Lyrics by borrowing scenery are often implicit but not explicit, with a long history, rich feelings and deep feelings.
To appreciate lyric poetry by borrowing scenery, we should master the following three principles:
First of all, we should understand the artistic conception of scene blending in poetry. Once the natural scenery is absorbed by the poet, it will inevitably bring the poet's emotional color to serve the expression of the poet's specific feelings. Such as the following Tang poem:
Looking at Dongting Lake from afar —— addressed to Premier Zhang
meng haoran
The autumn water rises and almost blends with the shore, mixing water and sky with the sky.
Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang.
I'm going to cross the water to find a boat and paddle. It's a shame to return home in the sacred age.
Sitting around watching other people's hard river fishing can only envy the fish caught in the fish.
Some people commented on this poem of Meng, "I hope that Dongting can express my feelings without showing signs of dryness (seeking for recommendation)". So, how did the poet Meng Haoran express the meaning of seeking recommendation?
This poem was written by the author to Prime Minister Zhang Jiuling when he traveled to Chang 'an in the west, hoping to get Zhang Jiuling's appreciation and appointment.
The first two poems describe the scenery, focusing on the majestic and endless Dongting Lake Wang Yang, Zhengjingchu and Shayueyang, which are magnificent and vivid, showing the poet's broad mind. The last two couplets turn from the trigger of the immediate scene to lyricism. Facing the boundless lake, the poet thought he had made a name for himself and had no desire to be an official. No one introduced him, just like crossing Dongting Lake without a boat. I hope Zhang Jiuling will quote him.
This dry poem is unconventional. It skillfully combines the intention of seeking officials with the scenery of Dongting Lake in front of us. Euphemism is implicit, supercilious, artistic and touching. It is an excellent example of combining the feelings in the eyes and the chest.
Second, we should understand the feelings expressed by the poet's scenery writing. For example, Fan Zhongyan's Su Curtain Covering:
Blue sky, yellow leaves, autumn colors, cold smoke, green waves. The mountain reflects the setting sun and the sky meets the water, and the grass is ruthless, even outside the setting sun. Dark homesickness, chasing travel, every night unless, good dreams make people sleep. The bright moon tower is lonely, and the wine turns into sorrow and tears.
Although this poem also describes the longing for love, it is different from the traditional farewell poem. Although it describes the longing for love, the way to describe autumn scenery is broad and beautiful, without any sentimental flavor. The next one is lyrical, expressing one's homesickness. This is a combination of common structures and situations in words. Its particularity lies in the unity of beauty and tenderness, more precisely, the unity of vast and far-reaching territory, beauty and affection. The words about homesickness and sadness are often expressed by bleak autumn scenery, but the scenery described by this word is vast and beautiful. On the one hand, it shows the poet's broad mind and love for life and nature, which in turn sets off the pain of leaving love; On the other hand, it also makes the feelings expressed in the following films appear soft, deep and not decadent. On the whole, although the language and technique of this word are similar to ordinary words, its artistic conception and emotional appeal are close to traditional poetry. This shows that small words that express feelings and are not annoying can be written in a wide range, not limited to boudoir courtyards.
Third, we should pay attention to appreciating the writing skills and language features of poetry. There are many ways to write about scenery. In a word, we should pay attention to the angle of the author's observation and description of the scenery. We should grasp and analyze the author's method of describing scenery; To understand and explain the techniques of describing scenery and so on. The following questions:
Read the following poem and answer the questions as required.
Wang yue
Du Fu
What a magnificent scenery Mount Tai is! Out of Qilu, green peaks can still be seen.
The magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north.
Caiyun lave? My mind is free and easy, and birds fly around in front of my nervous eyes ..
Try to climb to the top of the mountain: it dwarfs all the peaks under our feet.
(1) There is no word "Wang" in this poem, but each sentence is written in a clear hierarchy. Try to make a brief analysis.
(2) Mo Ruzhong, a Ming Dynasty man, commented on the following sentence of the first couplet: "Qilu is still young, who can follow Ling Du to write poetry?" What do you think of this poem?
(3) Later generations praised this poem as a "swan song" with profound ideological significance. Please make a brief analysis of this.
Reference answer: (1) The whole poem is about looking at Yue, the distance is from far to near, and the time is from morning till night, which comes from Wang Yue's idea of going to Linyue in the future. When I first saw Mount Tai, I was so happy that I didn't know how to describe my amazing, very vivid. Then answer it yourself. Zhuan Xu wrote two sentences about the magical beauty and lofty image of Mount Tai, which is the footnote of the last sentence "Unfinished Youth". The two sentences of the neck couplet are written in detail, which contains the poet's love for the motherland. Write two sentences about seeing Yue, and you will have the will to climb Yue.
(2) "The greenery is dripping, and the land is high." It is the answer that the poet got after he figured it out, which can be described as a stunning sentence. It is neither abstractly saying that Mount Tai is high, nor using the general language of "Cui Bi stung the sky" like Xie Lingyun, but writing its own experience in an ingenious way-beyond the borders of the two ancient Qilu countries, Mount Tai can still be seen from a distance, and the height of Mount Tai is set off by distance. Mount Tai is the land in the south and the Qi in the north, so this sentence describes the geographical characteristics and cannot be used when writing about other mountains.
(3) Later generations called this poem the swan song of Du Fu's poetry because of its last couplet. "Once you climb to the top of the mountain, you will see that other mountains are short under the sky." It is enlightening and symbolic, from which we can see the poet's ambition and spirit of not being afraid of difficulties and daring to climb high and look far. This is the key for Du Fu to become a great poet, and it is also indispensable for all those who make a difference. This is why these two poems have been told by people for thousands of years, and they can still arouse our strong * * *.