Poems expressing leisure are as follows:
1. Several early warblers compete for warm trees, and whose new swallow pecks at spring mud.
2. There are three or two peach blossoms outside the bamboo, which is the prophet of duck warming in Chunjiang.
3. There is a short canopy in the shade of the ancient wood, and Zhang Li helped me to cross the east of the bridge.
4. The autumn water is only four or five feet deep, and the wild air is just affected by two or three people.
5, wearing a butterfly is deeply seen, and the dragonfly flies slowly.
6. Chickens croak in Maodian Moon, and people travel in Banqiao Frost.
7. Climb to Donggao to ease the noise, and flow to Linqing to compose poems.
8. drunk with the moon, a sage of dreams, flower- bewitched, you are deaf to the Emperor.
9. we open your window over garden and field, to talk mulberry and hemp with our cups in our hands, wait till the Mountain Holiday and I am coming again in chrysanthemum time.
1. From now on, if you take a leisurely ride on the moon, you will knock on the door with a cane all night.
11. All the birds fly high, and the lonely clouds go to leisure alone.
12. When people are idle, sweet-scented osmanthus falls, and the night is quiet and the mountains are empty.
13. The short paper is raking in the grass, and the tea is divided in the sunny window.
14. My wife and aunt called for a silkworm bath and looked at gardenias in the atrium.
15. Idle collection of elegant songs leads to poor classics, while drunken listening to the recital wins the orchestral performance.
History of China's Poetry:
Poetry has a long history in China, stretching for thousands of years. There are 35 poems in The Book of Songs, which are divided into three parts: wind, elegance and ode, all of which can be sung with music. Most of the chapters in The Book of Songs have a distinct sense of the times and people's nature. They make good use of the expressive techniques of Fu, Bi and Xing. The sentence patterns are mainly four words, and many chapters are used to repeat sentences, which has laid a profound humanistic foundation and artistic foundation for later literary creation. In the late Warring States period, a new style of poetry, Chu Ci (Sao Style), with a unique style of Chu culture came into being in the southern State of Chu.
The sentence patterns of Chu Ci vary in length, with six words and seven words as the main ones, and the word "Xi" is often used. Qu Yuan, the founder and main author of Chu Ci, used this form to create immortal poems such as Li Sao and Jiu Ge, and became the first great poet in the history of Chinese literature. Li Sao, his masterpiece, is the most magnificent lyric poem in the history of ancient Chinese literature. Qu Yuan was followed by Song Yu, Le Tang, Jing Bu and other Chu Ci writers. The appearance of Chu Ci marks the development of China's poetry from folk collective singing to a higher stage of poet's independent creation.