Opera is a form of traditional Chinese drama. Contains various elements of literature, music, dance, fine arts, martial arts, acrobatics and performing arts. With a long history, its origins have emerged, and in the long-term development process, after eight hundred years of continuous enrichment, innovation and development, it has gradually formed a relatively complete system of opera art, as early as dance in primitive society. Although it still shows its origins from three different art forms: folk dance, rap, and burlesque, the biggest difference between the dramas is the different key systems shown, and first sung. In the languages ????produced in the region, folk songs are sung, based on national music and combined with music from other regions. The roles of various opera characters, at one time, changed from clean to ugly, to different business actions. Performances are extracted from life scenarios based on an emphasis on movement, handling and the use of virtual space. Attention, singing, reading, doing, playing, such as art, performance transportation and rich dance, with higher technical level, constitute different dramas and opera arts, becoming a complete system.
According to incomplete statistics, there are tens of thousands of traditional operas in China performed by people of all ethnic groups across the country, with more than 360 kinds. The People's Republic of China was established after the adaptation of traditional plays. The new historical dramas were adapted to express modern life and the themes of modern operas were warmly welcomed by the audience. Popular and famous operas: Peking Opera, Kun Opera, Yue Opera, Cantonese Opera, Sichuan Opera, Hunan Opera, Cantonese Opera, Shaanxi Opera, Ping Opera, Jin Opera, Han Ju Opera, Chaozhou Opera, Fujian Opera, Qi Opera, Hebei Bangzi, Anqing Huangmei Opera, Hunan Huahuagu Opera... There are more than 50 operas, especially operas that are most widely popular throughout the country and from one region to another.
The main factors of "playing" and "singing" in ancient Chinese opera are the so-called "big opera". The tones, legendary and legendary Chinese operas of the Yuan and Ming dynasties, and also include traditional repertoire, including modern Peking Opera and other local operas, are known as the culture of the National Center for the Performing Arts.
Edit this section of the TV series and form it
Opera has a long history, and its origins are from the earliest dances that imitated labor.
(1): Pre-Qin - the initial stage of opera. "Sandu Fu", "Book of Songs", "Nine Songs", and "Chu Ci", that is, the lyrics of the sacrificial dance. From the Warring States to the Han Dynasty, the singing and dancing entertainment of the gods and the entertainment of people gradually evolved. From the Han and Wei dynasties to the mid-Tang Dynasty, there appeared These up-and-coming plays include the dominant competitive arrival corner (Baixi), song and dance performances in a question and answer format, "Army Play" and the play of life stories "Tap Shake Your Mama".
(2) Tang Dynasty (middle and late period) - the growth period of opera. After the Tang Dynasty, China made a huge leap and the development of dramatic art gradually took shape.
(3) Song, Song, Jin - the development period of drama. The Yuan Dynasty laid the foundation for the content of the song structure of the "golden generation" of drama "Hospital" and the speaking and singing form of "Zhugong Diao".
(4) Yuan Dynasty - Opera matured. Yuan Dynasty, "Drama" ” has developed greatly on the basis of it and became a new kind of drama. Its basic characteristics of drama point out that China has entered a mature stage.
The fertile soil of folk drama in the Yuan Dynasty inherited and After the achievements of development, the various literary and artistic talents of the theater, actors, musicians, and writers of the previous generation will work together to improve and create stage art. The shape, the arrangement of the 4 copies of Yuan Zaju Beiqu, the story plot is incoherent, combined with the wedge shape, forming a commonly used format of a four-fold wedge (the unique feature of Master Wang's "The Romance of the West Chamber" in the Yuan Dynasty's long 5 24 times), each time, the same palace tune is played in the dildo, plus a "wedge" when necessary to end the play of two, four or eight verses, which is called the "subject rectification" of the content. Each fold includes lyrics, composed of three parts: Guo Bai (speaking) and Ke (Ke Pan). Lyrics Depending on the situation of the instructor, the text that needs to be filled in on the song card is also called song text, lyrics or song lyrics. Its function is to narrate a story, depicting characters whose lyrics all rhyme with each other. Expressing plot, to put it bluntly, is a form of speech or artistic means to explain character relationships, dialogue between characters, and monologue (where characters express personal feelings and desires). Narration (the characters of other actors in the play carry the platform and the audience speaks), and Bai (the lyrics inserted in Bai Bai). Section is an action, expression, etc. Singing in a play is usually made up of other characters who are late or non-singing. The lead singer of Zhengduan is called "the lead singer of the end of Zheng" once this.
Role:
: Male corner. At the end of the year, he was active in the Yuan Dynasty and is the male protagonist in the play.
The heroine in Zheng's drama, Xiaodan Qiyi.
Jing: Commonly known as "hualian", "hua", the character of the most specific male character. Or appearance play. "Midsummer" workers (official servants), namely Jingxue's
Ugly: also known as "face" or "little painted face" and more witty characters. , Wen Chou, Wu Chou point.
: The outer end of the Yuan Dynasty, the secondary role of the end of the net and other business lines - the outer end. < /p>
Miscellaneous: Also known as "Miscellaneous" for the role played by the old woman in the name. Ms. Cai.
Writers of the Yuan Dynasty created scripts in just a few decades, and at least more than 500 to 600 scripts have been preserved to this day, with more than 150 scripts. These works fully and profoundly reflect the elements facing social life, and many of them are excellent works that have become a precious cultural heritage of our country. Guan Hanqing's "Dou E Yuan" describes the tragedy of Dou, an innocent child bride, reflects the ruthless exploitation of loan sharks by ruffians, extortion, favoritism and corrupt officials, and exposes the dark reality of society in the Yuan period, which was praised The strong will suppresses the sense of death of heaven and earth, but does not give up the spirit of resistance. Ma Zhiyuan's "Autumn Palace", with historical themes, describes the life of Wang Zhaojun for our country, Mao Yanshou's betrayal of the country to save glory and the corruption and incompetence of princes and ministers, ruthlessly exposes the national oppression of the rulers of the Yuan Dynasty, and then gives bitter ridicule . Wang Shifu's "The Romance of the West Chamber" describes the marriage story of young men and women in feudal society. "Amazing", "Poetry", "Lai Jian" fully demonstrate Cui Yingying's desire for love, but she was born at the gate of hope, raised and bound by feudal ethics and morals. Therefore, "City City Jane", "Lai Jian" Twists and turns. After several plays such as "Listening to the Qin", "The Wedding" and "The Pavilion", she finally took a rebellious approach and added a comic color to the project, playing the main line of self-contradiction and obeying her parents' orders. , to fight for marriage, misunderstandings and conflicts between Cui Yingying, Zhang Gong, and the matchmaker's trio, the intertwined rhythm expands, Zhang Youji, movement and stillness, happiness and sadness, when gathering is leisurely, relaxed, and colorful. The theme of "Thinking of the World as a Family" of all sentient beings has distinct ideas and vivid artistic images. It has strong artistic charm, deeply affects people, and is deeply loved by the broad masses of the people.
Yuan Opera Four: Guan Hanqing - "Dou E's Injustice", Zheng Guangzu - "A Chinese Girl Leaving the Soul", Bai Pu - "Wutong Rain", Ma Zhiyuan - "Han Palace Autumn";
(5) Ming and Qing Dynasties - opera boom. By the Ming Dynasty, the legendary opera. The predecessor of the Ming Dynasty legend is Nan Opera in the Song and Yuan Dynasties (Nan Opera and Nan Opera are mentioned in the text, which was based on the Song Dynasty, developed a new drama form in the southern region and was the birthplace of Wenzhou). The agency in Southern Opera is different from that in Zaju: it is not the limitation that has been discounted, the independent person sings to the end, the limitation of the prologue, the account of the plot, the many happy endings, the style is mainly lingering, not Like Northern Song, the more impassioned, freer form has an easier lifespan. Unfortunately, this book of early Nan Opera was rarely preserved until the end of the Yuan Dynasty and the beginning of the Ming Dynasty when Nan Opera began to flourish. After improvement by literati, it would be rigorous enough for a short opera and eventually become a complete full-length play. . The Clever Lute is a transitional piece from the legendary Southern Opera. The theme of this work, stories from folklore, complete performance, and also some drama, was once called the "ancestor of the revival of Southern Opera." In the Ming Dynasty, the legendary writer and a large number of scripts, the achievement was Tang Xianzu. Throughout his life, he wrote many legendary plays. "The Peony Pavilion" is his masterpiece. Through the story of the life and death of Du Liniang and Liu Mengmei, the work sings about the rebellious spirit of opposing feudal ethics, pursuing happy love, and demanding the liberation of personality. . The power of love, its final victory over the shackles of feudal ethics, firmly dominated the society, which has a profound social significance for three hundred years. Loved by the audience, to this day, "Bouise School", "Dream" and other films are still active in opera performances on the stage, radiating its brilliant art.
According to legend, there were four operas in Beijing during the Qing Dynasty. Opera, West, South, East, Bei Yi, Liu Bang. According to the records of the eighth year of Jiaqing: "Ming Zhao Kun, Yiyang, Bangzi, Qin, Liu opera, the prosperity of the north and the south began, the sheng and chimes had the same sound, and singing and dancing prospered. The gathering of Ling workers is nothing more than Jinghua. " also illustrates this historic event. The so-called Nankunshan is a combination of the Kunshan Jiangnan dialect popular near Kunshan and the Northern Eagle Guide opera. It spread to Yiyang, Jiangxi, and spread to the north to form the high-strength and current capital Beijing accent. , Liuzi Opera is popular in Shandong Province; Bangzi Opera, which is popular in the northwest region, is the main route for artists to gather in Beijing.
From the current point of view, more than four tunes have gone far beyond. Out of its original scope, some Yiyang tunes (i.e. Gaoqiang) have spread widely in many provinces and across the country, in Anhui, Zhejiang, Jiangsu, Hunan, Hubei, Fujian, Guangdong, Yunnan, Guizhou, Sichuan, and Hebei, and are therefore considered , This statement is not scientific, but this historical parameter forms or objectively reflects the historical facts. From the distribution of opera, Kun Opera has a large audience in Shanghai, Nanjing, Zhejiang, and Hunan, not only in the north, but also in Yiyang. During the Qianlong period, the "Six Famous Nine Cities Rotation" and the formation of opera and some northern operas played an important role in the spread of the Jiangnan area and also mainly in the areas of many languages ??in the north (including Liuzi dialect). Influenced by Liuqin Opera), it is in Henan, northern Anhui, northern Jiangsu, and southern Hebei, but it is an important activity in Qufu, Tai'an, Linyi, Shandong (Shanxi, Shaanxi Bangzi) and Qinqiang in Shanxi, Henan, and Hebei. The evolution of Bangzi Opera, although it is still popular in the north, however, we see that in Gansu, Ningxia, and Shaanxi, Qin Opera has deeper roots, older roots and a wider audience, so it is said that "South and North Eagle, East Liu, West Bang" "The statement is based on history.
Edit this paragraph National Opera House
Colorful opera, Tibetan opera, Teochew opera, Chu opera and drum opera, Guangdong province, Han Ju, Gui opera, Han opera, Huangmei opera, Hui opera, Jingzhou flower drum opera, Longzi's Lu opera, Shandong Bangzi Shaoju's Sichuan opera, lantern opera, brave opera, Yunnan Zhuang opera, Yue opera, Cantonese opera, more emphasis on Qin opera, Wu opera, Wanwan opera, Tianjin civilized era, Su opera, Qiong opera, Henan Yihuang opera, Yang opera, Xinjiang song drama, Qinghai Pingxian opera, Qi opera, Pu opera, Puxian opera Ping Opera, Ou Opera, Fujian Opera, Gansu Opera, Liaonan Longjiang Opera, Queensland Opera, Liyuan Opera, Shanxi Opera, Ji Opera, Huanglong Opera, Huai Opera, Burlesque Opera, Shanghai Opera, Sichuan Opera, Hebei Bangzi Gan Opera Duo, Northern Kun Opera Metro Opera House
Edit this paragraph to tune opera types
Two sets, Erhuang, Huang Shangdang, Shangdang Bangzi, Shandong Bangzi, Shanxi Bangzi, Sichuan Opera, Triangle Opera, Yiwu Tune, Yiyangqiang Guangdong Han Opera, Yunnan Zhuang Opera, Yunnan Opera, Dan Opera, Puppet Opera, Baling Opera Five-note Opera, Wennan Ci, Zhonglu Bangzi, Inner Mongolia Yangko Fengtai Opera, Yongji Dao Qing Opera Bai Opera, Hebai Opera, North Queensland, Beijing Opera , North, Shadow Road, Bangzi, Pihuang, Bangzi, Longjiang Opera, Longyan Zaxi Play Donghe, Dongdao, Recreation and Culture Ninghe Opera, Leping Tune, Zhengzi Opera, Siping Tune, Sigu Strings, Correct Zinan Jian Tiao, Xipi, Xiqin Opera, Xilu Huagu, Xilu Pingju Opera, Zhuang Shaxiang Opera, Ji Opera Opera, Lu Opera, Bamboo Horse Opera, Lao Tiao Bangzi, Lu Opera, Blowing Opera, Luantan, Shanghai Peking Opera, Ping Opera, Su Drama, Drama Yongqi Opera, Chenhe Opera, Yuyao Tune, Ci Ming Opera, Beat with a Bow, Wong Qiu Ling Rolls-Royce Tune, Henan Yue Diao, Quju Henan Daoqing, Henan, Jing Tune, Hebei Luantan, Hebei Bangzi, Peking Opera, Qingyang Opera, Qinghai Pingxian Opera, Wu'an Luozihang Opera, Yangzhou Opera, Kunqu Opera, Gansu Opera Mao Opera, Shaoju Ou Opera, Dong Opera, Yihuang Opera, Tea Picking Opera Sizhou Opera and Chord Cable Room, Shaohaier Opera, Shaanxi Laoqiang, Liuqiang, Liuqin Opera, Min Ju Hanju Western Fujian, Nan Opera, Yao Opera, Temporary Opera, Haha Opera, Huqin Opera, Jinghe Opera, Hunyuan Rolls-Royce Company, Guizhou Lantern Opera, Gaoqiang, Gaoshan Opera, Gaobazi, A, drama, high-key Bangzi, Tang Opera, Gui Opera, Shaanxi, Shanxi Opera House Yong Opera, Puxian Opera, Haiyan Haimenshan Opera, Haichengjiao Opera, Qing Opera, Qingyin Opera, Cantonese Opera, Wu Opera, Chu Opera, Tui Opera, Liyuan Opera, Bangzi Opera, Zhangqiu Bangzi, Laiwu Bangzi Huguan Yangge, Huai Opera, Huaihong Opera, Huangmei Opera, Huanglong Opera, Huang Xiao Center, Cymbal and Drum Opera, Hunan Opera, Xiangxi Miao Opera, Yue Opera, Dai Opera, Qiong Opera String Theater, Burlesque Opera, Wannan Flower Drum Opera, Hunan Flower Drum Opera, Pu Opera, Yunnan in the Puzhou Bangzi Thunder Opera Era, Drama, Mongolian Theater, Wanwan Tune Swiss River Opera, Xinjiang Song Play, Competition, Opera, Boys play, Yuxian Yangko and Han Dynasty, drama, Chaozhou, Hui opera, shadow tune, Guizhou opera, Xiangyang opera, Xiangwu Yangko, opera, Ganzang drama, Yi opera.
Jiugong editor this paragraph of drama nouns
Enter the interruption, BU children, 13-tone painted face, sword horse Dan, character modeling, Okuma, big face, big era, small end of the female character, A small theater, Xiaosheng, Xiaohualian, trilogy, Zhou, three short plays, in front of people, radio drama, primer lead drama text field, backstage, civilized drama, Yuan, Yuan Dynasty, Yunshou, Shao Yun government, Ugly, referral, team dance, Liu Yaoyao's article Gong Tiao, sleeves, make-up, fight, book club, tile fence, open er, wood big, Zhongzhou rhyme, inner monologue, hand, eye, body and step, Chinese Drama Plum Blossom Award , hit the horse, hit the back bow, row, walk on the stage, it's the end, Zheng Opera, Zheng Jing, four big Hui classes, four adjustments, four power 5 methods, once, once the child, at the end, Finally, the performance of mud, quality, and quality is healthy, formal promotion, supporting role, theme, dialogue, on behalf of the noodle box, music room, project leader Diao, Beiqu, Libuji, East China Sea, Huang Lanling Chen Song, No. The front-line business, informed sources revealed, is the hospital, opera, drama, the final narrow red, red song rest, music, sheet music, Lao Dan, Lao Sheng, Diao Mao, legend, miscellaneous song group song Hesheng Chuangzhan, Xu Hu, Baixi, actor, search building, ending, local drama, issue drama, self-reported family, flowers, entertainers, processing, processing power, side Zousuo, of course, at the scene, and the height of the scene, witch, string, fold Alley, Arrival Corner, Cang Falcon, Social Fire, the prologue of the country's old POLO, the posture, and finally, Song Zhugan snatched back, Wujiang sent Su Zhong, Su Beilang sat down to play, even the stage of this theater, improvisation Performance, Wu Dan, Wu Chou, force field, Wu Jing, Wu Sheng Wu Erhua, Wu Hua Lian, orderly, board, joining the army, joining the army play, given preface poem, Lai, Jing, cloak, riding a horse, Song Dynasty, Qingyi Jingbai, formal clothing, drama, drama, storytelling, pinch, temperament blanket power, oil-coated surface Shengping, Yichun City Hospital, posted to the Internet, posted once, monologue, one-act play, science class, Sipan, science muddy , Southern District, Southern Opera, Southern Dynasties, North-South Cooperation Group, vulgar music, this string of homes connecting cables, dance drama debut, roundabout, masks, the boudoir of the Axiom Guest Caotai Class, live newspaper drama, sound effects, always first act, theatre, opera, drama, tragedy, tragicomedy, puzzle, rehearsal, narration, accompaniment, house, guest white, bowl head, comedian, excellent idea, Linchuan School, ghost gate, Zhugong Diao, Chapter Four Walls, Love of Theater Movement, Scheduling, Rehearsal, Role, Script, Pear, Pear's Disciple, Deputy Once, Late Deputy, Deputy Net, Singing, Singing to Earn Deep Honor Fighting, Basic Skills, Street Drama, Feathers, helmet head, inspection scene, facial makeup, Cai Dan, a cappella, chrysanthemums, excessive baldness of fans, elephant man, virtual action of handover, copper hammer painted face, Yulong Shinyabe Gagakube Nuo, props, comedy, Blackhead, Accent, Monkey Show, Palm, Once Dispersed Dope Music, Installation Solitary, Puppet Show, Burlesque, Wenzhou Dynasty Grand Action Program, Guban Drum Ci, Advocate Department, Drum Rack Department, Curtains, Curtain Table System, Wrapping Up Rhymes, Roll Tune, Jump Pills, Act This, Road Manifold, Acid Earn Abstract Times, Gongs, Wedges, The Importance of Plunder, Subtext, Stage, Stage Lighting, Stage, Stage Direction, Stagecraft, Titles , title rectification, based on Brigou Ma Rankou, creases, python robes, eye application, knocking melons, Yan Zhuo's movie, Riding Ballad Mother's Colorful Feathers
Edit this section of the opera "Two Hackers"
Aunt Zhang Bao
In recent years, different opera singers have often appeared on stage and on television in one play. In commemoration of the 100th anniversary of the birth of Mei Lanfang, the famous Henan Ma Jinfeng in the 1980s, Mei Baojiu, a descendant of the Mei School of Beijing opera, performed on the same stage as "Princess Wencheng" under the leadership of Mu Guiying and the Tibetan Opera Troupe. In the opera world, there is more than one type of drama on the same stage, "Guo" and "Hacker". The CCTV Opera Gala once had a Peking opera and opera co-starring "Mulan". Longjiang opera, one of the four major types of Hebei Bangzi opera, has a novel form of expression and arouses great interest from the audience.
In the history of Chinese opera, these "two pots" have been performed for a long time, and different opera types have interacted with each other. , an important means of mutual integration. Many operas "Two Guos" evolved into a new type of drama during the Dadu River period, and "The Injustice of Dou E" was the dominant playwright of Guan Hanqing, Wang Shifu, Ma Zhiyuan and many others. "The Romance of the West Chamber", some famous dramas. During the Yongle period of Beijing, from Nanjing to Beijing, a large number of southerners immigrated to the north and followed the southern district. In order to adapt to the new environment, southern dramas and dramas implemented the performance of "North-South Cooperation Group". The new Kunshan dialect, Yiyangqiang, formed by absorbing the excellent Southern District of Northern Opera, drama gradually withdrew from the stage of history.
In the Ming and Qing Dynasties, Kun Opera evolved into the Kunshan accent, which dominated the stage in Beijing. "The Palace of Eternal Life" and "Peach Blossom Fan" became masterpieces of this period, because of the gameplay. 200 years ago, Hanju Huiju opera is today's "pot" product. During the Qianlong period, the Hui Troupe Beijing 4 worked together to fuse each other, forming a new "Han opera artist" pot "Pihuang" based on the Erhuang tune of Hui Opera and the Xipi tune of Kangle and Culture. Since then, from Kun Opera, Bangzi tune, opera , drama Pihuang continued to absorb nutrients and gradually became a new form of drama - opera.
By the Qing Dynasty, opera had developed to a mature stage, not only becoming the mainstream of the Peking Opera stage, but also beginning to spread throughout the country. During this period, the opera "Two Guos" developed from Shanxi, Shaanxi Bangzi and Hebei Bangzi (when it comes to Qin Opera, Ping Opera is directly under the control of Bangzi) and "Bengbeng Opera". In the 17th year of the Qing Dynasty (1891), the famous Hebei Bangzi actor and drama activist Tian Renjiyun Yun became the first class to host the class, and the "two pot" Bond girl Pihuang took the lead. It was very popular with the audience and many sections of society imitated it. For a time, both inside and outside the capital, Beijing's two performances were booming. Many Peking Opera classes spring, and were awarded the "Famous Peking Opera Class Fulian Cheng Two" for their healthy behavior, almost no one An exception is the term Xi Qin Opera House (Bangzi), now Ma Lianliang studied with Luoyang "Little Prince" along with the opera "2 Guo" Hebei Bangzi actors, such as: Xun Huisheng, in Julian Spring (Little Cuihua) (Performance), Zhao Tongmen (Furongcao), later changed to Peking Opera and became a famous Peking Opera performance.
The formation of Pingju Opera in the late Qing Dynasty, the Lotus bounce opera declined, and the flat-tuned Bangzi Opera developed a new one. Opera. The line business has been incomplete in liberation, and the "three transformations" (young male and female characters, small painted faces) are jokingly called "half of the game." Therefore, Ping Opera was performed early and often in conjunction with Hebei Bangzi, Peking Opera "KG Shui" or the "Big Three". Great progress has been made in operas performed on the same stage, Hebei Bangzi Pingju music, singing and performance repertoire. First, in the 1930s, the emergence of actresses represented by the four famous actors of Pingju Opera, "Li Jinshun, Hui Shuang, Bai Yushuang and Eleonora Jun", brought Pingju Opera to a mature stage, selling well not only in Beijing, Tianjin, Northeast and northern and southern regions. , such as Shanghai, Jiangsu, and Zhejiang, also had a major impact, but due to their weak actors they often performed with the "Two Pots" Peking Opera. Bai Yulong once co-starred with the Peking Opera Wusheng actor Zhao Rualu in "Wu Song Kills Sister-in-law in Shanghai." In 1945, Xin Fengxia rode in the Peking Opera Troupe of Zhou Xinfang's disciple Zhou Lingkun in Qingdao, and performed "Qin Xianglian" in Taiju Opera in "Two Guos".
After liberation, the reform and development of Pingju Opera, a sound network business, rich male singing voices, especially group actors Rong Yuan, Ma Tai, Zhang Defu, Xi'an Bao Kun, completely solved "Half Play" and other issues. Created and conducted a series of character-based plays, which were welcomed by the audience. "Two Pots" has also become a piece of historical record.
Yuan Qu Regarding the splendid literary flourishing of Guangqu Tang poetry, the Song Dynasty has its unique charm: on the one hand, Yuan inherited the elegance and elegance of the poetry; on the other hand, the scholars of the Yuan Dynasty were in the Confucian and Beggar state of 8*9, autocratic politics, and social darkness. The Yuan song of honor makes the battle sound very eye-catching, showing the rebellious mood, fighting against social ills, criticizing the most illiterate people who can't read, no one knows that people down there have quite a lot of things in society, and life is embarrassing for everyone, The "worldly style" of relatives and friends who don't want money is more vigorous and bold than the chronicle epic, which is enough to make Yuan Opera maintain its artistic charm.
But in contrast, the spread of Yuan opera has never been as widespread as that of the Tang and Song Dynasties, which is a brief description of the Yuan opera for the sake of people's drama, poetry, and Sanqu. Songs of the cycle, Xiaoling’s other songs.
The supervision style of ancient music is called Baozhong Gongdiao. The Song Gong withered the Sui and Tang Yan music pipa with four strings, seven palaces, horns, feathers, and composed of 7 palaces. Each string was adjusted to a tune equal to 20 palaces, and the 8th palace tune was obtained, but the commonly used Yuan music, Xianlu palace, South Luzon Palace, Huangzhong Palace, Palace, Dashi Tune, such as Wade Tune, Shang Tune, Shangjiao Tune, Double-Tone Pebble Tune, Yue Tune 12, each Gong Tune has certain temperament, style and color selection. Habit. Wang Jide's "Melody" said: Gong Diao, known as the joys and sorrows of things, such as amphiregulin type of travel to the fairy road; sad business transfer, more emphasis on the type. In order to make wise, move conveniently.
Each palace tune has a different tune, which is associated with two or more different tunes. Melody: Nanqu Opera is mentioned in the Eastern coastal areas of Zhejiang during the Northern Song Dynasty and the late Yuan Dynasty. Early Ming Dynasty. It is also known as Yongjia Opera.
Legend: It is based on the Southern Opera script and is a fusion of Southern Opera and Yuan Dynasty. The essence of the system
The difference between Zaju and Ming and Qing legends
(1) The general practice of drama is to fold four pieces into one wedge, without marking the dual purpose; the legend says that no The times are said, plus the head, to show a variable number, fifty long, of the legendary wedge, the first out of the house, also known as the opening copy of the creative intention, which introduces the description of the plot, which is not part of the plot. After the opening, the second main drama comes out. (2) The legendary singing, Bai, and Ke are not like the role of singing in the drama, but various roles and dramas can sing solos and choruses. Rotations, choruses, legends are called branches and introductions; the appearance time of important characters is sung as a primer, and then through a period of opening remarks, the destiny of the poem is played
(3). For dramas and legendary music, adjust and connect sets of different dramas. Each fold is limited to one house tune and one rhyme to the end. You are not limited to using only one palace tune for each legend. You can change the rhyme.
Zaju concerts and Northern operas mostly use Southern operas and legends to absorb the Northern Song Dynasty and create a North-South collaboration. In the Northern Song Dynasty, the "Aijiang North and South Song" heroes are majestic, the southern part is clever and cute, and the legends and opera music of different styles (4) There are many legendary roles and Yuan dramas, but the division of labor becomes more detailed, and the role of labor increases, The protagonist of the drama is the legendary health-care effect once, and the legend also has an ending, but it is not the protagonist.
In short, the legend and drama are larger in scale, with richer melodies, more detailed division of roles, and more formal forms. Free, more flexible, and therefore easier to express life.
1. The characteristics of ancient Chinese opera, beginning and ending
Chinese opera is a comprehensive stage art style. It is characterized by a multitude of art forms, brought together in criteria embodied in their respective individual natures with common forms including: poetry, music, dance, the poetry refers to its literature, the music is the accompaniment of the music , dance refers to their performance. In addition, stage art, costumes, makeup, these artistic elements in the play serve a purpose, that is, to voice the story; to follow a principle that 2, drama, music, dance, play the story.
In a word, Chinese opera, music, dance and play stories (as the late Qing Dynasty scholar Wang Guowei put it) are characterized by theater and the use of dialogue and action by actors to play characters. A story of a certain length. Different plays are used to express dialogue and dance music, which means people are also known to dance, sing, read, and play.
3. Take the pride from the shape and plan, and carry out
Chinese opera expresses life, using both the meaning and giving up its shape, such as the freehand landscape gestures of Chinese painting are reflected in my life Everything