Appreciation of Li Shangyin's Poem Jia Sheng Jia Sheng Jia Sheng is an epic of Li Shangyin in Tang Dynasty, which aims to express the poet's feelings of lack of talents through Jia Yi's experience. The following is the appreciation of Li Shangyin's poem Jia Sheng, hoping to help everyone.
"Jia Sheng" Li Shangyin propaganda room invited sages to visit courtiers, and Jia Sheng was even more incoherent. Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods. Jia Sheng: Jia Yi, known as Jia Sheng in history, Sima Qian combined Qu Yuan and his biography into Biography of Qu Yuan and Jia Sheng. See Liu Changqing's Seven Laws and On Passing Jia Yi's House and Other Poems.
Xuan Shi: the main room in front of Han Weiyang Palace; Chasing ministers: Jia Yi was once demoted. Talent: talent. Man: This refers to the place with lush vegetation and overgrown weeds, and later refers to man.
Jia Yi's "suggestions" can generally be implemented. Who can say that Wendi despises Jia Yi? Since ancient times, I don't know how many dignitaries, although the official position is very high, but their remarks were abandoned by the king.
There are two opinions about the writing age of this poem. One is "Poems on Life in Yuxi". Note: "This poem was written by Li Shangyin in the first month of the second year of Dazhong (848), and was ordered by Zheng Ya, the secretariat of Guangxi, to go to Zhaozhou as a magistrate.
Because Li Shangyin is the head of a county, he has to sacrifice great events, so he wrote this poem with the title. Another view was put forward by Liu Yang, who believed that this poem was written in March and April of the second year of Dazhong, when Li Shangyin left Guilin and stayed in Beijing. (See Biography of Li Shangyin)
Li Shangyin, the author of this poem, lived in the late Tang Dynasty, which was in decline. He was deeply dissatisfied with the fatuity of the emperor, the eunuch's power and the domineering of the buffer region. Moreover, Li Shangyin was involved in the party struggle between Niu and Li, and was repeatedly excluded.
Therefore, he expressed his feelings by hanging Jia Yi, and satirized the behavior of Emperor Wen of the Han Dynasty. Although he could seek the virtuous, he did not know the virtuous, which reflected the social reality of the late Tang Dynasty-that is, the emperors of the late Tang Dynasty, like Emperor Wen, seemed to be enlightened, but in fact they were groggy and incompetent.
Jia Yi's relegation to Changsha has always been a common theme for poets to express their unfortunate feelings. Historical Records Biography of Qu Yuan Jia Sheng contains: "Jia Sheng asks for an audience. Emperor Xiaowen was accepted by Li (who just held a sacrifice and was blessed by God) and sat in the propaganda room (the main hall in front of Weiyang Palace). There is a sense of ghosts and gods in the world, so ask the origin of ghosts and gods. Jia Sheng is like a Taoist priest.
At midnight, Wendi Deng sat in the front seat (moving her knees close to each other on the dining table). Then he said, "I haven't seen Jia Sheng for a long time. I feel that I have gone too far. I might as well go now." The author, on the other hand, found another way, deliberately chose the plot of Jia Yi's recall from Changsha to announce the night-to-night confrontation as his own poetry material.
In the eyes of ordinary feudal literati, this is probably a great event worth bragging about. However, the poet has a unique vision, grasping the unnoticed matter of "asking ghosts and gods" and satirizing the emperors who dreamed of becoming immortals and were abandoned politically in the late Tang Dynasty.
Poetry wants to suppress and promote first, and a new and thought-provoking discussion has been issued. "The propaganda room invited the sages to meet the minister, and Jia Geng was incoherent." The front picture is written purely from the front, and there is no derogatory meaning at all.