1, novel and unique artistic conception and expression technique. The works are written from a villager's perspective, in the way of the first-person narrator, observed from the villagers' eyes and narrated in the villagers' tone, which has a strong satirical comedy effect.
2. The language is vulgar and vivid, humorous, and the metaphor is novel and interesting, which greatly enhances satire and comedy.
Returning home with a little border and a great ancestor is a divertimento by Sui, a writer in Yuan Dynasty. By laughing and cursing, this song writes Liu Bang's "Jia Weihai Xi returns to his hometown" as a funny farce through the tone of a villager who knows all the details of Liu Bang, exposing Liu Bang's rogue origin in spicy language, stripping off the sacred mask of the feudal emperor and returning his true face of oppressing the people.
The whole song is vivid in plot, vivid in image, unique in angle, simple in style, witty and spicy, lively in language and colloquial, with strong comedy satire and unofficial history style.
Liu Bang's era was far away in the Yuan Dynasty, but most writers of Yuan Dynasty wrote divertimento with the theme of "the return of great-grandfather". This is probably related to the fact that the emperor of the Yuan Dynasty went back once a year.
Ideological content
1, the profundity of the theme; It is rare in the history of literature to change the theme of "Gao Zu returning to his hometown" from praise to satire and boldly deny and ridicule the imperial power.
2. Realism of the theme: It was issued in view of the social reality of the Yuan Dynasty. The society in the Yuan Dynasty was extremely dark, hierarchical, racist, occupying farmland, buying and selling people, forcing slaves, thriving corvees and exploiting at high interest. Corruption is rampant, palace officials are violent, criminal laws are harsh, people are indifferent to their lives, and there are countless unjust prisons, which makes the people in dire straits.
However, the rulers of the Yuan Dynasty spent huge sums of money every year, and most of them went back to their hometowns to worship their ancestors, arousing people's hatred and resistance. It was the social reality of the Yuan Dynasty that triggered the author's creative inspiration, satirizing the present with the ancient.