Li Bai's Qiu Pu Song
The white hair is 3, feet, and the sorrow is like a long one. I don't know where to get autumn frost in the mirror.
Don't be idle, it's too late to sell wine.
-Yue Fei's "Man Jiang Hong"
Jade pots are green silk.
-Li Bai's
Have you noticed, how lovely locks in bright mirrors in high chambers, though silken-black at morning, have changed by night to snow? Oh, let a man of spirit venture where he pleases, and never tip his golden cup empty toward the moon!!
-Li Bai's "Coming into the Wine"
The spring breeze upstairs will be closed, so who can look at the sad hair in the mirror?
-Li Bai's
The ape's voice urges white hair, and the length is all silk.
-Li Bai's Song of Autumn Pu
It's no use sighing with gray hair in those days.
-Li Bai's
Who can close the book, Bai Shou Tai Xuan Jing?
-Li Bai's Chivalrous Travels
mornings in her mirror she sees her hair-cloud changing, yet she dares the chill of moonlight with her evening song.
-Untitled by Li Shangyin
her Pear-Garden Players became white-haired, and the eunuchs thin-eyebrowed in her Court of PepperTrees;.
-Bai Juyi's Song of Eternal Sorrow
I am wandering in my old country, passionate about Ying Xiao Wo, and I was born early.
-Su Shi's Niannujiao Red Cliff Nostalgia
Bao Ji is loosely tied with lead flowers and lightly dressed up as
The veil of red marriage and green fog is light and flying, and the hairspring is uncertain
It's better to meet each other than not to see love, but it's still cruel
After the song is over, the wine wakes up slightly, and I hope the moon will be quiet
-Xijiang Moon by Sima Guang
-He Zhizhang's Homecoming Book
White-haired fish and firewood are used to watching the autumn moon spring breeze on Jiangzhu
-Yang Shen's Linjiang Fairy
Yellow hair hangs over his eyes and enjoys himself.
-Tao Yuanming's Peach Blossom Garden
When the window is decorated with clouds and temples, the mirror is painted yellow.
-"Mulan Ci"
"The hairpin wants to slip away, but the bun is slightly off, but she looks for cream powder to puff up the fragrant cotton"
The curling clouds comb the bun pile, and the eyes are clear in autumn. "
learning to paint a pair of moths is not successful, and the clouds on the temples are new and green."
. . . . .. the above is selected from Zhou Zizhi's Ci Collection
Beauty Bath, Green Marsh Lotus Blooms with Fragrance.
the double bun is as beautiful as jade, and the Su E glow is light green.
elegant and elegant, leisurely and comfortable, with golden hooves in the snow.
the water splashes the green silk beads intermittently, which makes them crisp and fragrant.
。 . . . . . . . Pay homage to Jinmen (Yan Xuan)
I used not to comb my hair in the past, but my hair was covered with two shoulders; Wan Shen Lang's knee is not pitiful.
Wei Niang's hair is too thin to comb. Li He's "Hao Ge"
Ouyang Xiu's ci:
Bao Ji is loosely tied, lead China is lightly made up, love is uncertain, and love seems heartless ...
Practitioners
Clouds and temples are messy, makeup is incomplete in the evening, and eyebrows with hatred are far away.
the fragrant cheeks are tender, and for whom do you lean on tears?
"The Book of Songs" contains: "Curly hair is like a cloud, and I don't care about it. . "Curly" means thick and black hair, and "Curly" means a bun. This ancient poem praises the thick and dark hair as a dark cloud in the sky. With such black hair, you don't bother to use fake bun. Later generations often refer to women's hair as dark clouds, such as the word "dark clouds are high".
When the ancients praised women's beautiful hair, they often called it "curly hair". For example, "Zuo Zhuan Zhao Gong Twenty-eight Years" contains: "In the past, there was still a daughter who was black and beautiful, and the light could be used as a mirror, and her name was Xuan wife." "Taiping Yulan" records that "it is pleasing to go to (Emperor Wu of the Han Dynasty) to see his (Wei Zifu's) temples". As soon as Wei Zifu's hair was opened, it sparkled like a black waterfall, which immediately attracted the young Emperor Han Wudi. (It is said that Emperor Wudi was worried about having no offspring at that time, so he paid more attention to some Taoist views, such as those with thick black hair and vigorous qi and blood, and those with vigorous qi and blood lived longer and had more children. "Biography of Chen Shu's Empress Shen" and "Biography of Zhang Guifei" record: "Zhang Guifei's hair is seven feet long, and his hair is like paint, and its light can be learned." Another example is "Seven Discrimination of Zhao Ming's Selected Works": "You can learn from the curly hair." "Curl" and "Xuan" are both words praising blackening. And the hair is bright enough to shine as a bronze mirror, which is amazing. 2. What are the poems in ancient poetry that describe hair?
Poems about male hair:
"To a Xi Weng" Don Wang Jian-deserves the power of Dan Sha, and the spring comes with new black hair.
"Wounded Spring" Song Chen Yuyi-The lonely minister frost sends out 3, feet, and the fireworks weigh 1, every year.
"Nian Nujiao Chi Bi Nostalgia" Song Su Shi-wandering in the old country, passionate about Ying Xiao Wo, born early.
female hair poem:
"South Song" Tang Wen Tingyun-Woduo combs her hair in a bun, and Lian Juan scans her eyebrows.
Don Feng Yansi of Bodhisattva Man-Yu Zheng didn't play through, and Feng Ji Luan Chai took off.
In Bodhisattva Man, Tang Feng Yansi shook his oars in a bun, and picked lotus leaves the Qingjiang River late.
Tang Wen Tingyun in Bodhisattva Man-The hills overlap and the gold disappears, and the clouds on the temples want to spend the fragrant cheeks and snow. Too lazy to paint a moth eyebrow, too late to make up and wash.
Untitled Don Li Shangyin-mornings in her mirror she sees her hair-cloud changing, yet she dares the chill of moonlight with her evening song.
"Song of Eternal Sorrow" Tang Bai Juyi-Yunji is half-new to sleep, and her flower-cap was loose when she came along the terrace. 3. About Long Hair
oo32174 in the Book of Songs: Hello.
The whole poem has an epic element, and the events described are based on the historical facts of the Shang Dynasty. At the same time, like the ancient epics of all ethnic groups, it has absorbed many ancient myths and legends, but according to the utilitarianism and ideology of the ruling class of the Shang Dynasty, it has made some choices and reforms on myths and legends.
From beginning to end, the whole poem runs through the idea of destiny of the ruling class in Yin and Shang Dynasties: "The monarch is endowed by heaven". They are the direct descendants of the Emperor of Heaven. They founded the country, opened up territory, conquered aliens, occupied Kyushu and ruled the people of all ethnic groups, all of which followed the will of heaven and were blessed by heaven; The ruling power of the new dynasty they established and all the blessings-power, wealth and outstanding glory-were derived from heaven, because they were the sons of heaven and their lineages. This ideology of the ruling class is the theoretical basis for their establishment of rule. In the poem, martial arts are praised, that is, violent plunder and expansion, such as "Xiangtu is fierce, and there are interceptions overseas", "If the fire is fierce, then I dare to kill", "Play bravely, and Bailu is always" ... The sovereignty and enjoyment of Bailu all come from the war with its own strong power. It is the essence of the theory of destiny in Yin and Shang Dynasties to advocate bravery and war and put on the disguise of "providence" for aggression, repression, plunder and rule.
The narrative of this poem is not flat and inflexible, and it is good at using some vivid language, and the description is more vivid. The rhythm is also relatively neat, except for the last two sentences of the whole poem, each sentence uses rhyme and each chapter changes rhyme. In sentence patterns, antithesis is often used, or the upper and lower sentences are opposite, or the two sentences are opposite, or the chapters are opposite, which makes the language neat and symmetrical, concise and concentrated, and has a strong sense of rhythm. 4. Poems that describe hair
1. The hills overlap and the gold disappears, and the clouds want to spend the fragrance and snow. Too lazy to paint a moth eyebrow, too late to make up and wash. (Wen Tingyun)
2. her cloudy hair is sweet with mist, her jade-white shoulder is cold in the moon. (Du Fu)
3. The water is the eye, the mountain is the eyebrow. If you want to ask pedestrians to go there, your eyebrows are shining. (You may need the previous sentence)
4. The temples are like dark clouds, and the hands are like sharp bamboo shoots. It is clear that cardamom is still fragrant, and it is suspected that the peach is beginning to blossom.
5. Luo Luan is long and short, and the green temples are not low. Long eyebrows and a jade face, and a fine gauze on the wrist.
6. Holding dark clouds on the temples, the eyebrows bend and the crescent moon bends; The muscles are frozen like snow, and the face is lined with sunrise.
7. eye-catching. When I wake up, I am tired of embroidering. What a pulse, dry by dawn, a grip like a willow.
8. Clouds lightly comb cicada wings, and moths lightly brush the spring mountains.
9. Holding Qingyun on the temples deceives indigo, and the eyebrows are like a knife.
1. Broom the tender willow in early spring; The fragrant muscles flutter in the moon, and the green temples loosen Chu Xiuyun.
11. It's dizzy and beautiful, and the two crows draw a fragrant cloud on their temples. 5. Poems related to hair
1. her cloudy hair is sweet with mist, her jade-white shoulder is cold in the moon. -du fu
2. comb your hair a thousand times, and take a grain break with a thin face. Raise the young to be big cranes, and make the seeds high pine. White stone is boiled all night, and the cold spring is exhausted. Never leave the hiding place, that the world meets. -Tang Jia Dao's Taoist in the Mountain
3. The jade zither is not fully played, and the phoenix bun bears a hairpin.
4. The lone minister's frost is 3, feet long, and the fireworks weigh 1, per year.
5. Holding Qingyun on the temples deceives indigo dye, and the eyebrows are divided into new moons like knives.
6, holding dark clouds on the temples, the eyebrows bend the new moon; The muscles are frozen like snow, and the face is lined with sunrise.
7. The temples are like dark clouds, and the hands are like sharp bamboo shoots. It is clear that cardamom is still fragrant, and it is suspected that the peach is beginning to blossom.
8. Browsing tender willow in early spring; The fragrant muscles flutter in the moon, and the green temples loosen Chu Xiuyun.
9. Weng Gui's Qi Mei wife is also virtuous. Sister-in-law has a beautiful face. The hair is messy and the bun is biased. Love stands before the rudder. -Song Wang Chen's "Fisherman's Word/Fisherman" 6. About Long Hair
oo32174 in the Book of Songs: Hello.
Ode to the Shang Dynasty in the Book of Songs: The whole poem has an epic element, and the events described are based on the historical facts of the Shang Dynasty. At the same time, like the ancient epics of all ethnic groups, it absorbs many ancient myths and legends, but according to the utilitarianism and ideology of the ruling class of the Shang Dynasty, it makes some choices and reforms on myths and legends. From beginning to end, the whole poem runs through the idea of destiny of the ruling class in Yin and Shang Dynasties: "the monarch is endowed by heaven", they are the direct descendants of the Emperor of Heaven, and they ruled the people of all ethnic groups by founding the country, opening up territory, conquering aliens and occupying Kyushu, all of which pursued the will of heaven and were blessed by heaven; The ruling power of the new dynasty they established and all the blessings-power, wealth and outstanding glory-were derived from heaven, because they were the sons of heaven and their lineages.
This ideology of the ruling class is the theoretical basis for their ruling. In the poem, martial arts are praised, that is, violent plunder and expansion, such as "Xiangtu is fierce, and there are interceptions overseas", "If the fire is fierce, then I dare to kill", "Play bravely, and Bailu is always" ... The sovereignty and enjoyment of Bailu all come from the war with its own strong power.
It is the essence of the theory of destiny in Yin Shang Dynasty to advocate bravery and war and put on the disguise of "providence" for aggression, repression, plunder and rule. The narrative of this poem is not flat and inflexible, and it is good at using some vivid language and describing it vividly.
The rhythm is also relatively neat. Except for the last two sentences of the whole poem, every sentence is rhymed, and every chapter is rhymed. In sentence patterns, antithesis is often used, or the upper and lower sentences are opposite, or the two sentences are opposite, or the chapters are opposite, which makes the language neat and symmetrical, concise and concentrated, and has a strong sense of rhythm. 7. The poem describing the hair should be a poem, and the author is dispensable, with the best < P > untitled Li Shangyin, mornings in her mirror she sees her hair-cloud changing, and yet she dares the chill of moonlight with her evening song. After the ancient palace, Du Mu, the first emperor, went away without returning, and the red pink cloud was heartbroken. The song of eternal sorrow, Bai Juyi, slept in a cloud bun, and and her flower-cap was loose when she came along the terrace, favored Cao Ye's thirty-six ladies-in-waiting, and each bun was like a crow. Hehuang Du Mu herded sheep and drove horses, although he was obedient. White-haired and devoted, Du Xunhe, a widow in the mountains, stuck to the bitter fleabane because of her soldiers, and her clothes were burnt. Wang Jian, a Xi Weng, was given the strength of cinnabar, and her hair was new in spring. Chen Yuyi, an orphan minister, had three thousand feet of frost in spring, and the fireworks weighed 1, every year. Liu Kezhuang, a northerner, was sad about her old Beijing daughter, and her makeup bun was still peaceful. Wen Tingyun, a southern singer, fell into a low comb bun, and Lian Juan brushed her eyebrows. Bodhisattva Man, Feng Ji Luan Chai Tuo. Bodhisattva Man, Feng Yansi, rocked his oars in a bun, and picked lotus leaves the Qingjiang River late. Niannujiao Chibi missed Su Shi's old country, and he was passionate about Ying Xiao Wo, and he was born early with huafa. Shanpo sheep, Wang Shifu Yun Song, had a bun, which was fragrant and warm, and covered her sweet boudoir, which hurt her spring sleep.