The development track of Tang poetry in different periods

First, the first 90 years or so, that is, around the fifteenth year of Kaiyuan, is the preparatory stage for the prosperity of Tang poetry. As far as the field of expression is concerned, it has gradually moved from the palace pavilion to the mountains and rivers desert, and the author has also expanded from court officials to ordinary literati; As far as the emotional mode is concerned, the vigorous vitality of the literature in the Northern Dynasties and the freshness and clarity of the literature in the Southern Dynasties are integrated into one, moving towards a heroic and cheerful realm. As far as the form of poetry is concerned, on the basis of eternal style, four tones are dual, which solves the problem of sticking. From the combination of law and sentence to the formation of law, he got rid of the shackles of various theories of illness and punishment of Yongming poets, and created a new style poem with both procedural constraints and broad creative space-rhythmic poetry. Around the fifteenth year of Kaiyuan, both emotional style, artistic conception and musical form prepared sufficient conditions for the prosperity of Tang poetry.

Second, the all-round prosperity of Tang poetry in Kaiyuan and Tianbao. During this period, there appeared landscape pastoral poets Wang Wei and Meng Haoran, who fascinated people with the beauty of quiet Ming Xiu. Frontier poets Gao Shi and Cen Can appeared, who wrote the frontier life magnificently, sublimely and generously. There are also a large number of famous artists such as Wang Changling, Li Qi, Cui Hao and Wang Zhihuan. Of course, the most important thing is the great poet Li Bai. With his peerless talent and bold and elegant temperament, his poems are flowing, unpredictable, and his feelings are rolling, as beautiful as clear water. Later generations have a lot of comments on this issue of Tang poetry. In a word, it is the backbone of the end, with exquisite image. The work can't be seen or traced, but it has far-reaching significance and infinite charm.

Thirdly, from the late Tianbao period to Zhenyuan period, the Anshi Rebellion became the watershed of Tang society from prosperity to decline. This great social change has also caused changes in literature. Just as the Tang poetry reached its peak, the Tang society also moved from its peak to turmoil and decline. In the prosperous times of Kaiyuan and Tianbao, the exquisite image and heroic realm gradually faded, and the ideal color and romantic artistic conception gradually faded. The greatest poet representing this period is Du Fu, the poet saint. He faced up to the eight-year Anshi Rebellion and expressed the human disaster and the people's blood and tears in the war with earth-shattering songs. Integrating strong and profound lyricism into narrative techniques and writing current events with narrative techniques is different from Tang poetry, which can be said to be a change in the development of Tang poetry. Since then, Dali poets have come forth in large numbers. Due to the decline of society, the mood is wandering, and there are lonely feelings in the poem, the sunset and autumn wind, and the spirit is dying.

Fourthly, during Zhenyuan and Yuanhe years, scholars longed for youth, and at the same time of political reform, there was also an atmosphere of poetry innovation. Poetry creation has reached a climax again. Han Yu, Meng Jiao, Li He and others are even more eccentric under the influence of Du Fu's rise, prose and refined figures. Ugliness is also beautiful, forming the Han-Meng School of Poetry. Bai Juyi, Yuan Zhen, Wang Jian absorbed nutrition from Yuefu folk songs and created poems in an easy-to-understand way, forming Yuan Poetry School and Bai Poetry School. These poets in the middle Tang Dynasty opened up a new world of poetry with their innovative spirit and courage in the height and extremely difficult situation of the prosperous Tang Dynasty.

Five, after the celebration, ZTE became a dream, and the life of scholars was mediocre and restrained.