Problem description:
I urgently need the literary criticism of Shu Ting's poem "To the Oak Tree"! ! !
Analysis:
Shu Ting is good at introspecting the rhythm of self-emotion, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experience. The complexity and richness of emotions are often manifested through special sentence twists and turns such as assumptions and concessions. Shu Ting can also find sharp and profound poetic philosophy (goddess peak and Hui 'an daughter) in some conventional phenomena that are often ignored by people, and write this discovery with both speculative power and touching feelings.
Shu Ting's poems have bright images and meticulous and smooth thinking logic. In this respect, her poems are not "hazy". Poetry, on the other hand, mostly uses metaphors, partial or whole symbols, and rarely expresses itself, so the images expressed are vague. Grasping this point, it is not difficult to interpret Shu Ting's misty poems.
To the Oak Tree enthusiastically and frankly sang the poet's personality ideal. Oak and kapok stand side by side, facing each other affectionately in an independent manner, which can be said to be a group of symbolic images with brand-new character in China's love poems. The establishment of this group of images not only denies the old relationship between men and women based on personal attachment, but also transcends the principle of mutual love that only pays attention to mutual sacrifice. It perfectly embodies the modern character full of humanistic spirit: sincere and noble mutual love should be based on the premise of not giving up their independent positions and personalities. This is the new era in the concept of * * * beyond the previous personality. This transcendence comes from women's long-standing look up and sympathy, which is even more commendable. Poetry praises and praises the ideal of love, which is based on extremely ideological and powerful negation. The whole poem ***36 lines. Lines 1 to 13 use a series of natural objects for symbolic analogy, which profoundly denies the persistence (Lingxiaohua) and unilateral dedication (Dangerous Peak), which are based on one party's depression, atrophy and sacrifice, and form a profound and powerful contrast with the modern love ideal with opposite values. 14 to 3 1 lines positively express the ideal view of love: the two sides of love are completely equal in personality, which not only maintains their independent personalities, but also supports each other and goes hand in hand. 32 to 36 lines * * * Positive love should not only love the personality of both parties, but also love his ideal-loyalty to the motherland.
The image of "oak tree" symbolizes the rigid beauty of men, while the kapok of "safflower" obviously embodies the female personality with new aesthetic temperament. She abandoned the delicate nature of old-fashioned women and was full of rich and vigorous life breath, which was exactly the same as the poet's ideal of women's independent self-esteem.
In artistic expression, the poem adopts the lyrical way of inner monologue, which is convenient for expressing the poet's inner world frankly and openly. At the same time, the image is constructed as a whole symbol (the whole poem correspondingly symbolizes the independent personality and sincere love of both lovers with the whole image of oak and kapok), which makes philosophical thoughts and ideas germinate and poetic in a kind of intimate and sensible image, so this poem with rational temperament makes people feel that there is no preaching.
The reason why poetry adopts the overall symbol is that the poet's intention does not necessarily limit the theme of the work to the field of love. From the image composition of oak and kapok, we can also reasonably extend the moral ideals of mutual sympathy, mutual understanding and mutual trust among people, and at the same time be equal and independent.