Answer:
First, the imagery of "Looking at the Sea Tide" specifically captures beautiful and prosperous scenery, such as "smoky willows", "painted bridges", "wind curtains" and "emerald curtains". Yunshu, disha, raging waves, natural moat, Zhuji, Chonghu, Diexian, Guizi, lotus, Qiangguan, Lingge, Diaosou Lianwa, Qianqi and Gaoya "And other images, the colors may be bright or rich, or fragrant or rich, or graceful or prosperous, depicting the beauty of Qiantang's landscape, the prosperity of the people, and the prosperity of the market.
"Yangzhou Slow" is both The prosperity of the past and the depression of today include both natural scenery and historical allusions, such as "night snow", "horse chestnut", "cold water", "twilight" and "garrison corner" in the preface, or the "wasted pond trees" and "clear corner" in the poem , the "cold moon" swinging in the "heart of the wave" is either dim in color, cold in tone, or has a sad sound.
Second, "Looking at the Sea Tide" depicts the prosperity and prosperity of Hangzhou, creating a sense of peace and prosperity for the country and the people. "Yangzhou Slow" depicts the dilapidated desolation of Yangzhou, creating a sentimental and sad situation.
Thirdly, "Looking at the Sea Tide" uses rendering, contrasting and other techniques to create an artistic conception in the narrative writing. "Yangzhou Slow" uses a combination of past and present, allusion and contrast to create an artistic conception.
Appreciation:
Both poems in this lesson use a combination of virtuality and reality.
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The scenery in the upper part of "Looking at the Sea Tide" of Hangzhou City and the Qiantang River is real, while the scenery of the West Lake in the lower part is mainly fictional, such as "There are three autumn osmanthus and ten miles of lotus" about two typical plants in Hangzhou. This sentence is a good example.
The virtual scene in "Yangzhou Slow" refers to "Ten Miles of Spring Breeze", describing the prosperity of the ten-mile long street in Yangzhou City in the past; The desolate situation I saw today. These two contrasting pictures, virtual and real, embody the poet's emotion about the prosperity of the past and the decline of the present.