1, five laws
From beginning to end, the beginning of the sentence is: even number, even number.
It was flat from the beginning.
Flat and light, the first sentence: flat and light.
Flat and light, starting from that sentence: flat and light.
2. Seven Laws
From beginning to end, the beginning of the sentence is: plain.
First clause: even, even, even, even.
Flat and light, the first sentence: flat and light.
Flat and light, starting from that sentence: flat and light.
There are four basic forms of metrical poetry.
Start and collect, start and collect evenly, start and collect evenly, and start and collect evenly. Metric poetry is divided into five words and seven words according to the number of words, and metrical poetry is divided into five laws and seven laws accordingly. Two formats correspond to four flattening relationships, which makes eight flattening formats.
Judging the fluency of a metrical poem begins with the first sentence of a poem, and the first word of the first sentence is fluent, so what we are talking about here is actually the fluency of the second word of the first couplet.
And "Cuoshou" means that the last word of the first sentence ends with Cuoshou, because the rhymes of metrical poems are all flat words, so "Cuoshou" is actually a way of writing the first sentence without rhyme.
Li Bai's "Seeing Friends Off at Jingmen Ferry";
Sail from Jingmen Ferry, and soon you will be with southerners.
At the end of the mountain range and the beginning of the plain, the river winds through the wilderness.
The moon rises like a mirror, and the sea clouds twinkle like palaces.
The water brings you the feeling of home and makes your boat travel 300 miles.
The first sentence of the first couplet "voyage to Jingmen Ferry" is far and wide, and the first sentence "flat and flat" is a typical five-law format of "from beginning to end".
In fact, the flat format of metrical poems does not need to be memorized. Once the flat relation of the first sentence is obtained, the format of the whole poem can be deduced by using the principles of "relativity" and "attachment" of metrical poetry.
The first sentence is "average" and the second sentence is "average". The second sentence: "Soon you will be with people from the south" and "Guo" means entering tone and falling tone in Pingshui rhyme. So, this is legal. According to the principle of sticking two or three sentences together, it is concluded that the third sentence is "flat and flat" and "the mountain is flat and primitive" The fourth antithesis is opposite to the sentence in this couplet, so the fourth antithesis is "just plain" and "and the river winds through the wilderness" Harmony.
The last four sentences repeat the derivation of the first four sentences in the same format as the first four sentences. This is the basic format of the five laws of "starting and closing":
Flat and light, flat and light.
Flat and light, flat and light.
Flat and light, flat and light.
Flat and light, flat and light.
We can look at Li Bai's five laws accordingly. In addition to the seventh sentence "People pity the water in their hometown", the variant "Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping.
So this is a standard five-character poem.
However, due to the change of the number of words, there are some changes in the hierarchy and the relationship between levels. Let's also look at the format of "opening and closing" and see what is the difference between the seven laws and the five laws.
Same as above, the judgment of the flat pattern depends on the second word and the last word of the first sentence. Then pucker up and close, that is, pucker up in these two positions. For example, Du Fu's Pavilion Night:
Although the daylight in winter is shorter on the elemental scale, it is cold and snowy at the end of the world.
Stark sounded the fifth watch, drums and horns rang, and stars and Tianhe danced on three mountains.
I heard women crying after the battle in the distance, and I saw savage fishermen and woodcutters at dawn.
Sleeping dragons and galloping horses are not generals now. They are dust. Be quiet for a while. Oh, the noise of the world. ..
The first sentence "and the winter light is shortened on the element scale" is flat and flat, which is the seven-law format of "flat and flat", that is, "from beginning to end".
But let's take a closer look. In fact, this is a five-law flat-on-flat format with two grunts in front. "Flat and flat" in the Five Laws means flat and flat, but with the addition of two words, it becomes the Seven Laws. Then add the word "flat and flat" to the five laws, and "flat and flat" becomes a flat and flat format. In other words, two words have been added, and the format of five methods and seven methods are interchanged.
But they also abide by the rules of "right" and "sticky". "And the winter sunlight is shortened on the elemental scale" and "fair and flat", then the flat and flat sentence is "fair and flat". Let's look at the second sentence: "The end of the world is cold and snowy", which is really "fair and even". Similarly, we can also deduce the hierarchical relationship of the whole seven laws like the previous five laws:
Flat and light, flat and light.
Plain, plain, plain.
Flat and light, flat and light.
Plain, plain, plain.
We can look at Du Fu's Seven Laws accordingly, which is also in line with the flat format of the whole Seven Laws.
Therefore, the basic hierarchical relationship of metrical poems can be finalized by looking at the first sentence, but the five laws and seven laws will be slightly different, which is because of the change of the number of words.