There are few chariots and horses in the secluded places when the countryside makes friends with the secular world.
Few people have few friends. A poor alley, a lonely alley. There are fewer wheels and fewer horses and chariots.
This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts.
Fei Jing, wooden door.
When complex market music, grass * * *.
Spread the grass and pull it away.
When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.
My field is growing higher and higher, and my cultivated land is expanding day by day.
Often worried about sudden frost, crops wither like shrubs.
Polonium (sound line), small ice particles.
Second, there are few people in the wild.
This is the second song, which is about the writer's leisure life and strong feelings for crops after returning to the field. The whole poem can be divided into three meanings: the first four sentences are about the tranquility of rural life; The middle four sentences are about the interests of living in the countryside and the elderly in the field; The last four sentences are the author's concern for crops and his feelings about the fate of crops.
The lonely and poor lanes in "The Wilderness is Sparse, the number of poor lanes is small" are opposite to the bustling downtown and the officialdom struggle. Wheels. Wheels. A strap worn around a horse's neck when driving. Wheel martingale refers to horses and chariots. These two words mean that the rural wilderness is secluded and there is little social interaction. Although the countryside is in a "wild land" with only "poor lanes", there is no "personnel" worry and "wheel martingale" noise. The author secretly reveals joy and relief.
"I covered it with Jing powder during the day and thought about it in the empty room." "Fei Jing" is Chai Men. The author of these two sentences lived a simple and happy life after retirement, and his thoughts were single and pure. He lives in poverty and happiness, takes pride in keeping his ambition, delights in seclusion and "calls himself good". The word "dust dream" shows that he abandoned his personal interests and distractions and made a final break with those in power. This is because the belief of "establishing goodness" supported him and made him famous.
It can be seen from these two poems that the author returned to the countryside for the first time and was quite leisurely. While working, he reads and writes poems, drinks and plays the piano, and lives a leisurely life. His initial labor was not so hard and his life was not so poor. This is because he just resigned from Pengze County, and he still has a little surplus, which is still being stored. As Mr. Lu Xun said; "He has a slave. During the Han and Jin dynasties, slaves not only waited on their masters, but also cultivated and operated businesses for their masters. It is a tool to make money. So although it is Mr. Yuanming, there are still ways to make money. " Therefore, in addition to food and clothing, I can enjoy myself. This is the portrayal of my life when I first returned to the countryside.
"The market is reviving, and the grass grows and flies." "Quzhong" is a "standing person". It seems to be based on "people in the room". In addition to farming, the author has casual contact with farmers and is intimate. He has no shelf of feudal literati, so he is approachable; And farmers also regard him as a confidant and treat him warmly, which is much more comfortable than the formality of "showing Du You" in officialdom! The sentence "Time reply" vividly describes the poet's casual conversation with farmers after work.
What did they talk about? "There are no miscellaneous words when we meet, Sang Ma." Sang Ma, if nothing else, shows that there is no worldly luxury. After returning to the field, he devoted himself to farming and was very concerned about the crops he planted himself. He really went back to farming, unlike some people who pretend to hide in order to steal fame and fortune, and unlike some people who are dissatisfied with their rulers but cling to their fate and really break with them in thought and action. He is in the countryside, and his ambition is in the countryside. His words and deeds are consistent, and so is his appearance. If the text can be clear; "The word' meet each other' is vivid, and Tao poetry is really interesting, so is it."
The poet's thoughts and feelings are closely linked to the fate of crops. He is excited and happy for the vigorous growth of crops and the increasing area of cultivated land. Worried that the crops would wither under the attack of frost, he said, "The days in Sang Ma are long, but those in our country are wide. I am always afraid that the frost will come, and so will the grass. " His behavior of caring about farming and keeping in touch with farmers is worthy of recognition in the era of strict hierarchy.
We should evaluate the author's pastoral poems realistically. Fang Shudong said: "The days in Sang Ma are very long." . It's idyllic and self-evident to talk only about mulberry horses, fearing that they will disperse, and then see the true meaning, which is in line with the poet's creative thought. However, some people go against the original intention of the work and compare it arbitrarily, insisting that this poem is a political poem. For example, he said to Lu, "However, I am physically successful and volunteered, but I am afraid of the weather change. first frost's withering hurts me, just like when most people are least heeded. Gai is a time when the DPRK is in danger, so there is a metaphor. However, although Jingjie is in the field, he does not forget to worry about the country, which can be seen here. " In fact, it is completely far-fetched and distorts the author's writing intention. We think the last two sentences about farming are vivid and profound, and the beauty lies in not carving.
The whole poem is simple and natural, without allusions or algae. Narrative writing is unpretentious; Lyric, sincere and straightforward. The language is clear and clean, with deep charm and chewiness.