It mainly uses the expression method of borrowing objects to metaphor people and supporting objects to express aspirations. When he saw the tall and graceful poplar trees outside the window, his father was moved by the scene and used the poplar metaphor to describe workers on the frontier. He also wanted to educate his children to serve the motherland, expressing the heroic thoughts and feelings of frontier workers who "dedicated their youth to their whole life, and their whole life to their descendants."
Modern · Yuan Ying's "White Poplar" Content Introduction:
My father borrowed Bai Yang to show his ambition to take root in the frontier, and hoped that his children could also become frontier builders. In the author's description and narrative, he does not directly praise these selfless builders, but gradually blends the tall and straight poplars in the Gobi with the images of builders who have taken root in the frontier.
The poplar outside the car window - standing tall and graceful against the vast Gobi desert; the poplar in my father's eyes - growing vigorously regardless of the environment, not afraid of disasters; the poplar in my father's heart - taking root in the frontier and making selfless contributions The embodiment of a frontier builder. Extended information
Article introduction:
This text is the work of the modern Chinese writer Yuan Ying in the early 1960s. At that time, a large number of young people from the mainland responded to the party's call and rushed to Xinjiang to develop the northwest and work hard to start a business. By praising Bai Yang, the author praises these builders who take root in and build the frontier, and praises their noble character of being as strong as Bai Yang, never weak or wavering, no matter how difficult the conditions are.
This article is written on a train to Xinjiang. A father and his two children had a discussion while looking at the tall white poplar trees outside the train window. During the discussion, the two children learned that the poplar tree has always been so straight. Wherever it is needed, it will take root and grow strong branches.
The author's character description is very vivid, and he describes the father and son in language and expression. The child is innocent and innocent, and the father is serious but kind. In terms of psychological description, it is very subtle, without too many direct narratives. Instead, it uses gods to convey emotions, with profound artistic conception, and reflects the waves of emotions through changes in demeanor.
About the author:
Yuan Ying, whose original name was Tian Fuchun, changed his name to Tian Zhongluo after joining the work. Born in 1924 in Huai'an, Jiangsu Province. Famous contemporary writer, poet, children's writer, and essayist. Born into a dilapidated landowner family.
In 1943, he was admitted to the Education Department of Zhijiang University. While in school, he participated in the editing of "Xinxin", "New Generation" and "Liansheng" newspapers. He joined the Communist Party of China in 1945 and was successively assigned to work in the student movement, literature and art and propaganda departments, and worked as a reporter and editor in newspapers for a long time. Joined the Chinese Writers Association in 1954.
He has successively served as the supplement editor of "World Morning News" and "Lianhe Evening News". After the founding of the People's Republic of China, he served as leader of the cultural and educational group of "Liberation Daily", deputy director and director of the literary and art department of "People's Daily", and editor-in-chief of "Prose World". Over the past 40 years, he has written a large number of prose, poetry, reportage and children's literature.