Here, the poet is uncovering the surface of this feudal society and pointing out the bloody cannibalism to readers. He clearly told people that the tapestry capital he wrote was actually an empty city built on the bones of tapestry workers.
The ending of the poem seems negative, but it shows the despair of the ruling class. Despair of the ruling class should be the first sign of being awakened by the ruling class. Because he profoundly wrote the sorrow of women workers' times, that is, the sorrow of rural decline, which also wrote the upcoming revolution. Wen lived in an era when peasant uprisings were everywhere and the Tang Dynasty was on the verge of extinction, which showed that his feeling of no way out was deeply branded by the times. Therefore, this poem of his can be said to be "the representative of some thoughts of his time". When everyone feels that there is no way out, a new revolution will break out. Although Wen did not explicitly mention this point in his poems, it was because he was not a thinker. But with the sensitivity of a conscientious and progressive artist, he filled his poems with bows, which was aggressive enough.
Poetry of the same dynasty
Sangu's Family, Warm Dishes, Farewell to Xu Kan, Mourning Poems, Jia Dao's Tomb Inscription, Tiantai Temple Couplet, Song of Eternal Sorrow, Memory of Jiangnan, Spring Tour in Qiantang and Ode to Mujiang.
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