In his early years, Lu Benzhong took Huang Tingjian and Chen Shidao as his teachers, and learned their thin and hard poetic style. Later, he learned from Li Bai and Su Shi, and his style became natural. The so-called "living forensic doctor" theory is his later poetic proposition. Jiangxi poetry school is characterized by strangeness and strangeness. Zhong intends to make up for its shortcomings naturally by taking advantage of Li and Su's calmness. Jiangxi Poetry School takes Du Fu as the Sect, and abides by Huang Tingjian's poetic precepts, such as "no words, no evidence" and "turning iron into gold". Although there are rules to follow, it is also easy to be bound. Lv Benzhong's "living method" means that "rules are prepared, rules can be made, changes are unexpected, and rules are not violated", and he advocates that "good poetry is as beautiful as a projectile" and consciously "pays attention to the Yellow River" in order to eliminate the disadvantages of Jiangxi poetry school and open up a new way for the development of Song poetry.
Redology:
After the publication of A Dream of Red Mansions, it quickly attracted readers in the society and spread widely. Starting from Jiaqing and Daoguang years, some articles began to comment on A Dream of Red Mansions, and gradually formed a specialized knowledge called A Dream of Red Mansions. Before the May 4th Movement, people commented on A Dream of Red Mansions with traditional viewpoints and methods, calling it "Old Dream of Red Mansions", which influenced critics and indicators, while Wang Guowei's Comments on A Dream of Red Mansions was of epoch-making significance: after the May 4th Movement, a new Dream of Red Mansions rose, with representative figures and works including Hu Shi's Textual Research on A Dream of Red Mansions and Yu Pingbo's Discrimination on A Dream of Red Mansions; Since 1950s, the study of A Dream of Red Mansions in New China has entered the contemporary stage, which has made remarkable achievements, but there are still serious differences.
Jiangxi Poetry School:
When Huang Tingjian was alive, many poets followed him and learned his poetic methods, but there was no such thing as "Jiangxi Poetry School" at this time. Shortly after Huang Tingjian's death, Lv Benzhong compiled the Sect Map of Jiangxi Poetry Society, which listed Huang Tingjian as the "ancestor of the Sect", and Chen Shidao, Pan Dalin and other 25 people "said that their native place was Zhang Yu", hence the name of Jiangxi Poetry School. Not all the people listed in the picture are from Jiangxi, because Huang Tingjian is from Jiangxi, and all the people listed in the picture are his followers and people closely related to Lu Benzhong, so they are called. It can be seen that this school of poetry is judged by style and inheritance, not by region; This school of poetry has only a conceptual social gathering, and there is no real organized gathering.
Architectural style:
That is Chen's poem. Chen's "Jian Zhai" is the author of "Jian Zhai Ji" and one of the "three schools" of Jiangxi poetry school. His poetics of Du Fu was deeply influenced by Su Shi, Huang Tingjian and Chen Shidao. Although he also attached importance to syntax and concise language, he did not stick to the conventions of Jiangxi poetry school. He broke through the limitations of Huang and Chen's "thin and hard" poetic style and advocated "no need to be intentional". He entered the poem with straightforward and simple words, which was concise, focused on simple description and grand and harmonious poetry, and formed a unique poetic style of vigorous and gloomy, adding a new style to the poetry circle at that time. His poems are called "Jian Zhai Style" and have contributed to the development of Song poetry.
Jiaxuan style:
Xin Qiji is Jia Xuan. He is a heroic poet, brilliant and brilliant. His ci is not only rich in content, but also has great development and innovation. He used prose syntax to enter words, studied poetry to enter words, and reasoned with words, which brought great liberation to the style of words. Whether it is a long tune or a short poem, it fully shows its talent and embodies its personality. After Su Shi, the realm of Ci was greatly expanded, so that Ci could still exist independently as a healthy new poem with rich content and various forms after it was separated from music. His ci is not only "sweeping through the ages", but also "all-encompassing". This kind of word is unique in the Song Dynasty, bold and unconstrained, gentle and charming, with bold and tragic as the leading style, and is called "Jiaxuan Style".