A song called "I used to be" was sung by Lao Fan next door. His music was shocked by the comments, which made people think of Jonathan Lee. Everyone thinks that he, like Jonathan Lee, is a musician in Cang Sang. The objective fact is just the opposite: Lao Fan next door was born in 1998, and he is a college student of about 2. Some people feel that his appearance is a fusion of Liang Bo and Ronghao Li.
Since p>217, the songs of the old fan next door have been sung in a red song, ranging from "Ji He Bu" and "What I want to say about loneliness" to "How I want to hug you in a mediocre life" and "I used to". Compared with musician Wang Feng's solo album attack in full swing, his original number is still a fraction. But these are the most important ones. The accumulated videos of the works exceed 1 billion, and the total number of evaluations exceeds 2.48 million.
According to the test results of data and information, Fan Wanran, the old man next door, has the momentum of "the elder brother in the music world", but in fact, a large number of people are unfamiliar with this name. I even feel that there are some "no integrity". Lao Fan's achievements in data and information work next door are also ashamed of by many outstanding old-timers in the music industry.
in addition to the broadcast volume, there is also a more visual service platform music personal collection. The personal collection of Lao Fan's music next door reached more than 6 million yuan. Because in the past year, he has been ranked in the top of the list of Chinese singers on the music service platform. In this year's music list, Lao Fan next door won the hottest solo album in Chinese music this year and the latest single with the most attention.
In addition, it became a funeral home at a series of year-end awards ceremonies. At the Asian Music Star Festival, he won the "Best Singer of the Year"; The Asian Network Red Star Festival won the "Most Popular Male Singer of the Year". A series of honors have been awarded, and it has been widely known according to the truth, which is comparable to the new king level. As before, Joker Xue, which has achieved "1 billion yuan video broadcast by major websites", has achieved a level of popularity from endorsement advertisements, entertainment programs, and then to peach news gossip, which can be called a topic discussion in the entertainment industry for 11 years.
as everyone knows, the old fan next door has not become another national idol. He has the title of "Big Three" online, but no one knows it offline, and he also encounters the embarrassment of "being questioned is not himself". I only heard his songs, but I don't know this person. How can there be such a gap between the red and not red of the old fan next door? Many people find that the old fan next door is a typical "song network red man is not red."
Behind this "song red" is not the kind that everyone "actively wins the red", but the service platform casts a net to fish and spread according to the new song recommendation and intelligent recommendation, which makes many people "passively" listen to his music. I have to admit that the green ecology of music in China is constantly improving. When original singers enter the sales market, there is no need to worry about reducing their exposure because there is no corporate or media publicity plan. Conversely, the total traffic resources and marketing promotion of the network platform far exceed the model.
There are countless original musicians, but they also enjoy the resources you know. How did the explosive products finally get out of the old fan next door? In many cases, the content determines the audience's click level. The lyrics of Lao Fan next door are pragmatic and realistic, and the rhythm is explosive, which is music that can make ordinary people not understand and pretend to understand. In the music evaluation, it is found that a song can be called a "propositional composition", and the theme style is established, from loneliness to ordinary, from breaking up to poverty, which can let young people express their feelings.
But for young people, maybe they just find the dialog box released by their mentality, and just sigh to themselves about the hardships of life. In fact, they rarely appreciate music itself from a technical professional perspective. Whether it's streaming media blasting music now, or the ranking list of mobile phone color ring tones more than ten years ago, the first criterion for evaluating music is popularity, followed by technical specialty.
But from the perspective of music quality, the old fan next door is far from the height-width ratio of "the elder brother of the music scene". After listening to more of his songs, you will find that the content is mostly lonely, wandering, ordinary and other mental keywords, and the core looks weak. In "Four Pieces and Five", there is no girl with four pieces and five pieces, and there is no first-line sea view room with three pieces and five pieces. It is not as poor as listening to He Yong's "Beautiful Girl".
The fire of Lao Fan next door can't be helped by the total flow. The greater the total flow, the more people will pay for it. But why is it so red that it is unrecognizable? Perhaps, the audience paid for the song he sang, just like people who used mobile ringtones before, and they didn't intend to grasp what the singer looked like. So that nowadays, everyone is still identifying the difference between Yang Chengang who sang "Mice Love Rice" and Wang Dazhi and Sun Nan.
if the old fan next door is said to be "the song network is not popular", can this road be successful if it is changed to "the people's revolutionary songs are not popular"? In the natural environment where traffic is king, this road is being practiced by many idol singers, and it also has dazzling data and information test results. For example, a solo album, as soon as it starts touring, can completely paralyze the website of the ticket office within a few minutes, and even if the ticket fee is high by scalpers, some people still buy it.
But also, idol singers are not clearly identified by everyone, because in fact, most fans are paying. At this point, Z.TAO wants to feel deeply. He used to pronounce it in the middle of the night at the Weibo, saying that if his masterpiece didn't touch people except fans, he had no choice but to turn to a prostitute.
In fact, apart from the Internet common and popular superstars, there are two kinds of technical professionals who lack everyone's cognitive ability, although they have total traffic. Liang Bo and Hua Chenyu are symbolic roles in recent years. Because their music content attaches importance to themselves, it does not have the total flow of popularity.
Fortunately, the humanized logo allows them to accumulate the Weibo mutual powder layer, and finally they can find a relative balance between the sales market and the idealization, and will not lose the sales volume to support their families because of the idealists. Sorting out the music scene from the vinyl record link, the development trend to the network age, from rampant embezzlement to the current copyright consciousness. Over the years, there are only a handful of masters like Jonathan Lee who can give consideration to both the popular and the common, and integrate the general group and the technical professional level.
Therefore, when young singers were crowned as "Youth Jonathan Lee" for no reason, many people did not generalize. Listening to Jonathan Lee's song, "When Love is a thing of the past" is a rude awakening, and life will be different without anyone; Song for myself is bleak and acceptable, but you can't get it if you think about it. What can you do with your life?
Cang Sang of Lao Zhao composes a short story according to the lyrics of songs, and discusses life with a perfect, all-round, objective and rational attitude, instead of indulging in some kind of extreme mentality. On the whole, the total traffic in the real sense is evaluated by users of works and continuously transmitted from generation to generation, rather than blindly producing and creating a popular illusion by the service platform.
Otherwise, as Zheng Jun said, the songs on the charts before were very good to be popular, but today's music is very popular with you on the service platform. In fact, the "super good to listen to the actual effect" has been discounted. If a singer wants to be famous to everyone, it is difficult to grasp the user evaluation of exam results. Maybe some people want to say that singing must first make sure to earn money to live itself, so it is understandable to pursue the commercialization of music with total flow and obey everyone's aesthetic mentality. But if everyone takes copying the old fan next door as the template for success, will everyone like that kind of music atmosphere? What do you think?