What is the creative tendency of mainstream poetry in the Eastern Jin Dynasty?

From the brief comments of Tan Daoluan, Liu Xie and Zhong Rong in the Southern Dynasties, we can see the evolution of the main trend of poetry in this period. But in the end, due to the lack of their details and the limited existence of related works, especially the few metaphysical poems that have been circulated so far, it is difficult to see their "metaphysical words?" 6? 1 scenery? 6? 1 pastoral poetry in the eastern Jin dynasty, published in the history of medieval literature, Peking University publishing house, 1998. Avoid giving people the feeling of looking at flowers in the fog. This situation leads to various lawsuits when discussing related issues. As far as the current research status is concerned, we can see the following two characteristics:

First, there is still a lack of coherent research on the development and evolution of the main tide of poetry in this period. Like Mr. Yao Yao's metaphysics? 6? 1 scenery? 6? 1 pastoral-On the poems of the Eastern Jin Dynasty, it seems rare to pay attention to both the specific issues and the analysis of the poems. When it comes to this period of poetic history, literary history, poetic history and other works are as precious as gold, and often focus on Guo Pu and Tao Yuanming, while paying insufficient attention to the occurrence, development and evolution of metaphysical poetry in the Eastern Jin Dynasty, which often gives people a feeling that they only pay attention to the beginning and the end, and the middle is too short.

Secondly, compared with cross-cutting research, the research results around specific writers or topics are relatively rich, mainly reflected in the further discussion of old problems and the continuous exploration of new topics. The former, such as the theme of Guo Pu's poems about immortals, the origin of metaphysical poems and Tao Yuanming's poems about human landscapes, are published from time to time. The research in this field shows the characteristics of broad vision and diverse methods. For example, Tao Yuanming's life ideal and poetic style are discussed in connection with metaphysical thoughts, and metaphysical poems and landscape poems are discussed from the perspective of Buddhist influence. However, this kind of research is still in the primary stage, and differences and even conflicts between various viewpoints are not uncommon. The task of further research is still urgent.