Hope to adopt thank you! The rhyme of Biekangqiao is very beautiful, which is also the outstanding feature of Xu Zhimo's poetry. A careful understanding of the beauty of rhythm and form is the key to feeling A Farewell to Cambridge. The tender feelings of parting are closely combined with the rhythm of poetry, which fully embodies the "musical beauty" of A Farewell to Cambridge. Every verse of the poem has two rhymes, and the rhymes used are mostly long vowels, forming a long and flexible auditory effect; The use of reduplicated words such as "gently" and "quietly" has laid a soothing and gentle tone in poetry, revealing melancholy and sadness in attachment. In addition, the poet also carefully constructed the "architectural beauty" of the external form of poetry. This poem has seven sections, each with four sentences, and the sentence patterns in each section are neat and similar, which constitutes a repeated singing effect. The first section and the last section echo from beginning to end through the overlap of "gently" and "quietly", which makes the whole poem structurally complete and seamless. A series of images in Farewell to Cambridge are also worthy of attention, because the poet implements the poetic principle of "rational and emotional control" of the Crescent School through indirect description of objective scenery. Waves, willows, grass, clear springs, elm shadows, rainbows and boatmen in the poem are all physical descriptions, and some are sketches of scenes and scenes. Farewell to Cambridge highlights the visual sense of poetry through the images of scenery, carefully arranges the sentences and sections of poetry, and attaches importance to the tone and rhythm of poetry. All these are successful practices of the theory of "three beauties"-"painting beauty", "architecture beauty" and "music beauty", which fully embodies the artistic proposition and style of the metrical poetry school. Farewell to Cambridge is not only Xu Zhimo's personal masterpiece, but also a model of the whole crescent poetry school.
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