Return to Lhasa for relevant evaluation.

Lu Xuechang's personality makes his film works only two films, Grown Up and Very Summer, and the only music video he shot, Back to Lhasa, can be regarded as a classic among mainland MTV. Lu Xuechang really put a lot of effort into Zheng Jun's MTV.

When Zheng Jun signed the Red Star, he wanted to find a guitarist who didn't take drugs. Because some excellent guitarists had good qualifications but had the habit of taking drugs, Zheng Jun finally chose Zhu Hongmao. "So we also became good friends. Zheng Jun also loved movies so much that he asked me to do it when he was filming MTV. Personally, I prefer concrete things, not to say that abstract MTV is not good, but I am not very keen on it. After I heard Zheng Jun sing "Back to Lhasa" for me live on the guitar, I felt that Zheng Jun had a deep personal affection for Lhasa. After thinking about it for a long time, I decided to divide MTV into two parts: one is the location of Lhasa, which focuses on expressing Zheng Jun's yearning for Tibet and his worship of Lhasa; Half of them are modern stage interiors made in the studio of Beijing Film Factory. In order to restore a real live environment of music, the band composed of Cheng Jin, Wei Ning, Hong Mao and Zheng Jun communicated directly with the audience. "

Although Lu Xuechang devoted a lot of efforts to MTV of Back to Lhasa, Lu Xuechang claimed that he had never seen the finished MTV of Back to Lhasa. He explained: "My director's ideas were dismembered and changed when they were broadcast on TV. Some communication scenes on and off the stage may have been cut off because they are too real, and the order of some clips has also been changed, so I don't want to watch it sadly. "

Lu Xuechang exported the MV of Back to Lhasa. The lens pressed by his hand is completely worthy of the soul of Zheng Jun's song. From the beginning, Zheng Jun came out with a guitar, full of life, which was rough and romantic in the west. How did poetry come into being? Poetry is a song that human beings have to make because of their aphasia in the face of being far greater than their own perceptual ability, in the face of great beauty that cannot be expressed by human beings, and in the face of stunned submission. Yes, the mysterious and vast existence of Lhasa is a poetic home for small human beings. Songs like Back to Lhasa should be produced in Lhasa, a unique place. Besides Lhasa, there shouldn't be a second address for Zheng Jun to sing such a perfect song.

Lu Xuechang made this film so beautifully. He filmed the soul of rock and roll. Lu Xuechang photographed the endoplasm of Lhasa from all angles and at all times; He showed the posture, expression and sexual characteristics of Lhasa in the snowy area. The Lhasa he shot is not only tangible and colorful, but also has sound, rhyme, spirit and sex. The landscape he photographed is so matched with the voice and spirit of Zheng Jun Rock. Facing the mysterious Tibet and the great Lhasa, we surrender. However, mere submission is not enough, we must also be romantic. This romance is poetic, and there is a light song and dance in which our souls return home. This romance is spiritual, and this spirituality takes us lost in the city, singing endlessly and dancing endlessly.

Jin Lingzi, a poetess, said that poetry is looking for its own bosom friend and readers who can match its soul. Actually, so is music. Music is looking for its own bosom friend. I feel that the spectrum of my soul completely corresponds to the spectrum secret code emitted by Back to Lhasa.