The ultimate goal of poetry is

The so-called "artistic conception" poems and essays, through image description, show the realm of exotic scenes and lyric works, as well as the emptiness and reality of images. In addition, it also includes the induced and developed aesthetic imagination. Perceptual, poetic and aesthetic terms are unique to China, but they are also China's contribution to the world. In western countries, there is no "artistic conception" in literary theory. But emotional prose of western novels. For example, the environmental atmosphere of Thornfield Manor created in Jane Eyre is a kind of artistic conception. In China, the origin of emotional theory can be traced back to the Qin Dynasty. When I say "elephant is invisible", I actually mean emotion. "realm" or "realm" originally refers to the position that the practitioner's insight can reach. Borrowing a Buddhist scripture, the Southern Dynasties poetics Buddhism. The language of Liu Xie's poems such as "Hidden Show" and "Hidden Dan" shows that emotion has begun to take shape. The Artistic Conception of the First Word of Wang Changling's Poetic Style. In the Tang Dynasty, Jiao Ran's poem "The territory, its attachment, all comes from the people". Quan Deyu's theory of virtual harmony. Yan Kongtu's Poems put forward the theory that "the whole is born outside the image". Liu Yuxi's development environment was born out of image. Cang Hua in Song Dynasty is full of demands, which has formed a lot of emotions of theoretical exploration. In the late Qing Dynasty, Wang Guowei's Ci Hua on Earth reached its peak. Wang Guowei said: "environment, non-proprietary scenes, one of emotions, is also the realm of the heart, the scene of the pattern, the true feelings, and the country;" Otherwise, it means domain. "In essence, the article is just an emotional word. He said: Why is it the so-called mood? Writing about love is refreshing. Describe what is above your eyes and ears if you swallow it. Zong Baihua, a contemporary literary theorist, said: "Emotion and crystallization (image). To sum up, artistic conception is an artistic realm such as "of course and sanitation scene"

According to Tong Qingbing's definition, the relationship between emotion and image can be seen as follows: First, image is indeed a new ideographic image. A typical image is subjective and can be regarded as one. Emotions and emotions in various fields can be expressed by images or induction, which is realizable, abstract and atmospheric. Second, the image or the combination of images constitutes the artistic conception, and the image is the means or method of emotion. A correct understanding requires images of imagination and thinking. That is to say, in literary creation, images are always behind. The first image of 1 is in the author's mind, and then it is combined into an artistic conception.

"Image" and "emotion" are two confused concepts. They have similarities and similarities, but they belong to two different aesthetic categories and have their own unique connotations and aesthetic characteristics. At the same time, the relationship between emotion and image, tolerance and tolerance, infinite tension and infinite charm, the formation of emotion contains many objective images, which are complementary, mutually reinforcing and interdependent. In other words, without images, it is difficult to combine and merge into an artistic conception. If there is no mood, these images are fragmented and soulless. Their difference is that:

An artistic image like a fable, an artistic atmosphere produced by emotional symbols and the meaning of the image. Parallel Line 12 Image Description: Baipu's "Tianjingsha Qiu Si": Sunset in Gucun, Western jackdaw in the west, a smokeless old tree with a flying gull shadow. Mountains and yellow flowers with green leaves. "Although it presents a gorgeous and vivid autumn, it is not full of deep and sincere emotions, lacking the natural integration of" feeling "emotion and reason, unable to form an aesthetic space of" imagination "and lacking artistic conception. Of course, this is difficult to contact. Look at Ma Zhiyuan's Tianjingsha Qiu Si, which is an organic combination of a group of images and becomes a masterpiece with beautiful artistic conception: a dead vine, an old tree, a faint crow, a small bridge, a mobile family, an ancient road, a thin horse, a sunset and a heartbroken man in the end of the world. "Sanqu creates the homesickness of the wanderer, rather than cleaning up the mood with the bitterness of touching the scene; In order to complete this artistic conception, the images of "dead vine, old tree, faint crow clue, west wind, thin horse, sunset, heartbroken man ending the world" are established, and these images are directly put together, creating a desolate atmosphere. We can feel an obvious difference in image and artistic conception between the two poems.

The actual existence of images is the charm and significance selected by virtual emotions. Haizi's Diary is a poem written by Delingha in Qinghai Province, where he died. These pictures: New Delhi (place name), Gobi, grassland, sister, tears, desolate city. However, these images, a combined "sister", express ideas. The original poem: "Sister, sister enveloped Delhi tonight. I only have Gobi grassland tonight. I can't keep a tearful sister empty-handed. Tonight I am a desolate city in the rain in Delingha. Except passing the ball and living. Delingha ... tonight, this is the only last lyric, this is the only last grassland. Stones and stones, so tonight's victory, victory wheat belongs to her. Everything is growing. I only have one beautiful Gobi sister tonight. I don't care about humans tonight. I just want you. " From this poem by Haizi, we can see the image of reality and the taste of mood, which is a vague world.

Thirdly, the ultimate goal pursued by emotional writers is the tools and materials for artistic creation and the creation of emotional images. The construction of artistic conception image is an unsuccessful pale image, and the picture is dull, so it is difficult to give people a beautiful failure. The writer's long-term goal in life is to create an artistic image, that is, to create a huge emotion. However, the creation of any emotion is groundless, but it is based on image to create an emotion. See Yaxian's poem "Qiu Ge": "The fallen leaves have finished their last trembling. The blue eyes of the flower disappeared into the lake. In July, the anvil sounded in the distance. Is the warm goose staring at the horrible empty autumn in Liaoning and writing a beautiful sonnet? It is warm. Horseshoe leaves are broken, and songs leave people feeling broken. In the north, autumn, autumn faint monastery, on the road of small South China left nothing. There is only one warmth left, only one warmth left, and we are all gone. " The success of this poem lies in establishing an artistic conception of autumn. The following is the warmth of an autumn line drawing character. "Fallen leaves, lakes and marshes, anvil sounds, wild geese, autumn air, water chestnuts, trails and temples", a series of images are combined into an autumn artistic conception, in which image materials and artistic conception are the ultimate goal and the highest pursuit.

In a word, image and artistic conception are closely related and subtly different. So to sum up, the so-called difference means that creation always comes first with images, and then with artistic imagery means and materials. Artistic conception is a virtual artistic atmosphere and the ultimate goal pursued by writers. The two support each other, complement each other and complement each other.