Pale and dull, I don't know what wealth is in the world. Every year, someone tells me that it is hard to raise silkworms. Why am I wearing clothes made of ramie?
Origin: Silkworm Girl is a seven-character quatrain written by Du Xunhe, a poet in the late Tang Dynasty.
Precautions:
Silkworm girl: refers to a woman who raises silkworms. Pink: refers to the skin color of women's bodybuilding. Hungry color: that is, the face becomes sallow because of work. Glory: a luxurious and rich life. In a word: what, why. Wearing ramie: refers to wearing clothes made of burlap. Ramie is a kind of herb, and the bast of its stem can be used for spinning.
Silkworm Girl is a seven-character quatrain written by Du Xunhe, a poet in the late Tang Dynasty. The first two sentences of this poem contrast pink with hunger, which profoundly shows the poor situation of sericulture women; The last two sentences express their strong dissatisfaction and resentment against the ruling class for depriving them of the fruits of their labor through their mouths.
The language of the whole poem is unpretentious, close to the rural spoken language, and the poem is passionate and sad, which mercilessly exposes the unreasonable phenomenon in the society at that time and expresses the poet's deep sympathy for the poor people.
Extended data:
Creative background:
Du Xunhe lived in that era, which coincided with the turmoil in the late Tang Dynasty. At that time, the buffer region rebelled independently, the officials were autocratic, and the bureaucratic party struggle was further intensified. The social reality of the disparity between the rich and the poor has also led to the continuous intensification of class contradictions.
Therefore, Du Xunhe's creation advocates reflecting people's miserable lives and misfortunes with pens and poems. Widow in the Mountain, Houhui Village Rebellion and Silkworm Girl were all written by poor people to express their grievances and indignation. ?
Literary appreciation:
The torture of life makes sericulture women lose the pink light and luster that ordinary women should have. From the beginning, the poet used "pink" as a foil, highlighting the gaunt facial features of the sericulture woman with close-up techniques, so that readers can establish their first impression of the poor situation of the sericulture woman and see the embarrassment and pain of her life from her facial color.
The second sentence is in the same strain as the previous one, which is close to the meaning of Kun's Girls' Middle School. It means that because of the blackmail of the rulers, sericulture women struggle to death, work hard all the year round, still can't eat enough and wear warm clothes, and are confined to their poor life. They don't understand that there is a completely different prosperous life in the world.
Three or four sentences are the focus of the whole poem. After writing about the poverty of sericulture women, the poet suddenly asked in the tone of sericulture women: "There are hard silkworms every year, covered in ramie?" Suddenly, a common and shocking contradiction in a feudal society was placed in front of the readers.
This is the unreasonable phenomenon mentioned in Huai Nan Zi's Xun Lin, that is, "the butcher is rich in soup, the rickshaw puller goes, the Potter lacks pots, the craftsman is narrow, the craftsman can't use it, and the user refuses to do it."
As for where the fruits of sericulture women's hard work went all the year round and who deprived them of their right to enjoy a better life, the poet did not tell them directly. However, only in this way can poetry be hidden, inspiring readers to explore the root of this unreasonable phenomenon and pointing the finger at the supreme ruler.
The most outstanding performance of this poem is the contrast between pink and hunger, sericulture and hemp, poverty and wealth, reason and reality. In this way, even if the emotional color of poetry is very bright and strong, the social essence of cannibalism is obvious and good artistic effect is achieved.
Famous comments:
Liu Yongji, a modern scholar, wrote The Essence of Tang Poetry, a masterpiece that attracts rural women.
Zhang Shengjie, former director of the Institute of Language and Literature of Hebei Academy of Social Sciences, wrote in Selected Satirical Poems of China: By comparing "no powder" with "hunger" and "silkworm toil" with "ramie", the author of this poem accused the feudal ruling class of cruel exploitation of sericulture women and satirized the unreasonable disparity between the rich and the poor.
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