What are the characteristics of Liu Yong's ci? What contribution did he make to the development of Song poetry? What is his life experience? What makes his ci style?

Because of his bumpy career and poor life, Liu Yong turned from pursuing fame to being tired of officialdom, indulging in the charming and prosperous urban life, and looking for sustenance in "leaning on the red and leaning on the green" and "singing lightly". As the first poet in the Northern Song Dynasty, Liu Yong is a great poet in the Northern Song Dynasty and occupies an important position in the history of ci. He opened up the field of ci and created many excellent works. He not only developed the theme of ci, but also produced a large number of slow words, developed narrative skills, promoted the popularization and colloquialism of ci, and had a great influence in the history of ci. He is a scholar, official and foreign minister in Jing You. As a bohemian, he was down and out all his life. His ci mostly describes the city scenery and the life of geisha, and he is especially good at expressing the feelings of traveling and service. Liu Yong's lyrics are very popular, and there is a saying that "there is a well to drink and a willow lyric to sing". Many chapters sang the pain of some down-and-out literati in the prosperous times with sad tunes, which was really touching. He was the most accomplished poet in the early Northern Song Dynasty, and he wrote the Collection of Movements. Liu Yong's father, uncle and brother are all Jinshi, even his son and nephew. Liu Yong himself is also a lyricist in his official career. Liu Yongke, played in Liu Sanbian, was awarded the background of Jinshi in the first year (1034), nearly half a year old. The lyrics are excellent and widely circulated. Only one volume of his works, The Collection of Movements, has survived to this day. Describe the hardships of travel, such as Ling and Klang Ganzhou. They sang unbearable parting and unforgettable memories with a serious attitude, which is very infectious. Young Liu Yong wandered in Yanhua Lane. At the age of 5 1, Liu Yong finally went to Fujian, leaving behind "Boiling the Sea Song", giving deep sympathy to the people who cooked salt for a living at that time. In just two years' official career, his name was recorded in "Official Records of Country Names", which shows his talent in economic affairs. Unfortunately, due to his personality, he was exiled repeatedly, so he entered a wandering "floating life" and developed a preference for bleak autumn scenery. Liu Yong often compares himself with Song Yu, and he doesn't comment on it. Liu Yong was poor in his later years and died penniless. It was his geisha sisters who raised money for the funeral in the camp. After death, there were no relatives to pay homage. Every year in Tomb-Sweeping Day, geisha meet to pay homage to their tombs, and they are used to each other, which is called "Hanging Willow Seven" or "Hanging Willow Meeting". The Liu family has been an official for generations. Liu Yong studied hard in his hometown when he was a teenager, hoping to inherit his family business and go from official to official. After finishing his studies, he went to Bianjing to take the exam, ready to make great achievements and try his hand in politics. Unexpectedly, Liu Yong, a romantic talent in his bones, was attracted by the geisha in the brothel when he first arrived in the bizarre capital, leaving his political ideal completely behind him. He spent all day in romantic venues, played with geisha in brothels, and even wrote down his romantic life in his words: "In recent days, I have been going crazy." In Luo Qi, there is a person who can care about it. ""Know how many conspiracies, Qin Lou is drunk. I held hands and fell in love with embroidered quilts. "(Changshoule) certainly didn't forget the goal of the Jinshi in this trip, but he was" conceited and romantic ",confident and" proficient in art "and" versatile and good at diction "("Hitting the Indus "), and he didn't take the exam seriously, so that he could get the Jinshi and the top scholar easily. He once boasted to his potential sweetheart that even if the emperor came to the porch to try it himself, he would "be the best in the world" ("Long Life"). Unexpectedly, when it was released, it fell out of Sun Shan. Frustrated and resentful, he wrote the famous work "He Tianchong" (Golden List), claiming to "tolerate superficial fame and change to shallow singing". Your prince won't let me be a scholar and an official. If I am not an official, what can I do? Isn't it the same honor to be all-powerful in the ci world? It is "a talented scholar and poet, naturally dressed in white." "On the surface, Liu Yong has contempt for fame and fortune and is a little rebellious. In fact, this is just a complaint after disappointment. I still can't forget fame and fortune in my bones. On the one hand, he said in "Like Fish and Water" that "fame and fortune, I intend to fight for it. "Never mind right or wrong." On the other hand, he comforted himself by saying that "wealth can't be helped by people, and luck will be rewarded." Therefore, shortly after the first defeat, he rallied and fought again. In the early years of Renzong, the exam results have passed, but because the word "He Tianchong" spread to the Forbidden City, it was heard by Shang Minister. When Lin Xuan released the list, Renzong used the word "He Tianchong" as an excuse, saying that Liu Yong was politically unqualified and dismissed him, and instructed: "Why bother to be superficial?" (Wu Zenggai Zhai Zhuan, Volume 16) Liu Yong is really angry about his failure again. He simply called himself "Liu Sanbian, who was ordered to write lyrics", and since then he has wandered freely between prostitutes' houses and devoted himself to the artistic creation of folk new sounds and new words. Unfortunately, in officialdom, on the contrary, Liu Yong, a talented poet, gave full play to his artistic talent in the field of ci creation. At that time, the musicians and singers in the workshop asked Liu Yong to write lyrics for them every time they got a new song, and then they could be handed down and recognized by the audience. Many of Liu Yong's new songs and words are the result of cooperation with teachers, musicians and prostitutes. Liu Yong wrote lyrics for musicians and geisha in the workshop, let them sing in the karaoke bars of restaurants, and often got their financial support. Therefore, Liu Yong can survive in a workshop without much food and clothing. In the Southern Song Dynasty, Ye Luo's "Drunken Weng Tan Lu" Volume II said that "Qi Qing lived in Beijing and visited prostitutes in his spare time. Everywhere they go, prostitutes often give them gold materials. "Liu Yong earned a certain economic income by virtue of his popular literature and art creation, which marked the beginning of commercialization of literature in the Song Dynasty and set a precedent for the professionalization of talents engaged in popular literature and art creation later.